SnoReptilePlenty Memorable, crazy movie

Supelice Dreadfully Boring

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

weezeralfalfa Fictional tale of interactions between a band of plains Cree in SW Saskatchewan, and the US Cavalry, on the one hand, followed by the newly emplaced Canadian Northwest Mounted Police, represented by one lone Mountie(Tyrone Power, as Duncan McDonald). As the story begins, a band of Cree, under the leadership of Standing Bear((Stuart Randall), have illegally relocated to Montana, where they hoped the bison had not been decimated, as they were starving. With the Technicolor cinematography, we see the largely pink and rusty red colors of the Arizona Colorado Plateau, and of Red Rock Canyon, in CA, instead of the expected Saskatchewan landscape....... The early spectacular battle scene between US cavalry and Cree, in the shallow water of a flood plain, clearly was lifted from the similar scene in the 1944 "Buffalo Bill", which I had seen earlier. The Cree decided the US plains was too dangerous to stay long, Thus, they crossed over to Canada, but not to their reservation. Thus, the Inspector(commander)(Howard Petrie) of the Mountie Fort Walsh sent a newly arrived recruit named Duncan MacDonald(Tyrone Power) to encourage the Cree to return to their former starvation reservation, and to release 2 white captives. MacDonald was termed by the Indians as a pony soldier......There are a number of action scenes scattered through the film, although much time is spent in negotiations and riding around. MacDonald is initially accompanied by Nayato(Thomas Gomez), who is rather afraid of the Cree, as his father was an enemy Blackfoot. He disappears about halfway through, as MacDonald sends him back to the fort. His place is more or less taken by a half-grown Cree orphan (Anthony Numkena, as Comes Running), who throws himself at MacDonald, whom he hopes will be his new father. The inclusion of this cute kid serves to lighten the otherwise serious nature of the screenplay. He will eventually come in handy when the war chief Konah tries to shoot MacDonald with an arrow........A council of chiefs and elders considers whether to accept MacDonald's demand to return to their reservation and release the captives unharmed. Meanwhile, the male captive, of somewhat disreputable background(Robert Hoston, as Jess), tries to escape, using a teepee stake as a club. He is attacked by Chief Konah's brother, who, in turn is killed by his own tomahawk. Jess almost pays with his life, as MacDonald shoots him off his getaway horse. This was a very risky thing for MacDonald to do, as he is charged with bringing the captives to the fort, unharmed. In retaliation for Jess's killing of his brother, Konah and others abduct the young woman captive: Emerald(Penny Edwards), tie her to a stake, and build a bond fire near her, with the purpose of burning her alive. If they intended to burn her, why did they set the fire some distance from her, rather than around her? This allowed MacDonald time to find her and fight with the Indians before she was burned......The screenplay purports to demonstrate that patient negotiation is often a better way than violence to settle a dispute, I'm still not sure why the Cree agreed to go back to their reservation, where they were starving. Also, I don't understand the bit about a supposed mirage of a river steamboat that everyone saw. What were they smoking? Incidentally, the only historic Standing Bear I could find reference to was a chief of the Ponco tribe, found in the central Midwest. In summary, this is a reasonably entertaining Northern, with some indications of a limited budget. See it at YouTube

