SnoReptilePlenty Memorable, crazy movie

HeadlinesExotic Boring

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

RichardAnthonyArnell I feel sorry for those who think this is the best American film ever made, even though I can't quite believe anyone would genuinely claim such a thing.Mind you, perhaps it did turn out that way in the last 50 minutes - because my perseverance gave out at that point, so I have no idea how it ends. Nor do I care...Slow and boring. One of the most tedious films I've never watched. Others that lost me before the end: Perfect Storm (actually only 10 minutes in) and The Hours (ghastly). Oh yes and Atonement. Strange how the film industry has declined in every department over the years. I suppose it's the audience.Typical clichéd modern film making at its worst. Poor in every department - just another excuse to bash people over the head with the same old liberal politics in place of entertainment. Utter crap.

Maziun I have seen three movies of John Sayles now with this one. For me Sayles definitely works better as a writer than a director. As a writer he knows what he wants , but as a director he fails to deliver it. I get what the movie is about , I understand it and I appreciate it. The problem is that the movie feels much like a long episode of some TV drama. It's not really a cinematic experience , the pacing could be better and the movie lacks style. I wasn't involved emotionally in the whole story for one moment. As a director Sayles kinda fails to put some meaning into the story , to make it something that will stay with you long after the movie is gone. Maybe he should allow somebody else to direct his screenplays ? It doesn't mean that I wasted my time on this one. The mystery about the past of our hero's father kept me interested. "Lone star" is a good drama about conflict between a child and it's parent , which appears here three times (Sam , Pilar and Delmore Payne – they all in conflict with one of their parents). The movie also quite well portrays the tension between the citizens of the city – white , black , Latin . The portrayal here seems very realistic and doesn't take any sides. It's fair look at the serious problem and allows you to make your own opinion.The acting is solid , especially Kris Kristofferson as the evil sheriff. The characters are likable. The screenplay has it's share of good humor and some nice twists near the end.The movie with a better direction and 30 minutes shorter (some subplots don't seem that necessary) could be a really great one. Still , it's a good movie. I give it 7/10.

Andy Steel If anything I found this one a little too complex; there were several threads that seemed totally unrelated to the main thrust of the story. It's also, I felt, a little too long; the filmmakers are asking quite a lot for an audience to concentrate for two hours and fifteen minutes. It is slow paced, but I didn't particularly mind that; I'm used to the noir style and it is usually quite a slow burner. Some great performances with Chris Cooper coping well with the leading role and Kris Kristofferson playing the villain of the peace with gusto. Also we have Elizabeth Peña, who did an excellent job as the female lead and a small part for Matthew McConaughey as Buddy Deeds. Although it does have its problems I still found it an excellent watch; definitely one to look out for for all you noir fans out there.SteelMonster's verdict: RECOMMENDEDMy score: 7.5/10.You can find an expanded version of this review on my blog: Thoughts of a SteelMonster.

ShootingShark Sam Deeds is the son of a late but much beloved Texas county sheriff who has inherited his father's job. But when a body is dug up from forty years ago and Sam investigates he discovers his father's illustrious past contains some dark and painful secrets ...This Texican murder mystery is one of Sayles' many beautifully constructed and densely populated character dramas (see also City Of Hope and Sunshine State) where, as with so much of his work, every single person is interesting, thoughtful and fully-rounded. This film is also a beautiful example of how to elegantly switch a narrative back and forward through two different eras, both visually through lovely little panning shots which dip in and out of time, and plot-wise as gradually the gauze covering the complex relationships is slowly lifted to reveal what has made the characters who they are. This is immensely satisfying as the pieces fit together, delicately played by a sensational ensemble cast who understand exactly what the story is trying to achieve. Cooper and Peña are both superb as the middle-aged leads, both working county jobs, both struggling to find any meaning to their lives, both unable to move on from a fateful past together. The older actors steal the show with irascible wit, and pragmatism and regret written in equal measure on their faces - Canada in particular is outstanding - and Morton is terrific as ever in one of many parts for Sayles as the no-nonsense army man forced to embrace the tenderness he has long considered a weakness. Perhaps the casting masterstroke though is country legend Kristofferson as the thoroughly evil ghost from the past, whose violent brand of personal justice is horrifyingly plausible. Full of poignant moments, clever misdirection, evocative locations, heartfelt performances and funny lines (when Sam is headed to Mexico and tells a colleague he's going to "the other side", the response is "Republicans ?"), with a fine story and a great ending, this is high quality drama all the way. Shot in the beautiful south-western Texas border cities of Del Rio, Eagle Pass and Laredo.