Alicia I love this movie so much

FeistyUpper If you don't like this, we can't be friends.

Dotbankey A lot of fun.

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Jack Vasen This is a lighthearted story about Santa and elves and a nostalgic inn. There isn't a lot of plot and what story there is rambles and gets convoluted. But for those who are willing to forget reality and just ride along, it is enjoyable.I've watched a few movies where Santa and/or the elves get a little too silly and childish in an effort to draw out humor. This movie uses a lighter touch with the mythical characters. There is still plenty of fantasy and fun.Lori Loughlin and Dermot Mulroney are both over 50 at the time of the movie, but you sure don't notice that, at least with Loughlin. They work together well enough, but it's not their relationship that's magical.For me, the real star of the show is Bailee Madison, as Clementine the elf. This young actress impresses me every time she does a Hallmark movie and this movie is no exception. Here, although she is only 16 at the time, she is starting to come into a role that isn't necessarily for a teenage actress. She interjects energy and optimism and a little wonder.

Harbinger_3781 Story was great, plot heartening, and spirit-uplifting. No doubt a 10/10 score.Though one thing about Clementine... From Northpole to the sequel - does she make a habit of bringing her mission- related outsiders to the city in the North? Master Bailee Madison did fantastic work portraying the optimistic, cheerful elven operative, but sometimes her smile and frequent excitements... that was a little bit much, along with a lot of cold puns(reminded me a bit of Master Schwarzenegger's Mr. Freeze). Wonder if there's a second sequel, will there be someone stoic, stern and serious intercepts her mid-air and asks her, "Okay, Clem. This is, like, the 20th outsider you've brought inside our perimeter over these years. Do you really enjoy making a habit out of it?" Think someone should bar her access back to Northpole homebase while Clementine's on assignment; think if anything can up the difficulty and challenge of her assignments, this can.Do these protagonists REALLY need to see the Northpole city to believe in Christmas, to meet Santa in person to believe in Santa, to actually witness something magical to believe in the Spirit? What happened to taking leaps of faith and believing things based on absolutely nothing but blind faiths? I'm from one of those countries that DOESN'T celebrate Christmas like the rest of the world do, and even I miss those days! The mere term, "Christmas Spirit", sounds sacred, and the first time I hear it, it gave me a strong feeling that this is nothing to be seen, but to be believed in. It's like taking leaps of faith, believing in something that I might never witness just because I believe it, with no evidence to prove it true. In my mind, these Christmas magic are things of unconventionally high purity and divinity that it does not belong in the presence of the mortals or in front of mortal eyes. If everything has to be seen to believe then there's gonna be a lot of stuff gone.Christmas was never an item materialized. It never was, is, and it never will be. I hope the future Santas in the Christmas movies - they display their magic at 65% runtime(basically when the male and female protagonists falling out) to show disappointment, and not in the finale to show their magic to make the grumpy characters to finally believe - if they are doubters and don't believe they don't deserve to witness the sacred magic.A line I've been working out: 'He looked back. In his eyes there's no benevolence, love, joy or warmth, but only cold disappointment. "You are a good kid. Shame you couldn't take the leap of faith. Goodbye." Then he turned on his sleigh, galloped his reindeers and flew away, without even a backward glance.'

Amakoa Akana Although it seems to me that Christmas in America has turned into Black Friday for adults, every year I look for a Christmas movie(s) with adorable kids, lots of silly magic, and a simple plot. Unfortunately, most Christmas movies are adult romances with not a child in sight. Because Bailee Madison (Bridges to Terebitha, Cowboys and Angels) and Ava Telek (Flowers in the Attic) are listed as main characters I acquired this and was happily surprised. Bailee is one of the few child actors who has become even more adorable as a teenager and together with Ava, they light up the screen with their smiles. Even now, days later, I giggle thinking about them. They remind me nostalgically of my girls when they were small and Christmas happy.OK, the plot is a remake of a hundred other kid and matchmaker and Santa Claus movies. Thats fine with me, I like the variations of this often repeated story and, year after year, try to find the movie that does it best. This may not be the very best of all time (Miracle on 34th Street and The Grinch Before Christmas might be), but I clapped at the end. I also might note that the opening credits montage is worth the price of admission. Also, I hope Bailee continues to do family movies and doesn't get sidetracked into depressing teenage sex and drugs chic flicks.

boblipton Lori Loughlin finds a sense of place, falls in love with handyman Dermot Mulroney and, oh yeah, saves her aunt's country hotel and Christmas while she's at it, in the second of Hallmark's annual "Northpole" series."Open for Christmas" grafts a standard Hallmark romantic comedy onto NORTHPOLE's elaborate magical thesis in a workmanlike fashion. However, there is little in the way of dramatic tension to make this worth watching. Ms. Loughlin inherits her aunt's hotel; it has no guests and no source of income. Even so, there is little sense of financial urgency about the outcome once Donovan Scott as Santa tells Ms.Louglin he is depending on her, despite the occasional histrionics.The performances are fine. I won't claim that Donovan Scott has cornered the market on Santa, but he has performed the role once or twice a year for more than a decade. Pierre Jodoin's cinematography is excellent; he manages to capture that grey afternoon snowfall light that shows up around Christmas. Yet the script itself never manages to make the viewer think that the inevitable romcom happy ending is ever in doubt.