Lovin' Molly

1974 "Molly Taylor: In love with love… and who knew didn't matter."
5.5| 1h38m| en
Details

Spanning nearly 40 years from 1925 to 1964, two Texas farm boys; straight-arrow Gid and laid-back Johnny fight over the affections of the beautiful and headstrong Molly Taylor, who consistently refuses to marry either of them.

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Columbia Pictures

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Reviews

Sexyloutak Absolutely the worst movie.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Raymond Sierra The film may be flawed, but its message is not.
Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
gerritbrand Maybe it's not such a bad movie if you haven't read the book. But after reading the book which has something muggy, something atmospheric around watching the movie is a boring and tedious business. Even the characters are miscast. How can you believe Anthony Perkins is Gid? Besides they should have made ONE story for the movie out of the three perspectives in the book. Following the book this closely for the movie was a mistake. Another thing is that the characters don't change age. They don't get visibly older. If you think that a movie like Chinatown was made around the same time you see what I mean with lack of quality. Lovin' Molly is too much a book filming in which they tried to stay faithful to the book. Anyway, maybe somebody who never read the book can enjoy it.
wes-connors In 1925 Texas, lanky farmer Anthony Perkins (as Gid Fry) and chubby chum Beau Bridges (as Johnny McCloud) both want to marry beautiful free-spirited Blythe Danner (as Molly Taylor). The trio crawl in and out of each other's beds for nearly forty years. If you don't believe this can get unexciting, just watch them from beginning to end. The three leads often seem intentionally made-up to look unattractive; however, Ms. Danner has a memorable nude scene in the early running...You wouldn't know to look at it, but "Lovin' Molly" stemmed from a story by "The Last Picture Show" (1971) writer Larry McMurtry and was helmed by "Network" (1976) director Sidney Lumet. Dramatic television veteran Edward Binns plays Perkins' crotchety father. Watch for a couple of (then) daytime television stars in small, featured roles...Future big-league actress and "Rocky Horror" participant Susan Sarandon plays Mr. Perkins' neglected other woman, and Conard Fowkes (as Eddie) is a third man involved with Danner. A "flashback" scene with Mr. Fowkes reveals he has more "chemistry" with Danner than either of her leading men. Those familiar with his "Dark Shadows" role as the New England lawyer who helped Victoria Winters find Laura Collins' coffin will realize Fowkes' is the film's outstanding performance.**** Lovin' Molly (4/14/74) Sidney Lumet ~ Anthony Perkins, Beau Bridges, Blythe Danner, Conard Fowkes
vchimpanzee Molly was probably a likable character, and I got the impression Blythe Danner was giving a good performance. But somehow this movie never registered with me. I did like the old-time music (Ralph Stanley wouldn't want me to call it bluegrass) and the big-band music used in one scene in the 1940s.My biggest problem was that I could never remember which of the male characters were which (and apparently Molly had the same problem seeing as how she couldn't make up her mind which one to like), and even though I like Beau Bridges, I never saw any of the men as resembling him until the 1960s.This was probably a good movie to those who like novels such as 'Wuthering Heights'.
scrutiny Coming on the heels of The Last Picture Show, this Larry McMurtry adaptation must've sounded like a sure thing with the likes of Beau Bridges, Anthony Perkins, and Blythe Danner before the cameras and the great Sidney Lumet behind but ultimately this film is a case of too much too soon. This story, which resembles last year's The Hi-Lo Country, could've been much more interesting in the hands of others. Bridges and Danner give their acting chops a good exercise but it's a case of bringing on newcomers before their time while Perkins is just miscast period. Even Lumet shows he's in unfamiliar territory by shooting the outdoor sequences in a flat, TV movie fashion while keeping the performances more in tune with the melodramatic films of yesteryear instead of being true to the times in which the film was made. Imagine what Sam Peckinpah or Martin Ritt could've done with the material. Neither being completely horrible or forgivably worthwhile, Lovin' Molly will remain an interesting footnote in the careers of all involved.