Prison

1987 "Horror has a new home."
5.8| 1h42m| R| en
Details

After Charles Forsyth was sent to the electric chair for a crime he didn't commit, he forever haunts the prison where he was executed. Flash forward several years when the prison is reopened, under the control of its new warden Eaton Sharpe, a former security guard who framed Charlie. When prisoners are ordered to break down the wall to the execution room, they unknowingly release the angry spirit of Charles Forsyth, a powerful being distributing his murderous rage to all, leading up to the Warden himself.

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Reviews

BlazeLime Strong and Moving!
ChicRawIdol A brilliant film that helped define a genre
Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
BA_Harrison A cash-strapped prison board decides to reopen an old, run-down slammer that has been closed since 1968, putting no-nonsense warden Eaton Sharpe (Lane Smith), an ex-guard at the establishment, in charge of running the show. When Sharpe orders two of the new inmates (one of whom is played by a young Viggo Mortensen) to break down the sealed-up entrance to the execution chamber, he unwittingly unleashes the vengeful spirit of dead convict Charlie Forsythe, who was wrongfully sent to the electric chair.With the two men responsible for this dreadful miscarriage of justice currently residing in the very same prison as Forsythe's ghost, one might expect retribution to be swift, but director Renny Harlin (Die Hard 2, Cliffhanger, Deep Blue Sea) drags out matters for over 100 minutes, chucking in as many hoary prison drama clichés as possible in the process, whilst having his malevolent spook kill off several other characters for no discernible reason other than to pad out the action and meet the gore quota—except that the splatter here is remarkably tame despite the inventive nature of the deaths.5.5/10, rounded down to 5 for the cinematography, which utilises a blue tint and smoke throughout in a bid to add style and atmosphere, but which, in reality, only succeeds in making everything blue and smoky.
crystalart I thought I had already written a review of Prison, but I guess not.Tonight I'm rewatching it after reviewing Lane Smith's film history.This one is overlooked completely on the Wikipedia bio of Smith. There isn't even a picture of him.I see it didn't make much money. That seems to frequently figure in to a film's "popularity", I'm afraid.Viggo Mortensen was little know when he starred in this gem.The special effects are especially good. They came up with some extremely creative ways of doing people in.Smith plays the vicious warden especially well.I hope you enjoy it as much as I do.
TheMarwood Some of the most tame prisoners ever seen on film are transferred to a prison haunted by an executed man years earlier. Was the evil warden involved? Uh, yes. A young Viggo Mortensen, showing none of the talent he showcased in his later work, is some sort of hotshot prisoner. A whole lot of nothing happens, except lots of blue gels over movie lights and added smoke to make shafts of light. It's a boring and lame forgotten 80s horror entry that should stay forgotten. Doesn't even deliver requisite gore and shocks. A flatline of a movie that takes its silly premise deadly serious. You'll be hard pressed to remember anything that happened except for lots of blue.
merklekranz As prison movies go, "Prison" easily rises above expectations. Competent acting by Lane Smith, Viggo Mortensen, and a cast of prison stereotypical character actors carries the movie into above average territory. The abandoned Wyoming prison where it was filmed is interesting, and lends authenticity. Although the horror prison aspect has been done more recently, there is a certain quality to "Prison" that has not been replicated. I'm not sure what it is, but the combination of likable characters that have some development fighting an unleashed spirit is depicted quite well, in the tradition of great films like "The Keep". - MERK