Murder on a Honeymoon

1935 "Shiver and shake while you giggle and quake!"
6.7| 1h14m| NR| en
Details

A schoolteacher and amateur sleuth suspects foul play when a fellow passenger on a seaplane gets sick and dies. The third and final film with Edna May Oliver and James Gleason as the astute schoolteacher Hildegarde Withers and the New York Police Inspector Oscar Piper busy solving crimes.

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Reviews

Linkshoch Wonderful Movie
SpuffyWeb Sadly Over-hyped
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.
GManfred Interesting casting; a dowdy British matron teams up with a wisecracking New York City detective to solve a mystery. Turns out it was a great idea, and you wish they could have made a whole series, like the Charlie Chans, instead of just three of them. And that is our loss.Edna May Oliver is entertaining in anything she appeared in and the same goes for James Gleason. Together they are great fun and play well off each other, with neither giving any ground and holding their own as verbal sparring partners. "Murder On A Honeymoon" was even co-scripted by Robert Benchley and directed by Lloyd Corrigan - not too shabby on the credits.The plot is a good one and you will be hard-put to guess the murderer. There is some plot contrivance toward the end of the picture, but if you're like me you'll just go with it. It's like that with many good movies that hold your interest throughout, a trademark of the way Hollywood used to make movies.
arthursranch This, and Penguin Pool Murder, are just plain fun and pleasant. Both are well written, surprisingly well photographed and edited. As I get older, I like less drama and more mystery, and more characters. Not a bad format for a TV mystery, like a light-hearted Columbo.I did not have an appreciation of James Gleason until viewing these two. He is often a minor character actor as is Edna May Oliver (sometimes Mae). Both fare very well as lead actors. It was fun to see a younger Leo G Carroll.These old movies give one a glimpse of early 1930's America, although perhaps an inaccurate one (it was Depression time). Murder on a Honeymoon shows Catalina Island offshore of Los Angeles in 1935 and of travel/commute by seaplane. It hasn't changed much except that the seaplanes are gone.
bkoganbing Murder On A Honeymoon finds Edna May Oliver on holiday to Catalina Island where on the small plane she's traveling on, a witness in a mob case from New York is poisoned. The case piques the interest of Oliver's old friend Inspector James Gleason of the NYPD for him to come out and help the Catalina PD.In these three films Edna May is a virtual stand-in for Agatha Christie's Miss Jane Marple who is constantly making fools of the police wherever they may be. But she and Gleason have a really effective chemistry in the three films they did. Sad to say Edna May did not want to continue the series. She and Gleason would have been a great weekly series in the age of television.Murder On A Honeymoon may have been the best of the three films because based on the other two, I thought I had the perpetrator all picked out. But I was completely wrong and I think other viewers will fall in the same trap. Two other murders occur before Gleason and Oliver finally figure it out. By the way the clue here is in how the crime was committed. And a big red herring is also served up for the audience to convince you of the perpetrator's apparent innocence.Even on vacation it seems as though Edna May's Hildegarde Withers can't get away from murder.
Neil Doyle This time a murder takes place on a seaplane enroute to Catalina Island and all of the passengers become suspects. Needless to say, a few red herrings are thrown into the plot but it's all eventually solved after Hildegarde Withers (Edna May Oliver) calls in detective Piper (James Gleason) to assist her in solving the case.Another minor entry in the Hildegarde Withers series with Edna May giving her all to a plot-heavy number of names and suspects. Better just sit back and watch Oliver at work, stealing every scene with assurance and almost making us believe in the baffling proceedings. Leo G. Carroll does a nice job as a harried movie director. Lola Lane is a pleasant distraction but it's Edna May's movie all the way.