Robert J. Maxwell It's 1876. The Cree Indians of Saskatchewan have crossed the US border to hunt buffalo. There is a clash with the US cavalry and Standing Bear leads his Cree back across the border, taking two white hostages. It's the task of Constable Tyrone Power in full RCMP panoply to located the Cree, rescue the hostages, and talk Standing Bear into returning to the reservation, where they will be provided with food and shelter. Standing Bear is a reasonable guy. But he has to contend with Cameron Mitchell as Konah, the young Turk who wants to kill all the white. Likewise, one of the white hostages, a bank robber, would love to kill all the Indians. How do you handle a minority that actually seems to enjoy the prospect of war and killing? It's a perennial problem and culture doesn't seem to count for much.It's an unusual Western in that it deals as much with the issues facing the Cree as it does with the problems facing Tyrone Power. Power is the protagonist, the principled central figure, but the milieu is that of the Cree, and they're no more stereotyped than any other group liable to be found in a typical 1950s feature film.Standing Bear is thoughtful, spiritual, democratic, and a man of his word. But the aggressive Konah is not shown as evil either, just mistaken in his values. Of course, he gets it in the end anyway. There must be a final shoot out in a Western and somebody has to die.The dialog gets a couple of things right. Duncan in Gaelic may very well mean "brown warrior." The Cree and the American Blackfeet actually were at odds with one another. And the talk of "medicine" was real enough -- and still is. I lived with the Blackfeet as an anthropologist and the medicine man has a social status at least equal to that of his Christian counterpart.At the same time, the dialog is stilted and "Indian-like". In the case of Thomas Gomez, as the comic sidekick, it sounds like Charlie Chan. And although the narration refers to the humiliation of the Cree's defeat at the hands of the Long Knives, the Plains Indians didn't really care much about victory or defeat. Like T. E. Lawrence's Arabs, they fought for a while and then went home when they were tired of it.The movie isn't filled with action, and I must say not all of it rings true. It's more suspenseful than thrilling, but the musical score hints at Canada's national anthem and the photography can be luscious. It's enlightening too. Canada is as vast as the US, had all kinds of Indians and still does. Yet it never went through the genocidal Indian Wars that America did. I wonder how come? Did we have more Konahs, on both sides?

alexandre michel liberman (tmwest) Pony Soldier is what you could call a Canadian western (about Mounties and which takes place in Canada) where what counts the most is the visual beauty. You have to remember this film was made before color TV, and when a lot of films where still made in black and white, so it was quite a thrill to watch the beautiful Canadian scenery, the red uniforms of the Mounties, also Indians impeccably dressed. The story about a Mountie's efforts to pacify the Indians, which had taken hostages, also flows easily, quite predictable, with no violent emotions to prevent you from enjoying the colors on the screen. Cameron Mitchell is so well made up as an Indian, that he is unrecognizable.

bkoganbing I'm not sure, but has there ever been a film made with a less than sympathetic treatment of the Royal Canadian Mounted Police? The Mounties have done very well cinema wise and Pony Soldier is not setting any new patterns.It doesn't have to because it's a very entertaining film. The plot has a lot of similarities to Broken Arrow which 20th Century Fox also produced. Tyrone Power is playing Constable Duncan MacDonald, newly arrived at Fort Walsh and sent out on a mission to negotiate a peace with Cree Indians who've left their reserve and tangled with U.S. Cavalry south of the border. On the way back they've taken two white prisoners in a raid and Power is looking to get them back. One is Penny Edwards who catches the eye of Cameron Mitchell and he decides she'd make a good squaw for his little brother. The other is Robert Horton who's an escaped outlaw.So intrepid Mountie Power along with his Indian guide Thomas Gomez go to the camp of the Crees. Gomez is a most reluctant guide, in fact he's kind of blackmailed into making the journey. Thomas Gomez is an underrated and capable actor who deadpans some very funny lines.Two others in the cast really make this work. Little Anthony Numkena plays the Cree Indian boy who Power adopts and that turns out to be a great negotiating technique. But their affection is genuine and the scenes between Power and Numkena are some of the best in the film.Stuart Randall plays the Cree Chief Standing Bear. His portrayal is very similar to Jeff Chandler's more heralded portrayal of Cochise in Broken Arrow. In fact the Indians are not stereotyped, they are three dimensional characters here. Randall does a fine job as Standing Bear, negotiating with Power and having to contend with militants in his own camp led by Cameron Mitchell. Since Jeff Chandler had already broken the same ground with Cochise, Randall's performance has been overlooked, unfortunately so for him.Tyrone Power is a whole cloth hero here and does a fine job. One of the things that Americans don't appreciate is that the Mounties were there in large measure to protect the native Indians from white depredation. Canadians have always loved contrasting that to how the U.S. Cavalry treated the native population. Our cavalry was there on the settler's behalf. The contrast is certainly a matter of historical record, but I wonder if Canada had seen the immigration westward that America did, would their Mounties have been more like our blue coats.