Monday

2000
7.3| 1h40m| en
Details

A simple funeral turns a man's world Topsy turvy. He wakes up in a posh hotel room, totally clueless about how he got there. Slowly, he recalls what happened a day before.

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Reviews

Colibel Terrible acting, screenplay and direction.
Stometer Save your money for something good and enjoyable
CommentsXp Best movie ever!
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
dbborroughs This film that opened the Sabu retrospective at New York's Japan Society and was a real blast.Sabu's fourth film is a kick in the pants. It's a film that starts off with a salary man waking up in a hotel room, unsure of how he got there. He then begins to remember back... it started at the funeral...moved on the bar....then continued on past the Yakuza...I've already told you too much because as with all of Sabu's films, the plot isn't the point, its the connections to the things we don't realize that are important. I don't want to say anything about what happens but the funeral becomes one of the funniest ever put on screen and the dancing puts to shame the much heralded Tavolta/Thurmond pairing in Pulp Fiction.I really like this movie a great deal. I suspect that it's going to hang with me for a few days before I can really find out how I feel about it. Its a film that has lots of stuff going on behind it's eyes as it were.If you can find a copy or see it at some screening I suggest you do so. Its further proof that Sabu is one the best filmmakers working today.
Markus Pausch Two thirds of the movie are filled with grotesque humorous scenes, whereas at end the tone of the movie changes completely and you get a dead serious message delivered. But the good news are: this somehow works. This is brilliant movie and it got to me form the first scenes. I only wished that the two parts where stronger connected. Was there any indication in the first two thirds, that the movie has the subject: "is self defense justified?". No. It was all about palm reading, laughing endlessly and drunk dancing/shooting. I watched the movie now four times, because I can't get enough of the bar scenes. The laughing sequence is the best since Laurel and Hardy's "Fra Diavolo."
dzong I really wanted to like this movie, but despite some moments of sheer brilliance, it doesn't quite hold together....As earlier reviewers have already stated, the film centers around a reserved young Japanese man who wakes up in a hotel room unable to remember the day before. He regains his memory little-by-little through flashbacks and little clues from his pockets. He soon learns he is the subject of a national manhunt, for reasons best left to the viewer."Monday" switches genres several times in the space of 1 hour and 40 minutes. That's not necessarily a bad thing, but it is difficult to do well. The first fifteen minutes are brilliant. The funeral scene is expertly timed comic gold....We then veer into absurd "Twin Peaks" territory at the bar, which ends up merely being annoying.We then enter Tarantino-ville, although the style is really more Dog Day Afternoon vs. American Psycho. The protagonist understands what he has done, and we watch as a very disturbed man goes insane before your very eyes. This is done well, but the film goes off-track again (is it being preachy? is it being tongue-in-cheek?) before ending.Basicaly, I felt that this is a very original movie and a very original idea that could have been a lot better. I'd like to see what else the director can do.
Andreas Moss Monday is an existentialist movie. For those who are comparing it to Tarantino, please stop reviewing movies. This is more like an anti-Tarantino movie, if it is anything. It questions the use of law. It questions the use of weapons. It questions alcohol. It questions justice versus moral. It questions things that went over my head as well. Does that sound like a Tarantino movie? No, not at all. Please give Sabu the right to call this his own movie, and let this compare-everything-with-Tarantino-nonsense slip away. Its about a person waking up in a hotel room, not remembering who he is or how he got there. Gradually he remembers more and more, and it kind of goes way over-the-top, but in a way that is both funny and thought provoking. It also has quite a surreal laugh-at-life quality in some scenes that should be mentioned. Its kind of an intelligent action movie. Let there be more of these!