Stometer Save your money for something good and enjoyable

SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Roland E. Zwick There's a strange sort of paradox at work in "Remember Me, My Love," an Italian film that seems to be operating under some bizarre inverse law of quantum physics. For while the movie itself moves at a breakneck pace, hurtling from one scene to another with near-reckless abandon, we can't help noticing that the faster it goes, the slower it seems. Perhaps, we simply wear ourselves out trying to keep up with it and it is this exhaustion factor that ultimately accounts for our restlessness and ennui."Remember Me, My Love" focuses on a family of four, whose members haven't been getting along too well of late. The parents, Carlo and Giulia, are both trying to find ways to cope with a bad case of middle aged crisis: he, by rekindling a romance with a beautiful former flame, and she, by pursuing the career in acting she abandoned when she became a wife and mother. Their children, Valentina and Paolo, are typical adolescents, all caught up in rebellion, identity crises and complicated affairs of the heart.Although the film attempts to provide some insight into the complexities of modern family life, the characters come across as so whiny and self-indulgent that any sympathy they might have engendered on the part of the audience quickly turns to indifference and even irritation. The actors do their best (particularly Laura Morante as Giulia), but the characters they are called on to play never engage us much beyond the surface level. This lack of depth is further compounded by the whirlwind nature of the storytelling, which rarely allows the actors the time they need to settle down and work out the subtle nuances of their roles.In all fairness, I must admit that, in the second hour, the film improves considerably, trafficking in some genuinely raw emotions that exemplify the devastating effects that a disintegrating marriage can have on all members of a family. Moreover, the film ends on a courageously inconclusive note, which goes a long way towards mitigating some of the theatricality and artificiality that permeate the rest of the movie.Taken as a whole, "Remember Me, My Love" turns out to be much less than the sum of its parts, but the performances and a few good scenes do make it palatable.

gradyharp RECORDATI DI ME is a beautifully written and constructed film by Italian director Gabriele Muccino about the workings of a 'normal middle class' family and the bonds and challenges that peak at the time of fragmentation of the family unit that accompanies 1) middle age of the parents and 2) departure of the children at the end of high school. How those crises and adjustments inform the durability of the family unit makes up this thoroughly engrossing and touching film.Carlo Ristuccia (Fabrizio Bentivoglio) is the father embedded in a life long job that is mundane and not at all in line with his dreams of being a writer (he has been writing a novel for years, yet unfinished). His wife Giulia (Laura Morante) is a committed mother but longs to return to the acting stage she abandoned for marriage. Their two children are Valentina (Nicolette Romanoff) who is determined to become a glamorous TV star and Paolo (Silvio Muccino) who is aimless in his desire for a life of meaning, a life which would prove he is not as unexceptional as he views himself.Gradually each member of the family encounters escape routes: Carlo meets his old girlfriend Alessia (Monica Bellucci) and begins an affair with her; Giulia is asked to audition for a part in a play directed by one Alfredo (Gabriele Lavia) who makes her feel desirable and noticed; Valentina sleeps around to land a part in a TV giveaway show 'Ali Babbi', and Paolo attempts to attach himself to a girlfriend by planning a birthday party with contraband hashish which he feels will make him appear important in the eyes of his peers. As each of these crises reaches a peek, Carlo sustains a back injury while fleeing his home and his resultant hospitalization results in altered perceptions of what the family is all about.The twists and turns of the plot are, of course, far more involved than this short synopsis, and it is the development of each of these characters and the way that they approach change that makes the film work so well.The acting is excellent and the direction is past paced even for a two and a half hour movie. Yes, much of this has been said before, but the wit and pathos combine to create a story well worth telling and watching. It is a story about dreams, lost possibilities, and the need to fulfill them.

Paolo_UK I am not a big fan of Muccino, and this movie didn't change my opinion. What I don't like is the ambiance and the social setting of his movies -it is too often the same Roman middle class, kind of leftist, ordinary people and the same Roman settings that probably reflect his life, family and friends, it looks like Muccino can not direct a movie with different stories, people and situations. This one is full of stereotypes and quite predictable - it is still a nice movie, with some good acting and dialogues, but there is nothing really new. Laura Morante and Gabriele Lavia are good, and when they are on screen together the movie is worth watching. The other actors are OK, but nothing really memorable. The happy (?) ending is definitely meaningless

vanillafan Yesterday I saw this excellent movie, and it is still lingering in my brain and my soul.I merely liked, not loved, Gabriele Muccino's smash Italian hit L'Ultimo Bacio when I saw it, since its depiction of thirtysomething doubts and fears left a sort of slightly fake aftertaste in my mouth. Plus, it waned out of my mind in a couple of hours, even though I had enjoyed while I was in the theatre.Ricordati Di Me is a very, very different deal. It's a delicate, multi-faceted, true and touching punch in your stomach.Well written and well played - especially by the extremely skillful and absolutely charming Fabrizio Bentivoglio, who's one of Italy's most gifted thesps as well as the longtime boyfriend of Rain Man's Valeria Golino (here you see him pouring his heart out onscreen with painful, searing directness) - the movie brings you into the home of a dysfunctional Italian family not dissimilar from so many dysfunctional Italian families.Meet them: there is the melancholic, romantic, slightly frustrated husband Carlo (played by Bentivoglio), who's an obscure white-collar worker who once wanted to be a writer and keeps a sensitivity that leaves him totally exposed to raw emotions and to the eventual unfair blow of fate, all of this while keeping as well a still-unfinished novel in one of his drawers; then there is his VERY frustrated teacher wife (played by the ever-classy Laura Morante), who once wanted to be a stage actress. They've got two teenage kids, one of them a vain and egotistical 18-year-old daughter, keen on only one thing, i.e. becoming a TV starlet (played by stunning newcomer Nicoletta Romanoff), and the other one a vaguely leftish, pot-smoking daydreamer senior high schooler son (played by the director's brother).Nothing new or revolutionary here, be sure of that, but the whole tale elaborated by Gabriele Muccino about the emotional disintegration of this apparently average family is narrated with passion and participation, both by its writer-director and by the actors.The foursome meet enormous difficulties in communicating with each other - not only the parents with their children do, but also each of them with any other one, and egotism and indifference run rampant, especially in the veins of Valentina, the young daughter, who's a truly upsetting spectacle to watch, what with her relentless pursuing of a tinsel world, a world made of garish make-up, TV studios and squalid sex relationships with one or the other TV beefcake idol, since this girl, while still looking very innocent on the outside, would do anything to be cast in some cheesy TV show as one of the decorative babes who strut and grind in the background.So, when you see Carlo, the husband, falling again - after many years - for married and unsatisfied mother of two Alessia (the ever-stunning Monica Bellucci, here way more expressive and intense than usual), an old flame of his youth, you just cannot think, not even for a second, of him as a middle-aged philanderer, or of Alessia as your typical homewrecker. The rekindling of their love is something so pure, so tender, so NEEDED by both these characters, that you can't help rooting for them - and be heartbroken when things just become spinning in a totally unpredicted direction, which I don't want to spoil for you.I also truly appreciated the open ending, which leaves the audience enough room to imagine whatever they like for the future life of these characters, who've just been, anyway, through a journey able to break - once and for all - the walls of hypochrisy that previously surrounded them.Go and see this movie, you won't regret it.