She Loved a Fireman

1937 "Blazing drama and thrilling action packed in this four alarm thriller."
5.2| 0h58m| NR| en
Details

A young man with a checkered past struggles to make good as a fireman.

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

Scanialara You won't be disappointed!
Marketic It's no definitive masterpiece but it's damn close.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
fredcdobbs5 Dick Foran--more famous (or infamous) for playing singing cowboys--plays a wise-ass who joins the fire department to show a fireman he doesn't like how easy the job is. Robert Armstrong plays the fireman in question, and he does what he can with it. Ann Sheridan is Armstrong's sister, who Foran is interested in, and Armstrong doesn't want him near her. Sheridan shows the warm, easygoing but sexy personality she used to great effect later in her career, even though she only has a fairly small part here. This is strictly a bottom-of-the-bill quickie, directed by John Farrow who went on to bigger and better things, as did Sheridan. Foran didn't, pretty much staying in the "B" rut for the rest of his career. He's supposed to be a ladies man here, but he just doesn't pull it off, coming across as a conceited, arrogant jackass. Sheridan sparkles in a small part, and Armstrong is always interesting to watch. Unfortunately, the picture isn't. If you're an Ann Sheridan fan you'll want to see this. If you're not, you won't.
David (Handlinghandel) It's very hard to believe that John Farrow directed this. He was an excellent director. The movie is at best ordinary and, more precisely, pretty terrible.It's totally formulaic. One can plot the whole thing, right through to the end, after the first five minutes or so.Dick Foran is new to me. This was enough of him. Robert Armstrong did some good work in other movies and he isn't bad here. Ann Sheridan is her usual self but given little to work with.One thing that annoyed me about the movie is its premise: Foran plays a stock 1930s character. He's the wise guy who's been involved in shady doings. Here, that guy decides to make a point by becoming a fireman. He wants to show what an easy job it is.Was there ever a time, since the days of the cavemen, that fire was considered benign? Is it possible that anyone could belittle the hard, dangerous work done by brave firemen? I really don't think so. And there goes the movie.
tarpoff I have to second that first assessment I read. Ann Sheridan IS the only reason to watch this. However, it is also the reason TO watch it. Ann Sheridan might be the most underrated actress in motion picture history. She is always worth watching. Anything and everything she does is worth watching. This was made before she was being given significant roles which all changed with the James Cagney/Pat O'Brien classic, "Angels with Dirty Faces". That performance brought to the attention of Hollywood that she was much more than a pretty face. The three of them teamed up again in "Torrid Zone" and by then she was coming into her own. She had a tremendous off screen brother/sister repoire with Humphrey Bogart from their film "San Quentin". Although the media has consistently reminded everyone of Betty Grable as a pin-up during WWII, Ann Sheridan was right there with her.
Randy_D The only thing worth watching in She Loved a Fireman is Ann Sheridan, and it's really too bad for this movie's sake that she's hardly in it. Instead we get a too-large dose of Dick Foran. Blah.While watching this movie I couldn't help but think why on Earth would someone like Ann fall for a guy like this? It reminded me of a couple of Priscilla Lane movies where she gets stuck with another Warner Brothers buffoon Wayne Morris.I'm just glad that both Ann and Priscilla got to work with the likes of Humphrey Bogart, Cary Grant and James Cagney. It definitely made doing movies like this more tolerable knowing that better things were on the horizon.