WasAnnon Slow pace in the most part of the movie.

Pluskylang Great Film overall

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

utgard14 Disney's version of the Sergei Prokofiev musical composition. Originally part of the movie Make Mine Music, this cartoon was released later on its own as a theatrical short. I saw it as a kid as part of a compilation video. It wasn't until I was grown up that I realized it was originally part of another movie. It's nicely animated with some likable characters and plenty of that old school Disney charm. The music is great. Sterling Holloway provides the narration. He possessed one of those distinctive voices that, once you hear it, you'll never forget. I won't cover the plot to the story as most people pretty much know the plot to Peter and the Wolf, right? So, give it a shot if you can find it on its own or, better yet, watch Make Mine Music and see it with many other fun cartoons.

Atreyu_II "Peter and the Wolf" is a wonderful Disney animated short. It is one of the segments from "Make Mine Music" (the 8th animated Disney classic). However, I was never really a fan of "Make Mine Music" and I don't remember much from it.But I always loved "Peter and the Wolf" and I'm familiar with it, so I decided to write a review just for that one.It is a perfect Disney classic. Along with "Fantasia", this is a good way to introduce classical music to children, so that they can appreciate this type of music since an early age. Classical music is often an underestimated sort of music, which is unfair.However, "Peter and the Wolf" has the classical music of Sergei Prokofiev. It is a beautiful, soft and very relaxing music to hear.The music is also used here for a peculiar aim: to represent thematically each character by the sound of several musical instruments (violins, flute and others).The characters are adorable: Sasha (a bird), Sonia (a duck), Ivan (a cat) and the brave little boy Peter.Peter is a very brave child because he decides to get out of his house (where he lives with his grandfather) to try to hunt a big bad wolf. But the wolf isn't just big - it is enormous! It is also quite scary, especially on his first appearance when he looks literally to the camera. This wolf is also absolutely amazing and majestic!Once Peter leaves home he makes immediately friends (animal friends): Sasha, Sonia and Ivan. They have a great time together, but when they have to confront the wolf, they're all (except Sasha) in panic and absolutely frightened, especially Ivan.Sasha doesn't show off his fear and confronts the wolf in a brave but at the same time hilarious way: he uses his beak as a defense and then he tries (unsuccessfully) to roll the wolf's lips. That's when the wolf takes the bird into his enormous and amazing mouth and starts to close it... Sasha is almost the wolf's lunch - a scene full of tension and suspense.The beauty of the artwork and sceneries is another quality of this great and timeless classic.This should definitely be on Top 250.

RosanaE My two boys loved this movie. They wore out the VHS version years ago and I am searching for a DVD copy. It is a great story and captivated them from the first scene. I had heard and seen the story many times, in many formats, but this rendition was appropriate both to the story and for audiences of varying ages. The soundtrack is intriguing and helped me to interest my boys in the sounds of various instruments. Although not as sophisticated as modern animation, the characters are cleverly drawn and engaging. I highly recommend this version of the classic story and hope to see it in DVD form soon. I have two 'teenagers' who would be embarrassed but secretly pleased to see it again.

Ron Oliver A Walt Disney Cartoon.A brave Russian lad, with help from his animal friends, goes hunting the most fearsome beast in the forest.Back in the 1930's the Disney Studios was visited by the Russian composer Sergey Sergeyevich Prokofiev (1891-1953) who performed on an old piano his new composition of Peter and the Wolf (1936). Walt was immediately charmed and determined to make it eventually into a cartoon.A decade later, the result was a fine little film. Although quite a departure from the original's purely aural medium utilizing the listener's imagination, PETER AND THE WOLF works well as a narrated (by Sterling Holloway) cartoon. The animation is excellent, the characters vivid, the streamlined plot straight to the point. An attempt is still made by the animators to keep true to Prokofiev's design of using this tale as a child's introduction to the instruments of the orchestra. But too much analysis becomes arcane. The cartoon does not supersede the orchestral work. It simply gives it a new interpretation.PETER AND THE WOLF was originally a segment of Disney's compilation feature MAKE MINE MUSIC (1946), but it quickly proved popular enough to act as a standalone short subject.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.