ThiefHott Too much of everything

Steineded How sad is this?

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

johnnycandle As the above suggests, I was ultimately unimpressed with this movie. It is lovely to look at, the scenery is lush, but the detail of the story, in particular the characters, are totally unbelievable. Films don't have to be believable, but films like this, with a political edge and social commentary do. Similarly, I have no problem with commercialism as such, but once again, films like this shouldn't be making casting decisions purely based on box office draw. This is absolutely the case with Sutherland, who is frankly rubbish as Doyle. His accent was far from authentic, but he fell into the biggest trap of all, his accent IS his performance, and we end up with a caricature of Irishness with no personality outside of his nationality. I find it totally implausible that anyone involved thought he was the best man for the job. All in all, this is a clear case of commercial interest over quality and when you're trying to be The Mission, this kind of thing wrecks your chances of success.Speaking of accents, there were a couple more problems, one being the striking modernity of Boy's accent which acted to dispel the feeling of being transported to another time. More surprising was Samantha Morton's much lauded Irish accent, which was variable to say the least. Her voice meandered between strong north and soft south, even in the voice-overs, where I would've expected any such discrepancies to be picked up.However, these are minor gripes compared to the motivation and actions of Sarah. She never seems at home with the English, and almost instantly at home with her son and his tribe, the dilemma between the life she knew and the life she if offered just seems like a no-brainer. Perhaps a lot has been lost in editing, perhaps this was meant to be a three hour film or a mini series where these things could've been fleshed out, but I can only judge what I've seen.Now the biggest problem, Sarah's (Morton) relationship with Doyle (Sutherland) is incomprehensible. The fact is that her affection for him is not conveyed in any way until her having to choose between him and her son, the conflict she goes through at this point was frankly ridiculous and killed the movie for me. As you may have guessed. this movie didn't work at all for me, but it is top notch to look at, you really won't see anything more stunning in terms of scenery, there are some good performances and my wife liked it.

ramayana A good example of reversed, politically correct racism where white men are presented as senseless brutes who're only there to be massacred and their aboriginal adversaries as noble heroes, superior both in their appearance and abilities. Apart from making the story overally dull, this also prevents the neutral viewer to identify himself with one or the other side - it's just too simplifying. The repetitive score is incredibly annoying (as is the voice-over), the characters lack any depth and the viewer is soon lost between questions like "who is this character" and "what the hell is that supposed to mean". Photography is wonderful, though, and on the whole there's a lot of atmosphere to it but nice shots of misty landscapes alone don't save this movie. The DVD box uses Kiefer Sutherland as an eye-catcher. In fact, his character could have been played by anyone else because it's basically just an empty shell (like most non-Maori characters), and disappears anyway around halfway the film. But if you are eager to see Jack Bauer in a kilt, that's your kind of movie...

Puckles83 Boy did I enjoy River Queen. The scenery was stunning, the acting superb, the story brilliant, and the music was a hauntingly beautiful match to an incredible film. I always thought it would be great if a film was set during the Maori wars that was similar to Michael Mann's "The Last of the Mohicans". Well this it, with shades of Joffe's "The Mission" to boot.River Queen grabs you and draws you into a world that you only learned about in history books. It does not take sides but portrays the beautiful and the ugly in both sides to the conflict. The chemistry between the main actors is powerful and moving and keeps the people of the story to the fore, stopping them from being engulfed by the powerful images of the war.I always thought it would take our own Peter Jackson (should be Sir Peter) to make a film of this quality in New Zealand and about New Zealand. But I take my hat off to Vincent Ward. River Queen demonstrates that there is an amazing depth of movie making talent in this small country that time and again punches way above it's weight.

BorrisB All Vincent Ward's movies have a heart, a visionary heart. It amazes me that he has managed to make as many movies as he has, as none of them have been block busters. They have all been personal and intense, and they have all added something to the world. None of them are just another genre type a,b or c movie. I had heard conflicting reviews about this one, but given his previous films particularly Navigator and What Dreams May Come I just had to go. It really got under my skin, it's a historical drama, but dream, desire, and vision saturate the story, making it like no other.Also being from Aotearoa and with Maori blood having been mixed into my veins, it was fantastic to see such a good film finally being made of that clash of cultures. How personal and close the wars were. The landscape and the Wanganui River were filmed to perfection.This movie haunts me. It's great to finally have another Vincent Ward movie. If only they released the other ones on DVD!