Paramount on Parade

1930 "Sparkling as a June night; intimate as marriage. Something entirely new in screen entertainment."
5.7| 1h17m| NR| en
Details

This 1930 film, a collection of songs and sketches showcasing Paramount Studios' contract stars, credits 11 directors

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Reviews

Karry Best movie of this year hands down!
BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
mark.waltz MGM taught us to sing in the rain, while the Warner Brothers told us "Never take a shower. It's an awful pain. Singin' in the shower is like singin' in the rain". Over at the very art deco Paramount, Maurice Chevalier joined a bunch of chorus girl cuties to literally sweep the clouds out of the sky and shakes all those nasty demons off of the rooftops of Paris. Chevalier, who appears in several numbers, would later have another stormy weather number a few years later in "Folies Bergere" where he got the Busby Berkley like "Rhythm of the Raindrops".Among the other highlights are Clara Bow's flirtatious "True to the Navy" (ironically the name of a film she just did a year later), Nancy Carroll's "Dancing To Save Your Soul" (rising out of a giant shoe) and Helen Kane's squeaky voiced "What Did Cleopatra Say", playing a schoolteacher to Paramount's child stars. Ruth Chatterton, one of Paramount's top dramatic stars of this time, also sings, and there are rare glimpses of such early 30's forgotten celebrities as Lillian Roth, Zelma O'Neal and Richard "Skeets" Gallagher, once big names but now a distant memory except to classic cinema buffs like myself. Edited after its release and missing much of its footage for its later television release, what still exists is entertaining and nostalgic. There's a great comedy skit that shows a Hollywood party in motion where stars say what they think they should say in polite society, and then a repeat of it where they say what they are really thinking. There's also a detective movie spoof that involves Sherlock Holmes (Clive Brook), Philo Vance (William Powell) and Detective Heath (Eugene Palette) up against Fu Manchu (Warner Oland). Pretty much just more of the same with the majority of Paramount's contract players, this is more music than sketch, and the elaborateness of the film is even greater than MGM's "Hollywood Revue", Warner Brothers' "Show of Shows", Universal's "King of Jazz" (in spite of its color photography) and Fox's "The Fox Movietone Follies". In the cut version, appearances by such big names as Jean Arthur, Gary Cooper, Kay Francis and Richard Arlen are fleeting, but for its nostalgic look back at life at the beginning of the sound era as new stars took over the fading silent stars, it makes fascinating viewing.
deskmandmna I've just watched the current restoration and can add some information to the 2002 review.The footage of the opening "Showgirls on Parade" sequence is missing but the sound survives.The sound disc for "Isadore the Toreador" has been located (only a few days ago) and will be put into the next restoration with the surviving Technicolor footage..Nino Martini's number is now complete, and in Technicolor.The "Dream Girl" Technicolor footage survives but the sound is missing.The "Gallows Scene" is missing most of the sound except for Dennis King's song.
didi-5 Several scenes are still missing from this 1930 film, but what's left is mostly good stuff, and all interesting from a historical point of view. Would you like to see Clive Brook as Sherlock Holmes? Here's a rare chance. Would you like to see Clara Bow sing? Here she is. Would you like to see rather too many songs by Maurice Chevalier? Take your pick of several here. Would you like to see names such as Lillian Roth, Helen Kane, Mitzi Green, and Zelma O'Neill, who are only half-remembered today? Now you can. Would you like to see early appearances by William Powell and Fredric March before they made it big in talkies? They're in this.The musical numbers fall into the 'ok' camp; they are largely static and stagey, and rather old-fashioned, but no more so than any other early talkie revue film. A lot of the film drags (notably Helen Kane's Boop-de-doop school lesson, and the links by Jack Oakie et al) but as a piece of history, it is fine. It should be a candidate for restoration if the whole film survives in a vault somewhere; let's hope so.
drednm Well much of this Paramount landmark talkie is missing but what remains is entertaining and it's fun to see the old stars in their primes. Copying MGM's Hollywood Revue of 1929, which earned a best picture Oscar nomination and was a smash, Paramount on Parade has a lot of talent but the film seems cheesy compared to the MGM revue. However, this served as the talkie debut of a lot of stars on the Paramount lot. Among the major names: Clara Bow, Maurice Chevalier, Kay Francis, William Powell, Jean Arthur, Gary Cooper, Nancy Carroll, Ruth Chatterton, Fay Wray, Fredric March, Lillian Roth, Buddy Rogers. And also Jack Oakie, Mitzi Green, Leon Errol, Harry Green, Stu Erwin, Cecil Cunningham, Warner Oland, Eugene Palette, Clive Brook, Skeets Gallagher, Al Norman, Mary Brian, Zelma O'Neal, Helen Kane, George Bancroft, Mischa Auer, etc.Most of the skits are duds but the musical numbers of funny and snappy, especially Chevalier in "Sweeping Away the Clouds," Helen Kane in a "Poop-a-Doop" classroom number, 8-year-old Mitzi Green doing impressions, Clara Bow in her splashy Navy number, Nancy Carroll quite good in her "shoe" dance, and Jack Oakie and Zelma O'Neal in their gym number.Where the MGM film had unity via a master of ceremony (Jack Benny) this film seems like a bunch of "shorts" strung together but maybe that's because of the missing material.Most at ease among the many big stars are Clara Bow and Maurice Chevalier who are energetic, snappy, and not afraid of the mike..... Worth a look.