Stometer Save your money for something good and enjoyable

GazerRise Fantastic!

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Leofwine_draca Considering DMX's previous movie fare – which typically paired him with martial arts stars – I was expecting this to be an action flick. Well, in some ways it is – there are a ton of bloody shoot-outs and it partly follows the classic revenge drama formula – but in other ways, NEVER DIE ALONE surprises, exploring DMX's character in some detail and taking a downbeat look at the life of a drug dealer. DMX takes a role a little heavier than he's used to, and he's very good in the part, a really hateful character that you can nevertheless understand. The supporting cast is also pretty good, excepting David Arquette, who's hopeless as usual.Sadly, NEVER DIE ALONE's subject matter is ultimately depressing, whilst the revenge drama is just too clichéd to be any good. The only good scene in the whole movie is the bit where a thug finds himself distracted by dollar notes which come floating down the alleyway towards him – an original and fun moment in a film otherwise devoid of laughter.

vchimpanzee The movie starts with King David in a casket.Then he starts telling us about his life. He came to Los Angeles to start his life over. Two days earlier, Moon needed Mike and Blue to collect some money from him.Something goes terribly wrong, and David is left lying in the street. Paul, a white writer with a black girlfriend (Nancy), couldn't just let him die. On the way to the hospital, David pleads with Paul to tell his son his story. Interestingly, Paul was living the life of a black man, while Nancy seemed to have rejected her culture (I'm basing this on one scene, but we never got to know her) and disapproved of his living in that world, but Paul felt he had to in order to write what he wanted.Paul finds out from a hospital worker that David had rewarded him by leaving him everything--lots of cash, jewelry, and a nice car. And cassette tapes with his autobiography.As Paul listens to the tapes, we see the events described. Once again, David says he is starting over in Los Angeles. In a scene with three bikini beauties, Paul meets blonde white actress Janet. She becomes the first of his girlfriends that we see. With her connections, and the fact that no one on the west coast has quality merchandise, David becomes a major drug dealer. David meets Juanita, a waitress studying to be a social worker, so Janet is tossed out like yesterday's trash. And she's not making it as an actress, so guess what she does for a living? Poor Juanita. And wait until you see what he does to Edna, who may have had his baby.To say David is not a nice person is a major understatement. But he's so charming that women want to be his girlfriend. Then they find out what he's really like.Why would I watch this movie? I'm white and a few months older than Barack Obama. These days, I'll watch anything I haven't seen. At least I'll get it over with. But for me personally, the movie had a few redeeming qualities.I won't say there's music for every taste. No classical, rock, or country. But nearly every style of jazz is represented. Some examples include muted trumpet with a rap beat, muted trumpet without a rap beat, a beautiful vocal performance in a club, and piano jazz in a nice restaurant. Of course there is gangsta rap. Two rap songs played for the closing credits are actually catchy, even for me.And then there is the bartender at The Blue Room. She has the same edgy charm that made her so appealing on an episode of My Network's "Tony Rock Project". At least I think that's her.The crazy judge from "Boston Legal" is a funeral director, but he's on very briefly and doesn't speak. That's a shame.DMX delivers a very good performance. Like I said, his character is not a nice man at all. And yet you sort of want to like him. You won't when you find out about him.Some unusual camera and editing techniques should be mentioned. One act of violence is shown from the victim's point of view. We see what he sees. In the scene with Edna everything is green or blue and seems to move in slow motion. The bikini babes disappear gradually as we jump forward in time several times from David's arrival to his first conversation with Janet.Of course I saw this on a My Network station, so the sound went out many times and the mouth of the character speaking was blurred. Something tells me I should be very glad of that. Once (I mention this because it could happen to you) the sound of dialogue went out for no apparent reason though I could hear music. The violence wasn't as bad as it could have been.I have a feeling this was a story worth seeing.

dweddle3 This film is excellent. Many people might not be familiar with the author, Donald Goines, who wrote many books on ghetto life. The acting was excellent, and I especially liked the way the filming was done, using stills, slow motion and lots of effects. The story could very well be real, as I live in the inner city and such action goes on all the time. The characters are realistic and riveting. I debated on whether to give the movie a 9, and can't believe that it seemed so lost on other people. Perhaps they live sheltered lives. I hope that other Donald Goines novels get made into movies. His books are short, like Louis L'Amour novels, but are full of the same gritty and realistic drama. I like movies that are realistic, not fantasies where pure good meets pure evil. The way the film was done, the style of the movie reminds me of Miami Vice in it's uniqueness. The story moves quickly, and does not bog down.

Roland E. Zwick Since truth is indeed sometimes stranger than fiction, often the movie with the most unlikely scenario is the one that turns out to be the most believable. This is the case with "Never Die Alone," an urban crime drama with a plot just loopy enough to keep us interested and just goofy enough to make us believe it.David Arquette plays a white reporter who hangs around in a predominantly black section of the city soaking up the "atmosphere" for articles and books he hopes to write. One night, he attempts to save the life of a black drug kingpin (played by DMX) by driving the man to the hospital after he's been left for dead in a revenge killing. Immediately before his death, the man, who goes by the name "King David," bequeaths his car and other earthly possessions to this inner city Good Samaritan. Included in the haul is an assortment of tapes David recorded detailing his experiences as a successful drug pusher in LA. Thus, as Paul listens to these recordings, a full picture of the kind of man David was soon emerges.The best thing about "Never Die Alone" is that it doesn't flinch from displaying the ugly, harsh realities of its blood-splattered world. It shows how even the innocent and the good eventually fall victim to the evils of drug addiction and crime. The film is not afraid to kill off characters in a random way, often surprising us with just who ends up dying and who ends up surviving. And it does not attempt to sugarcoat "King David," for despite all his comments about redemption and making up for the evil he's done, David is one hell of an amoral bastard who does some pretty horrible things to some truly undeserving people - and the film does not shy away from depicting that reality.Although, on the surface, the film seems like just another in a long line of sordid crime dramas involving crack heads, dope fiends and armed-to-the-teeth ghetto gangstas, "Never Die Alone," perhaps because it is willing to hold nothing back in what it chooses to show us, has a certain ring of truth about it. Whatever the reason, "Never Die Alone" is a cut above the average.