Maybe... Maybe Not

1994
6.5| 1h30m| en
Details

Der Bewegte Mann is a German comedy about a heterosexual man, Axel, who is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

GamerTab That was an excellent one.
Phonearl Good start, but then it gets ruined
Lumsdal Good , But It Is Overrated By Some
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Chris Hamburg Hello America! I really liked the comments and especially the one of Marie Hunter (FlaminRieRie) from Akron, Ohio. For me as a German it is very interesting to learn about the international reactions on this movie since it is really one of the best German movies of all time.Main Plot: It shows a straight man in the gay world. By coincidence he is learning about gay people, who "surprisingly" have the same problems and the same life as straight men (love, relationships, friendships etc...) No stereotypes such as promiscuous sex or so, but insights in typical gay behaviors, different gay groups and life in general. But it is also a funny story about the guy getting back to his girlfiend who thinks that he turned gay... Hillarios!For me, as a straight guy, it was a fantastic movie. I really hope that the subtitles are o.k., since a lot of translations of Hollywood movies or TV-series are badly made (e.g. FRIENDS: brilliant in English, but terrible German translation) Enjoy!
gforth I saw this film in Germany when it came out as I was living there at the time. It was one of the funniest films I ever saw. Some years later I got a subtitled copy back in England and was shocked at how unfunny it was when translated. Which goes to show that humour often only works in the language it was created in. That said, it is still a very unstylised view of culture clashes and a study of how far people are prepared to go when they aren't getting any sex. No one gets what they want by the end: the gay man doesn't get his straight friend; the straight man doesn't get his free-love lifestyle; the straight woman doesn't get her angry singledom.I guess the moral is that you can take the human out of their sexuality, but you can't take the sexuality out of the human. Trite, but it reflects the title of the film, referring to a proverbial fish out of water.
finkster-1 I saw this movie a few months ago with my German class, and we were rolling on the floors. At first American audiences might be a little "on edge" when they hear about what the guy does, where he stays, and that he has no idea about the people he is staying with in the beginning. But after getting into it, you see that what he goes through is just so funny, and you can't believe that he didn't see it coming. Plus, the Bull Power is all the more reason to go see, or rent, the movie. I mean I can't believe that they didn't come up with this type of stuff in the U.S. I know a lot of people who would go out and buy it right now if they had the chance. My friends and I now have a fun time talking/joking with our teacher about the movie, and we randomly bring Red Bull energy drinks to class, just to make him laugh. It's a great movie, and everyone should see it. I loved it.
MattN-2 Based on the work of Ralf König -- the king (no pun intended) of the Teutonic queer comic strip -- Wortmann has made a film about the vicissitudes of coming out. Hand in hand, these two men from the country of "poets and thinkers" dare utter the words: "we are German, we are funny, and we are not ashamed!" In case you missed Wortmann's "Kleine Haie" (1992) -- a road film about three young men coming to grips with their thespianism -- here's proof that comedy is not merely a genre inflicted unilaterally by Hollywood on the rest of the world. Although this film does make concessions in order to be more palatable to its hetero viewership, it is clearly head-and-shoulders above recent Hollywood forays into the queer-exploitation venue such as the abysmal "In&Out" featuring Kevin Kline. After Fassbinder and Wenders it now looks like Germany has a commercially viable director with something worthwhile to say!