Like Dandelion Dust

2009 "Sometimes the greatest love is letting go."
7| 1h40m| PG-13| en
Details

A compelling drama that explores the different meanings of being a parent through the gritty, realistic lives of a struggling family, and a privileged family. Their lives intersect, intertwine and collide, all for the love of a little boy. This film bravely exposes the humanity in each character reminding us that we each have the potential to be the best and worst versions of ourselves at any time.

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Reviews

SunnyHello Nice effects though.
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
helgerahbek An absolute disaster of a movie. It might be the first time I watched a movie with a above 7* rating on IMDb, and found out it was absolutely terrible. The actors overplay, the dialogue seems to be read out aloud, which is not good, when it contains some of the worst clichés in the history of film making.Besides that the story is so thin and, and you know what will happen next during the entire time.Besides that there is several loops in the story, that makes absolutely no sense: How come Rip goes to jail in 7 years for broking Wendy's arm? How come they apparently haven't talked in that time, but still seems to be in love when he comes out? Who calls their husband/wifes/girlfriends/etc for "Mom" and "Dad" as both couples do? Who spends time on a regular basis with people, that they assumely hate to be together with? And so on and so on.....Just a warning, so you, just like me, have to spend 1,5 hour of wasting your life.
markandkarenfitz This is one of the best films I have ever seen. It is so well acted, that it is difficult to see the film itself separate from the acting; if that makes sense. Barry Pepper and Mira Sorveno are stunning in their representation of a flawed soul and the wonderful woman who loves him. I could not love Mira more. She is utterly beautiful in her totally natural manifestation here.The strongest element of this film is the dichotomy between this less successful couple and their rivals, a very wealthy couple. The latter seem so one-dimensional by comparison. It fed my bias against the privileged. But by the end I took an arc.Really nice work too by the young boy in the film. Barry Pepper is an inspiration to young actors with great talent who might despair thinking there isn't room in the industry for character actors still.
gradyharp LIKE DANDELION DUST is a very small scaled film about a very large subject: adoption and the struggles that at times are associated between birth parents and adoptive parents. Adapted from Karen Kingsbury's popular novel by Stephen J Rivele and Michael Lachance and directed with sensitivity and fine pacing by Jon Gunn, the film succeeds primarily because of the exceptional acting on the part of the acting by Mira Sorvino and Barry Pepper. Blue collar worker Richard 'Rip' Porter (Barry Pepper) is an alcoholic with anger management problems and as the film opens he is arrested for beating his wife Wendy (Mira Sorvino) and imprisoned for seven years. Simultaneously we meet the wealthy Jack Campbell (Cole Hauser) and his wife Molly (Kate Levering) who are playing with their six year old son Joey (Maxwell Perry Cotton) and interacting with Molly's sister Beth (Abby Brammell) and husband Bill (Kirk B.R. Woller) who are suggesting that Joey, being adopted, should be brought up in the church: there is conflict as Beth seems to feel Molly isn't caring correctly for Joey since he is adopted! Rip is released form prison and is clean from his alcoholism and anger management problems and Wendy confesses that when Rip was incarcerated she had been pregnant and because of Rip's problems she put her newborn son up for adoption, having her mother sign for Rip. Rip is shocked with the news and at once wants to get his son back. An adoption agency is consulted in the person of Allyson Bower (L. Scott Caldwell) who is placed between the Porters and the Campbells in making the decision as to where Joey should be. Because of the forged adoption papers Joey is still the child of the Porters and they fight the Campbells for custody. Joey is in the middle and with Allyson's guidance tries to adapt to his birth parents on planned visits while the Campbells try every avenue to retain their beloved Joey. How the game is played includes errors on the parts of both sets of parents but the situation is finally resolved in a very touching manner. Sorvino and Pepper are brilliant in their roles as the beleaguered Porters. The reason the film works as well as it does is the fact that the good and bad aspects of human behavior on the part of all the characters in the film is balanced. It is a realistic look at what appears on the surface to be polar opposite couples - and in the middle is the very finely tuned performance of little Maxwell Perry Cotton. This is a film that tugs a bit heavily on the heartstrings, but for anyone who has been involved in an adoption problem it will ring true. Grady Harp
jumpingbum This movie tells me one thing: some people should NEVER have children. What I saw was a man who hit his wife, spent time in prison and is rewarded only for biology. A lie is a lie: that the Mother LIED when she signed LEGAL paperwork and then LIED in front of a judge? She should have been put in jail. I was disappointed that the adoptive Father offered money for his kid. Stupid for the rich guy to start a fight. But there is a certain type of people who should NEVER reproduce. I realize it sounds like class snobbery and it probably is, but what I saw was a class of people acting like they were brought up by their parents to act.