Singapore Sling

2003 "Trapped in a Deadly Game of Torture and Murder!"
6.4| 1h52m| NR| en
Details

Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.

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Also starring Michele Valley

Also starring Panos Thanassoulis

Reviews

Smartorhypo Highly Overrated But Still Good
Acensbart Excellent but underrated film
Console best movie i've ever seen.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Red-Barracuda I think it would only be fair to say that Singapore Sling is more than a little bit on the weird side of the cinematic spectrum. The story in this Greek oddity takes place over the course of one stormy night. A psychotic mother and daughter, who live in a remote villa, imprison a man whom they christen Singapore Sling. Much strangeness follows.This has to be described as a true one off. In some ways this may very well be a good thing, as this is a movie with some content elements that can charitably be described as somewhat unpleasant. But it's no ordinary exploitation shockfest; it's an experimental art film as well. For starters, its shot in black and white and it's full of strange dialogues, deeply unusual characters, visual invention, genre clashing and an absolute barrow load of transgressive material. Consequently, it's very hard to categorise. It one solely recommended for those with a taste for the bizarre. It recalls film-noir, with its hard-boiled voice-overs from the main character – except this is delivered in Greek, while the mother and daughter speak exclusively in English; ordinarily details like these would raise questions but in this case it just seems par for the course. This man, Singapore Sling, pursues an ex-lover who vanished after visiting these women; her name is Laura which is a nod the 1944 film-noir…I think.But all this film-noir malarkey is juxtaposed with a great deal of extreme material; like two completely differing film genres colliding at random. To that end we have lots of sexual torture and humiliation, which includes, of all things, graphic urination, vomiting and…masturbation with fruit. If you think any of its erotic then good luck to you but I think it's only fair to say that this sort of stuff will titillate an extremely small demographic. I personally found a lot of what I encountered in here pretty repulsive to be perfectly honest but the fact is that this is a well-made and acted film, while its sheer originality was impressive. So it does have an impact. Utterly strange and wilfully different, Singapore Sling is a movie that should be approached with some caution but its most likely not going to resemble anything else you've ever seen before. Whether or not that's a good thing I will leave you to be the judge of.
tankjonah A detective (Panos Thanassoulis) arrives at an isolated villa looking for a missing girl, Laura, and is imprisoned and sexually tortured by a mother/daughter (Meredyth Herold, Michele Valley) duo who have killed Laura, among others, and buried them in their backyard.This thoroughly bizarre film contains obvious homages to the great film noir, Laura (1944), from the initial plot (a detective in love with a dead girl, whose painting is on the wall) to the beautiful black and white cinematography, to the detective's voice over narration but moves off into directions that are totally unexpected if not downright silly (for example another homage, this time to The Mummy (1932) where one of the main characters is being sodomised by her father who's dressed as the mummy).Although there's much nastiness and depravity on show (from Thanassoulis being tied down and given electro-shock treatments before Herold urinates on his face, to Valley raping him and then vomiting on his face, to the denouement where Thanassoulis kills Valley with a knife he has strapped on like a dildo), the film never really feels nasty and sick. This is obviously quite incredible and an achievement in itself. How does it pull it off? Well there's a very playful air about the proceedings (some even call this a comedy); Valley and Herold's relationship is almost child like and Valley often speaks to the camera (which is an irritation) in her sweet, pleasant voice discussing what has happened. The whole situation is like a game, albeit fetishistic and depraved games, which, in spite of the fact that we know they're killers, doesn't create any real sense of danger or dread. Interestingly Thanassoulis never really speaks to the ladies, they speak predominantly in English and a little French whilst all we hear from him is the voice over (another common noir technique that the films employs), which is in Greek. Is he consigned to a dreadful fate or does he also not really feel in any real danger? The latter is unlikely but he never really tries to turn the tables on his captors. A truly bizarre film, well made and shot, with excellent and appropriate music in the style of 40s noir. Obviously not for all tastes but certainly worth a look for viewers of challenging and offbeat cinema.
homer_says_doh The best Hollywood film that Hollywood never made! This has instant classic stamped all over it. A film that plays, teases and laughs both with and at it's many possible influences, not to mention itself along the way.Stunning cinematography and 'bravura' performances from the female leads, this is the perfect TV Sunday afternoon film if the world was sound instead of being the bonkers screwed up place it actually is.Unreservedly recommended to anyone and if you don't find it engaging, maybe it's yourself that needs a reassessment.Now just how does one get to see his other movies??!!!!!
The_Void Well...it doesn't get much more bizarre than this! To sum it up simply, Singapore Sling is a work of extreme cinema; featuring all manner of things from sadomasochism to incest...but it's shot in a style reminiscent of the classic film noirs from the golden age of cinema. The two styles offset each other constantly, and this gives the film an extremely surreal atmosphere as well as a completely unique style that ensures Singapore Sling is nothing like any other film ever made. The film was made in Greece, which makes it almost unique in its own right as Greece isn't a country famous for film-making. The plot focuses on a detective who is looking for a girl named Laura. One night, he stumbles upon two women burying a body and we are introduced to what has to be one of the most "offbeat" mother and daughters in cinema. We then follow the daughter as she details the things her and her mother get up to, before the weary detective; who is given the name 'Singapore Sling', stumbles into the pair's home and ends up becoming 'involved' in more insane games.The film is shot in beautiful black and white, and director Nikos Nikolaidis does an excellent job of making the film as picturesque as possible. In fact, the film is so damned pretty that even morbidly sick practises such as a mother having lesbian sex with her daughter don't seem quite so grotesque when seen in this film. The film only features three performers, but it never gets boring even though the film runs for over 110 minutes. The director somehow manages to keep things interesting despite the fact that the film often retreads similar ground. Much of the credit for the film must go to Michele Valley and Meredyth Herold, who both provide brilliant performances as the mother and daughter central duo. Panos Thanassoulis is good also as the title character, but he remains silent for most of the film and never gets a change to fully impress. The film plays out well throughout, and it all boils down to a suitably sick finale which gives credence to both its pornographic and film noir styles. Overall, Singapore Sling is a fabulous piece of celluloid which needs to be experienced by everyone who considers themselves a fan of cinema!