ThiefHott
Too much of everything
Sameer Callahan
It really made me laugh, but for some moments I was tearing up because I could relate so much.
Marva
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Wizard-8
"Scorpio" is a pretty good spy drama, though it's not for everyone. Before I explain that qualifying remark, a brief mention of the movie's positive attributes. Unlike a lot of other movies involving spies, the plot for "Scorpio" is pretty easy to follow. The movie also portrays the world of spies in a more realistic fashion; spying for the most part isn't action- packed, but instead involves a lot of humdrum stuff. The movie also has a very un-Hollywood-like ending that I thought was pretty refreshing. Those last two positive attributes, however, are two that will turn many people (mainly young viewers) off this movie. The lack of action will probably bore them, and the ending will probably infuriate them. But if you are a fan of older movies and their particular kind of storytelling, the movie is a good way to spend 114 minutes of your time.
Catch-52
Lancaster, Delon, and Scofield are amazing in this complex, character-driven spy thriller. For some reason, Winner's direction has come in for a lot of criticism, but I thought it was superb (at least here; haven't seen any of his other works). The big action sequence is beautifully shot, edited, and staged -- I liked it far better than "The French Connection"; indeed, "Black Sunday" is the only '70s thriller I've seen with better action. It's just so realistic!The biggest flaw I can see is that the major action sequence is so exciting that all the stuff that comes after it can seem a bit dull and overextended by comparison. Still, it's good, thought-provoking material with a cynical Le Carre edge. Without spoiling the end, let's just say that whether or not you think it "works", it certainly has an emotional impact.The supporting cast (Joanne Linville, John Colicos, J.D. Cannon, Frederick Jaeger, Shmuel Rodensky, et al.) is quite good, and the script (co-written by famed TV producer David Rintels) is filled with quotable dialogue and subtle bits that illuminate the characters, as well as clever pieces of "spy business" that feel authentic (whether or not they are).Bottom line: One of the best films of its kind.
bkoganbing
Scorpio was a film Burt Lancaster didn't think too much of according to a recent biography and after viewing it I can certainly see why.On the plus side Lancaster got to work with former co-stars Alain Delon from The Leopard and with Paul Scofield from The Train, both films considerably better than Scorpio. Too bad he wasn't given something better than a warmed over espionage story.Lancaster is a CIA agent suspected of being a double agent. Word has come from on high to terminate his existence. Not an easy task by any means. Lancaster hasn't survived in the spy business by being a dummy for thirty years.From French intelligence the CIA borrows hit-man Alain Delon who has worked and trained with Lancaster. He's got the title role as one nicknamed Scorpio because of the way he strikes. Lancaster has an ace or two up his sleeve also. An old friend with the KGB, Paul Scofield, is willing to help up to a point.Here's where there is a real problem. Both Lancaster and Scofield are identified by the script as having served in Loyalist Spain with 'volunteer' groups. Of course in the Soviet case I'm sure volunteering was strongly urged.In America however that would have been the Abraham Lincoln Brigade. And during the post World War II McCarthy era that was one of a group of organizations past and present that was considered a Communist front. I'm sorry, but there ain't NO WAY that Lancaster with that in his background would have ever gotten a job with the Central Intelligence Agency. And if he did, he would have been found out and dismissed back then and there. The whole story falls apart knowing this.There are some nice location shots of Vienna and of Washington, DC in Scorpio and acting honors if any go to Paul Scofield. But the film is one colossal waste of time.
JVSanders
Whereas Ian Fleming and Robert Ludlum tended toward the super-hero approach to international espionage, John Le Carre preferred it's more-realistic side: the tawdry shadow-world of betrayal, futility, and the brutal exploitation of human weakness. It looks like screenwriters Daniel W. Rintels and Gerald Wilson and director Michael Winner took a page from the Le Carre playbook when crafting this 1973 thriller.Scorpio ranks with The Spy Who Came In From The Cold and The Looking Glass War as one of the best espionage flicks ever made. Burt Lancaster displays subtle depth as a veteran CIA agent who might be turning to the other side. Alain Delon excels as the young French assassin tasked with the liquidation of his old friend and mentor. Paul Scofield, John Colicos, and a young James Sikking all turn in fine supporting performances.Scorpio is a lesser-known yet very satisfying classic from the Anti-Hero/Anti-Establishment era of the 1970's.
