Peter Gabriel - Growing Up On Tour - A Family Portrait realease date, trailers, images and where to stream

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7.1| 0h40m| en

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"Last year my father asked me to go on the road with him. As my sister was going along as his back-up singer and his wife Maebh, and my new baby brother Isaac, were also travelling with him, I decided to pick up my camera and go along. This is the Growing UP Tour 2002." - Anna Gabriel An inventive and intimate portrait of family life on the road during Peter Gabriel's recent Growing Up Tour; the highs, the lows, the sublime, the ridiculous, the fathers, sisters, brothers, band members and road crew, in short...The Family...captured and revealed like you've rarely ever seen before by the knowing eye of Anna Gabriel, a family member in every sense of the word.

Cast

Peter Gabriel

Director

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Trailers & Clips

Also starring Peter Gabriel

Lindisfarne’s Geordie Genius: The Alan Hull Story

Once Were Brothers: Robbie Robertson and The Band

For Those About to Rock. The Story of Rodrigo y Gabriela

The Kate Bush Story: Running Up That Hill

Genesis: Together and Apart

Miracle Rising: South Africa

Peter Gabriel - Live In Athens 1987

Classic Albums: Peter Gabriel - So

Strange Powers: Stephin Merritt and the Magnetic Fields

Peter Gabriel: New Blood, Live In London

Reviews

Sexyloutak Absolutely the worst movie.

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

dicronite I love Peter Gabriel's music, so I do not trash this production lightly. The so called "camera work" is a disaster and very poorly shot. Too grainy, to shaky, and unable to center the subjects properly.All new directors should watch at least 3 Scorsese movies to learn how to tell a story with the camera.Instead, too many directors think shaky camera moves and bad splicing is somehow stylish. Any production should be able to tell a story on its own merits. Don't make the audience work to understand what you are trying to say. This is truly awful.