Plustown
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
Quiet Muffin
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Rexanne
It’s sentimental, ridiculously long and only occasionally funny
Howard Schumann
In 1954, the U.S. Senate Permanent Subcommittee on Investigations under the temporary chairmanship of Senator Karl Mundt of South Dakota, held hearings to investigate conflicting accusations between the U.S. Army and Wisconsin Senator Joseph R. McCarthy. Televised live by ABC without analysis or narration, the hearings lasted 36 days and generated dramatic confrontations between Senator McCarthy and Senator Stuart Symington of Missouri, and especially the Army's counsel, Joseph N. Welch of Boston. The Army had charged that McCarthy and his staff, especially chief council Roy Cohn, had used undue influence to try and obtain special favors for Private G. David Schine, a member of his committee and friend of Cohn.McCarthy counter charged that the Army's charges were a smoke screen designed to thwart McCarthy's investigation of alleged subversives at the Army base at Fort Monmouth, New Jersey. The dramatic highlights of the hearings, the first government hearings to be televised live, are captured in Emile de Antonio's documentary Point of Order. While a one and a half hour film cannot do justice to a hearing that lasted more than two hundred hours, what is captured is great political theater that should be required viewing for anyone who does not fully understand the danger of an unprincipled demagogue.The key moment of the hearing, of course, was the final confrontation between Welch and McCarthy over whether or not a young attorney on Welch's staff, Fred Fisher, was a member of The Lawyer's Guild, an organization that had been labeled as a Communist front.The moment came and went and the hearings continued, yet it was patently clear for anyone with their eyes open, that McCarthy had been severely wounded by the exchange with Welch. He was destroyed not by threats or bombast but by a gentle man with a rapier wit and an active conscience who was not afraid to stand up to a bully when other shrank away. It was a moment of truth that stands as one of the seminal moments in American politics of the 20th Century.
dougdoepke
Apparently the DVD's as of 2012 are expensive to obtain. My used one ran 50 bucks. Anyway, this is a slice of history that riveted the nation in those early days of coast-to-coast TV. Reviewer Mike Rice does a good job of filling in the background, so there's no need to repeat it here. The documentary is an edited version of the 1954 senate hearings. On the whole, editing is to film footage what the eraser is to penciled composition. In short, astute editing can be used to create many, sometimes incompatible, effects. Now, I have no reason to believe editing was used here to skew any particular effect, but its potential for mischief is well to keep in mind.Maybe it's my seven decades of breathing, but I did have some trouble following the narrative, and could have used some helpful bridges (a voice-over or graphics) to flesh out better continuity, especially when the topic of the Hearings changes. But whatever the difficulty, the legal fencing between experts is fascinating to watch. Note, for example, how no one on either side responds with a simple yes or no.Naturally, most viewers approach the material with their own political pre-conceptions. I have mine, still I want to venture several observations not rooted, I believe, in my politics. Firstly, I don't recall seeing clips of McCarthy smiling before; here he at times appears almost affable, contrary to his usual sour image. Secondly, Welch is one eloquent attorney who really knows how to think on his feet. The usual brief clips of "Have you no sense of decency" only hint at those abilities. Then too, he's so unprepossessing looking you don't expect him to dominate the way he sometimes does. Lastly, I'd really like to know who concocted that phony letter from Hoover, along with the cropped photo. I may have missed something, but I don't believe those questions are resolved in the footage.Be that as it may, Point of Order is real life dramatics at its most fascinating and remains an important slice of post-war history, from which the junior senator from Wisconsin never really recovered.
twinflayms
Roy Cohn keeps popping up in American culture, from his fictionalized roles in "ANGELS IN America"-- as interpreted by Al Pacino (actor), Tony Kushner (playwrite), and Mike Nichols (director) --and Kurt Vonnegut's "JAILBIRD," to his actual deeds as documented by the likes of Emile de Antonio here in "POINT OF ORDER." Although there have been some attempts to put Cohn in perspective-- Frank Pierson's awful HBO film, "CITIZEN COHN," comes to mind (with James Woods' cartoon performance), I believe we've yet to see anything approaching a definitive look at him and his legacy.As for McCarthy and McCarthyism, "POINT OF ORDER" stands as an excellent non-fiction introduction to the beginning of their ends. It's great drama, and it's full of truth. And that is all. "POINT OF ORDER" is where one can start, yet not where one may find real answers.
sydneypatrick
The best thing about this documentary is that there is no narration, there is no commentary; clips of the Army-McCarthy hearings that finally brought an end to Joseph McCarthy and his era of bully politics that destroyed so many American lives. There are arguments both pro and con re: McCarthy and his basic premise (that Communists had infiltrated Hollywood and the American government, indeed, all the way to the Executive Branch). He may have had a valid point at one time or another, but it quickly became overshadowed by his ego and insatiable appetite for power. Sound like anyone we've seen recently in Washington? I recommend viewing this riveting film as it is not partisan - it is McCarthy in all his egomaniacal ranting and raving against those who stood by their personal beliefs and held firm in their convictions that the Constitution of the United States of America would forever be their guide.
