Man in the Chair

2007
7| 1h47m| en
Details

The story of an aspiring young filmmaker's encounter with a grumpy fount of movie lore.

Director

Producted By

Elbow Grease Pictures

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Reviews

Hellen I like the storyline of this show,it attract me so much
Scanialara You won't be disappointed!
BlazeLime Strong and Moving!
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
vnikolaidis-1 I want to say this is a fantastic film. If you care about people you will like this film. If you've ever been a teenager so passionate about a contest that you will steal a car to win: you will love this film. If you've ever been the BEST at what you do only to get pushed aside you will totally understand this film. A kind of buddy picture - two fellows with brains and a way of getting on each other's nerves that keeps pushing them forward until they finally reach their goal. They are both from the edges of California society where the real people live. The filming takes your right into the world of a California high school boy and his family even when he ends up a waiting cell and even when he makes friends with a whole group of heroes he never imagined were still alive. He figures having the best living movie makers on your team can only help. And they are amazing.
motta80-2 I'd heard some good things about this film but not from trusted sources and having seen it i can't agree. Man in the Chair is a very average film. It is not terrible compelling to watch and is very obvious in its plotting. The dialogue is also often laughably bad and the awful caricature performance it features representing Orson Welles is insulting both to Mr Welles and to the viewer's intelligence.It sets the tone for narrative drag immediately with an extended clip (first heard off screen and then shown) clip from Howard Hawks' superb comedy His Girl Friday, which serves no real purpose in the story other than to establish 'Flash' Madden goes to see old movies! Great insight! A piece of info that is perfectly well introduced with a later seen at the same theatre showing Touch Of Evil which serves a narrative purpose both in its introduction of the two lead characters to each other; their similar tastes; and the link to Welles whom 'Flash' has worked with on Citizen Kane. The use of His Girl Friday however is entirely unnecessary and too lengthy; and as with most of the other films it references, only highlights the fact that the writer can recognise a variety of well-written great films - making it the more perplexing that he has no ear for how staged and hammy his dialogue is.Plummer is solid as 'Flash' but loses his way here and there in stereotype and overplaying - a fault of the script not his, but an actor of his skill should have been able to instruct the director/writer better on how to play it. Given how extraordinary Plummer can be - just watch his Mike Wallace in The Insider - i expected better. Michael Angarano is fine but is again saddled with a poorly written role that makes him a rebel that he never seems and then connects him to 'Flash' in the most tenuous way.M Emmet Walsh however is marvellous in a supporting role and while i'm sure the average standard of the film and the grandstanding of Plummer in the lead will cause him to be overlooked it would be wonderful and justified if this great character actor saw a supporting actor nod at the Oscars.Overall the film is inoffensive and has a noble heart and message but the script is lacking in substance and drive. A Sunday afternoon on the TV type of watch.
doubleo Despite a compelling theme, some truly sparkling dialogue, and terrific performances by misters Plummer, Wagner, and Walsh, this film comes across rather uneven. The direction is heavy-handed, at times bordering on trite, the production design doesn't contribute much, and the photography is pretentious and annoying -- more appropriate to a music video, than a heartfelt drama. An older, more experienced DP could've made this infinitely more watchable! The script has a lot of potential, but could have, definitely, used another re-write (or two) and a bit of patching of some truly gaping holes, before going into production. The editing is, likewise, uninspired -- most of the shots linger a couple of beats too long, making the overall pace just tedious enough to lose tension.
TYR_project Man in The Chair is a 10 out of 10. Christopher Plummer delivers a leading Oscar worthy performance - filled with soul, depth and abundant range. A film that deals as much about respecting elders as it does about respecting the making of films and never forgetting those who help you at the start. Subjects that are often overlooked and "thrown away" or simply not interesting to younger audiences. This is a beautiful 9 year journey of a film. Michael Schroeder wrote and directed this gem from the heart, infusing uncovered social issues with intricate feelings of mentorship. This is simply put, the best film I have seen this year! The cast and crew deliver and the cinematography is uniquely soulful. And a (supporting) Oscar worthy performance by M. Emmet Walsh. WOW!