Cubussoli Very very predictable, including the post credit scene !!!

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Cheryl A clunky actioner with a handful of cool moments.

politic1983 This is another film purchased on DVD while in Hong Kong last summer and that for some reason or other I never got round to watching, which is a shame, because it's a good little film. 'PTU' – or 'Police Tactical Unit' (do you want to see my unit?) – follows the plight of Detective Lo, as he searches for his gun; lost to street punks. Enlisting the help of fellow officers, he roams the streets on Tsim Sha Tsui in hope of retrieving it by dawn.Directed by Johnnie to, this feels like one of those fun films that gets made quickly in between much larger productions, a la 'Chungking Express', also set in Hong Kong. The plot is simple enough – though the characters may not always be – and it is easy to dip in and out of without too much thought.Filmed with wide-angled lenses, with close-up shots, this is classic Hong Kong cinema: capturing the claustrophobic nature of the milieu, with bright lights, dingy streets and an endless array of colourful characters trading blows through the night. Hardly To's best work, but a further stamp in his place as the John Woo for the new millennium and probably the best director from the SAR over the last decade.Using regular collaborators, such as Simon Yam and big-and-beautiful Suet Lam, To's police are a far cry from the hapless characters of Jackie Chan's 1980s, giving the impression that if one thing is illegal in Hong Kong: it's smiling. The look and feel are both slick and stylish and cult at the same time, though the music – typically a weak point in Hong Kong films, bar the work of Wong Kar-wai – is, at times, more sixth-form college hopeful with a synthesizer after a two litre bottle of Tizer than professional. But that's minor, and along with 'Breaking News' and 'Exiled', 'PTU' shows that To is the master of the roaming groups of loners…in Hong Kong and Macau, at least.www.politic1983.blogspot.com

Onderhond Johnny To is turning into a real favorite of mine. After praising Mad Detective and Sparrow earlier, now it's time to rewind and take a look at a slightly older To film. PTU proved to be just as impressive as his successors.I try not to expect too much when I approach older films of a director as his trademark style might not be perfected yet. This is the point where PTU surprised me the most. It just breathes To and even though it is starting to age a little, you will hardly notice it when watching the film. To's trademark style is already fully present and already a real spectacle to behold.Do mind the marketing of the film though, as it is often presented as somewhat of an action flick. PTU is clearly not that. Even though there a few action scenes and one major stand off, the rest of the film is brooding and slow, playing on atmosphere and emotion. But if you've seen any other recent To flicks, you'll already know what I'm talking about.Visually PTU is a little gem. The lighting is exquisite as Hong Kong's nightly appearance is a collection of dark patches broken down by bright lights. To is constantly playing with the visuals, trying to create a ghostly and barren city which at the same time steams and is ready to burst. Camera work is equally impressive as the camera floats and flies through its surroundings. To knows how to shoot film, that much is certain.The soundtrack is interesting (again a trademark To element) as it captures a certain atmosphere not often found in a film like this. Always a little off-key and uncommon, but To manages to make it work time after time. The film benefits from the score in several key scenes where the tension is built up to explode into a stylish climax. Good stuff alright.I guess most people will trip over the storyline, since PTU is pretty sparse when it comes to actual events. The setup is simple, as Lam's character loses his gun and Yam and his crew aid him in recapturing it. Things get out of hand and it all leads up to an impressive gathering of all parties involved (which are quite a few near the end). And even though the film boasts a very amusing ending the key is not within the main story arc but within the individual scenes themselves.To is one of those directors that can bring life to a scene. He dares to stretch them and brings audio and visuals together to build up tension and to develop a solid atmosphere. The storyline becomes nothing more than a hook and for those hungering for telltales to keep them occupied this could well be quite frustrating. Other film fans will appreciate To's magic and the way he applies it to turn each scene into something more than just a presentation of a storyline.PTU is first class film-making. Lam en Yam are good actors and know how to play their parts. The soundtrack is solid and the film is visually impressive. It even boasts a simple but fun and sufficiently developed storyline. But if that is what you care about the most, you will miss the real magic of To's film-making. 4.0*/5.0*

Jason Gervais This is quite possibly one of my most favorite films ever. Johnnie To returns to the crime genre with a bang. Literally. Known for his "The Mission", Johnnie To takes us into the perilous night and folds us into his dark and rich world.The story follows a band of police tactical units, who keep order in the streets of Hong Kong during the night. Lam Suet plays anti-crime detective officer Lo, a cop who's night is about to go upside down. He gets beaten up by your regular triad gang, and he wakes up to find his gun is missing. Risking his job and lives, he must find his gun before it does any damage. He gets help from Mike (Simon Yam) and his party, the PTU, to search for his gun until dawn. The characters themselves are not quite developed. However, these characters need no words or development when it comes to this film. Much like, "The Mission", development is not needed to express themselves throughout the film. The characters are simple enough for anybody to understand. The film's music is also really well done and fits the mood of "PTU" very well.The effects used throughout the film are highly impressive. Johnnie To places us in some kind of magical world, painting Hong Kong in darkness and plays around in it like some kind of playground. The light on dark shots are very well done to say the least. Fans of the "Silent Hill" video games for example I think will definitely enjoy the scenery of the film.Highly recommend this film to you. If you haven't seen any Johnnie To film yet, this would be a good place to start. If you liked this, chances are you'll also like his "The Mission" film as well.

cbdunn I just finished watching the import dvd version of this film. A great Crime Drama. Simon Yam proves once again that his screeen presence is amazing. Check out the scene in the video game hall when a young Triad wannabe tries to cop a tough guy display towards Simon. Guess who wins? The movie flows very much like a Docu-Drama. The P.T.U. (Police Tactical Unit) is very much like the "beat cops" division. However, they all patrol in units of six. Like a platoon. You can feel the grit of the downtown streets of Hong Kong. This is one film to see. Also directed by Johnnie To: The Mission, Fulltime Killer. Both have Simon Yam. Another cool film about the P.T.U. is Big Bullet starring Lau Ching Wan and Anthony Wong Chau-sang.