Scream 3

2000 "The most terrifying scream is always the last."
5.6| 1h57m| R| en
Details

While Sidney Prescott lives in safely guarded seclusion, bodies begin dropping around the Hollywood set of STAB 3, the latest movie based on the gruesome Woodsboro killings.

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Reviews

Konterr Brilliant and touching
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.
Salubfoto It's an amazing and heartbreaking story.
Minahzur Rahman Scream 3 is watchable, and is a good film. It's still scary just like the other two movies, but you could also get a sense that it doesn't take itself too seriously at times. The only issue I had with this movie is that the main character (Sidney) didn't get much screen time as you would've hoped. It's definitely the weakest of the trilogy, but they're all good nonetheless. Nothing more to say really other than the fact that it's a fitting end to a trilogy. I'll give it an average rating.
JamesRutland All the three episodes of the series have their own message: 1) the first episode considers the banality of relationship lived as a splatter where the youth trivially approach serious events; 2) the second episode considers the stupidity of viewers in confront of criminal murderers they live as personal exaltation manipulated by marketing system ("so that the viewers are the real white mask") able to sell violence as a product without considering the consequences of that product in the weakness minds; 3) the third episode (this one) describes the real face of Hollywood under the white mask where actors sell themselves to get a part and often they are alienated by the false dive image in order to be manipulated by directors and/or producers so to get sexual intercourse and orgies which generates aftermaths in the attitude of their sexual "toys": the first consequence is the degradation of person into material object selfishly owned. Wes Craven was able to mask its climax message with an horror series well made avoiding any exaggerations, including a bit of smart humor during the calm phases of his movies. So the series is an accusation against the consumerism system promoted by Hollywood which considers the viewers as useful idiots from which to take easy money by emotional suggestions injected using both the motion pictures and the sound environment ("pay to get ephemeral emotions as the addict pays to get doses of drug").
NileFortnerBoogieBuddha954 Jay and Silent Bob aren't the only ones who strike back. Scream 3 is suppose to be the chilling third chapter, of the phenomenon, frightful, and popular Scream movies. However, it lacks what made the first and second Scream movies amazing.I believe the 3rd entry could have used it's old screenwriter back, Kevin Williamson (I Know What You Did last Summer, The Faculty). Instead, we get a new screenwriter, Ehren Kruger (The Ring, Transformer: Age of Extinction). In my opinion, Kevin Williamson may be the better writer.I believe this Scream film didn't have the heart behind it. Easy it enjoyable? Sure. Is it a classic like the first one, or even good like the second? Not really.So these are my final Bitchin' Buddha thoughts on Scream 3. It's not as suspenseful, original, and clever as the rest. I enjoyed it, but I believe there wasn't enough creativity ad heart behind it. I believe Scream 3 earns a...6/10.This review is brought to you by Boogie Buddha, and remember, don't just get down, but get boogie. Thank you all for reading/viewing, and I hope you have an amazing day as always. :)
GL84 Following a brutal murder, a detective's investigation into the horror movie revolving around the victims of a similar incident coincides with previous rampages and tries to find a way of stopping the ravenous killer from continuing.With a lot to really like about it and only a few mild flaws, this is a certainly fun entry in the series. One of the film's greatest strengths is the fact that the stalking scenes are suspenseful. The opening is just as good as the others which gets really going early on with the phone-call goes into the great bedroom search that is really suspenseful. There's also nothing wrong with any of the stalking scenes in here as there's a fantastic scene inside the studio where the killer chases one of the actors through the different backstage areas, and with several great ideas brought in to keep this going along in the closets and stage-doors, this one scene leaves a great impression while the assault on the house is fantastic and features a couple great scenes. The best scenes, though, come from all the stalking and chasing down at the end, from the discoveries in the basement to the chase behind the glass mirrors in the secret passageways and much more, these scenes are really entertaining. This one also has some suspense from the calls, with the twist of different voices rather than the one since it adds to whether or not the voice is real or the killer's. This one has plenty of action to it as well, including a frenetic chase through rush-hour traffic, the fantastic house assault and the big chase through the studio are all fun and give the film a fantastic pace to it. The fact that this one also decides to really fill in a couple of holes in the story nicely, and there's some fun to be had from the really good explanations, which make sense and makes this really feel like a well- rounded trilogy. These here are what the film does right as this one here doesn't have a whole lot of flaws. The biggest one is that there's a whole lot of padded time in the film, unlike the others which is way too long and seems stretched out. The beginning hallucinations don't do much, as there's no reason why these are there other than to give false scares and the ending explanations just take forever and gets too over- explained at several points, which becomes a torturous monologue to something that was perfectly understood minutes earlier. Along the lame kills that are really repetitive and don't offer up much blood and gore here, these small flaws are what keep the film down. Rated R: Graphic Language and Graphic Violence.