Peril at End House

1990
8| 1h43m| en
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Reviews

Dorathen Better Late Then Never
ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.
Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Paul Evans Poirot and Hastings set off for a well earned holiday in St Looe, Cornwall. At the hotel Poirot twists his ankle and is helped by the gorgeous Magdela 'Nick' Buckley. She tells her story, her beautiful nearby home End House falls into disrepair, more seriously, she's escaped several deadly accidents. Another 'accident' happens in front of Poirot's eyes, a bee flies past her, but on closer inspection the bee has left a bullet hole. Poirot returns the hat, and explains his fears. Poirot takes a personal interest in the safety of Nick, he insists she has someone close to her, she calls for her cousin Maggie Buckley. During a firework show at End house, tragedy strikes, Maggie is found dead, wearing Nick's shawl. The first feature length episode is such a goody, the first in a format that we'd come to love for many a year. I understand there were a few amendment from the book, but they are so minor, it's a very faithful adaptation.I love the whole chocolate poisoning sequence, it looks so effective, re-written from the book, but it works so well.The highlight of the episode is undoubtedly the ending, the revelation sequences work incredibly well, they are very poignant.The scenery is breathtaking, it is such a beautiful setting. The episode is a visual treat, the scenes in the hotel, the clothes, Freddie in particular gets to wear some great outfits. Wonderful music throughout, it feels so authentic.Polly Walker literally left me speechless in this episode, one of her very first TV appearances, she is absolutely spellbinding, terribly sweet throughout. When I read the book, she is the character I see in my mind's eye.Miss Lemon is particularly good, at last we get to see her glammed up, and her séance scenes are brilliant.For anyone seeing this mystery for the first time, and unaware of the plot the solution will come as a surprise, it's such a cleverly written story.I think it's an excellent episode, truly enjoyable. 8/10
tml_pohlak_13 An interesting thing: despite the fact that "PERIL AT END HOUSE" is a two-hour episode, it was shown as two one-hour episodes. This being an "old" episode, it is very faithful to the original novel. I loved it! Nick Buckley's role was played to perfection, and David Suchet once more displays his perfection at playing Poirot. The novel also included Chief Inspector Japp and Captain Hastings, main characters in the series (who at times were inserted pointlessly in stories that didn't feature them in the first place), and their roles are played to perfection. There was only one major change: the attempted assassination in front of Poirot did not take place in a lonely garden in the back of the hotel: it took place in a crowded spot near the swimming pool. Overall: a well-done episode!
bensonmum2 I love the Poirot movies! There's something about England in the 1920s that I find especially appealing. These movies have a way of transporting me to that time and place. The attention to period detail in this series is remarkable (at least to my untrained eye). Clothing, set decoration, cars, and even mannerisms seem spot on. I'm amazed that in the 1990s, locations could still be found that look as they did 70 years previous.The Poirot "regulars" give their usual wonderful performances. It's taken me awhile, but David Suchet has grown in my eyes to become the definitive Hercule Poirot. He nails the character. In many of these movies, the supporting cast can leave something to be desired. That's not the case with Peril at End House. They're quite good. Polly Walker is especially a standout. She gives her character real life.But if you're really going to enjoy a Poirot movie, I think it helps to be a fan of Agatha Christie's books. I say it helps because those familiar with her work seem to be more forgiving of the plot holes, 2-D characters, and other problems with her plots. Fortunately, I have been a fan as long as I can remember. Peril at End House is classic Christie with red herrings, clues, and intrigue at every turn. As Hastings might say, "It's an all around good show."
howdymax I had a little trouble finding this production on IMDB because I was looking for a recent entry, I find it hard to believe this movie is 14 yrs old as I write this. David Suchet is ageless. I won't so much comment on this episode as I will on the series in general. There are some who think a 2 hr Poirot movie is about 1 hr too long. I don't agree. For those of us who appreciate beautiful and intriguing locations - this is it. For those who appreciate period planes, cars, and especially wardrobe - this is it. There is a flavor and atmosphere about this series that reminds one of the Jeremy Brett version of Sherlock Holmes or The Great Gatsby. Not so much the period as the loving attention to detail.I admit that these entries can be hard to follow. If you have a tendency to nod out or run to the fridge for a snack, you will probably lose it. If you are looking for blood and gore or high energy explosions, tune into the latest Bruce Willis flick. Poirot makes you think. You have no choice. A&E has been importing these English mysteries to the US for years. Film food for thinking people. If the Brits can do it, why can't we. Hollywood was the benchmark for quality film production since the silent days. Today, our movies are digitized and cartoon like. We have forgotten how to tell a story. We have sacrificed originality and quality for the corporate bottom line. Shame on us.As for this particular story, it's as convoluted as the others. We have the whole ensemble. Poirot, Hastings, Miss Lemon, and Inspector Giapp. As for the other principals, they are competent and professional - just as you would expect. One little quirk worth mentioning. Although the female leads are interesting to watch, they usually fall into one of two categories. They are either cute and coquettish or intimidating and horsey. This movie is no exception. This is not a criticism, it's a compliment. It disproves the theory that you have to inject a traditional sexpot into the movie to fill some kind of void. These imports along with Inspector Frost, Inspector Barnaby, Sherlock Holmes, Cracker, and a few others provide a touch of class that we seem to have lost. I urge anyone who needs a break from the mindless junk we are being fed in prime time, to tune in. You will be rewarded - and with luck, be transported back to a kinder and gentler time when a mystery was a mystery.

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