Mighty Aphrodite

1995 "Of all human weaknesses, obsession is the most dangerous, and the silliest!"
7| 1h35m| R| en
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When Lenny and his wife, Amanda, adopt a baby, Lenny realizes that his son is a genius and becomes obsessed with finding the boy's biological mother in hopes that she will be brilliant too. But when he learns that Max's mother is Linda Ash, a kindhearted prostitute and porn star, Lenny is determined to reform her immoral lifestyle. A Greek chorus chimes in to relate the plot to Greek mythology in this quirky comedy.

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Alicia I love this movie so much
Fairaher The film makes a home in your brain and the only cure is to see it again.
Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.
estebangonzalez10 "Of all human weaknesses, obsession is the most dangerous, and the silliest!"When you direct and write a film every year you can't expect to always deliver a masterpiece, and that is the case with Woody Allen's Mighty Aphrodite. It's a delightful and enjoyable film, but it doesn't seem to add up to much. When you compare it to his extensive filmography it wouldn't even land in the top half of his best work because it's far from being memorable. He's directed so many movies that several of them feel incredibly familiar and for that reason they are easy to forget. He repeats several of the same themes throughout his movies and Mighty Aphrodite isn't the exception, especially putting a lot of emphasis on love and infidelity which are recurring themes in Allen's films. At times his films stand out for simply capturing these human emotions in a new way, and at others they do thanks to a particularly strong performance. In this case it was Mira Sorvino's supportive performance as Linda Ash that garnered all the attention playing a hooker who isn't all that right in the head. The way she delivered her lines with her high-pitched voice contributed to the overall comedy of her character. If there is one thing that I will remember from this forgettable Allen film it's her Oscar winning performance. Despite her solid performance this is still one of the weakest Woody Allen movies I've seen.In Mighty Aphrodite Woody Allen plays Lenny, a sportswriter, who is married to Amanda (Helena Bonham Carter). In order to spark some life into their monotonous relationship they decide to adopt a son who they name Max. After several years Lenny is surprised to discover that Max is such a brilliant kid and so he decides to search for his biological parents convinced that they must have great genes. He visits the adoption agency and is denied the files, but his curiosity gets the best of him and he finds a way to steal them. He tracks down the biological mother only to discover that she is a prostitute who is now going by the name of Linda Ash (Mira Sorvino). Lenny sets up an appointment with her and is disappointed that she ended up being so dumb. Concerned with her lifestyle, Lenny tries to help Linda by reforming her and setting her up with some respectable man. Meanwhile, Lenny and Amanda are going through some marital problems of their own. The narrative is linked with a bizarre Greek chorus (led by F. Murray Abraham) that compares Lenny's story with the Greek tragedy Oedipus.Allen always delivers some witty dialogues and funny situations in his films which make them such an entertaining ride. Mighty Aphrodite has a few moments like this that work well, but as a whole it is a very forgettable movie. Allen plays once again a sort of neurotic character who is fascinated with discovering who his adopted son's mother really is. Sorvino's performance is brilliant and elevates the material, but there isn't more to it. Neither Allen nor Bonham Carter seem to stand out and their relationship isn't central to the film. The Greek chorus was far from interesting and only took away from the story by trying to hard to compare the modern tale with the Greek one. It's a light and corny film that is saved by Sorvino's presence and Allen's distinctive style of humor. http://estebueno10.blogspot.com/
Desertman84 Woody Allen stars in his latest picture that he also wrote and direct as Lenny, a New York sportswriter bored by his wife and attracted to a hooker that happens to be the mother-though she doesn't know it-of his adopted son in this film,Mighty Aphrodite.Together in the cast with Allen are Woody Allen,Mira Sorvino,Helena Bonham Carter,Michael Rapaport and F. Murray Abraham.Lenny is trapped in a bad marriage to high-strung art dealer Amanda, but he finds solace in his relationship with his adopted young son. Indeed, he grows so fond of the boy that he decides to track down the boy's real mother, expecting to discover a brilliant professional. Instead, he finds Linda, a ditzy prostitute and porno star who mingles casual vulgarity with disarming innocence. Despite his initial disillusionment, Lenny soon develops a fondness for Linda and decides to play matchmaker, setting her up with a handsome young boxer who is equally good-hearted and scatterbrained. While the contrast between the free-spirited Linda and the uptight Lenny provides the bulk of the laughs, hints of Allen's more literary humor are also present, particularly in the scenes involving a roaming Greek chorus commenting upon Lenny's fate.This is a surprisingly sweet and brilliant film with great performances particularly that from Mira Sorvino,who portrayed a bubble-headed hooker and porn star.It has a nice combination of smart comedy and some of wacky energy.It is a delight to watch.
Sirus_the_Virus Woody Allen stars as an adoptive parent in Mighty Aphrodite. Mighty Aphrodite is a hilarious film, with many strange things in it. Kind of like Allen's 2006 film, Scoop. There are just many odd things about it. Including musical numbers. And things including Greek stuff.Allen's movies are usually very funny. and the man is a genius. The plot alone to this film sounds funny. The film has many good performances. But the one that was looked at the most was Mira Sorvino. I can only think of two films that she has starred in. I loved them both. She is terrific in this movie. So is Woody Allen of course. But Sorvino is something else. I mean she won the Oscar.Woody Allen and Helena Bonham Carter star as a couple looking to adopt children. They adopt a boy and name him Max. Years go on and they find out Max is a genius. So Allen's character goes off and tries to find the parents. He soon meets the mother(played excellently by Mira Sorvino) and finds out that she's a hooker and a porn star. He soon starts to get to know her, and his life kind of falls apart too.I don't know what it is with Woody Allen's films. But I can rarely ever find a flaw with them. I mean even his ones that didn't do well, such as Scoop and Whatever works. I just love them all. I have a hard time finding flaws with his films. The only flaw with this one is that there are some strange moments. There is. The same thing with Scoop though. I love Woody Allen's films. The guy may be a pervert, but his films are genius.Mighty Aphrodite: A-
JoeKarlosi Woody Allen and his latest younger wife (this time played by stick of chalk Helena Bonham Carter) decide to adopt a newborn baby boy. As the child grows Woody becomes curious to find out who the real mother is and eventually tracks her down as a scatterbrained hooker and porn star (Mira Sorvino). I've tried watching this several times now and its got some laughs and charm, but it's still not amongst Allen's better comedies for me. I think Sorvino's prostitute character is initially ingratiating when she appears on the scene, but her schtick wears thin quickly. This obviously put-on performance was unworthy of the Oscar she received. And once Woody discovers her there's not much else of interest that can be done with the story. But the biggest turn-off of all is the damn cringe-worthy Greek chorus which pops up every so often to chant and sing the narration of what's transpiring in the movie, with F. Murray Abraham as the painted leader who visits Allen from time to time to counsel him, a la Bogart in PLAY IT AGAIN, SAM. Utterly unnecessary. **1/2 out of ****