GrimPrecise
I'll tell you why so serious
Sexyloutak
Absolutely the worst movie.
Hadrina
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
kowulz
I was appalled at how bad this movie was. Despite having a few fairly big names, all of the performances were catatonic and uninspired. I picked this up at Wal-mart and I am more concerned about the hour and a half of my life I will never get back. There is definitely a place on or near my ten worst movies list. Even the potential eye candy was lethargic and forced.Kevin Hart was neutered. Simon Helberg played a caricature of a two dimensional thug. If he's worried about being remembered as Howard Walowitz, he should be glad if he is remembered as Howard Walowitz.I couldn't tell if Ed Asner had had a stroke or if his character had dementia. Either way, it was a great loss.Minor embarrassments turn into mediocre epiphanies. Buy this movie today for someone that you really don't like.
bwfurness
I first saw this film at the Virginia Film Festival. I have since bought the DVD for myself and others. I love this movie! Especially the following: 1. the animated title sequence and scene transitions 2. the interesting use of color – particularly red 3. the surprisingly good performances by comedic actors from The Office, Community, and The Big Bang Theory 4. the recurring thread of the Santa Monica Pier 5. the use and placement of the Other Lives song "Black Tables" I am old enough to remember Ed Asner from television. It was nice seeing him again on the big screen. I also thoroughly enjoyed the performances of Kevin Hart, David Denman, and Gillian Jacobs. I believe this is the first effort by writer / director Brian Jett. I truly hope it is not his last. Definitely worth watching!
mikechinea
I think the reason this gem did not get the proper release is that it was marketed to a hip Kevin Hart audience and not the Ed Asner audience. Here you have something closer to The Best Exotic Marigold Hotel with brilliant performances but the marketing people missed the mark. Kevin Hart's tragic character Kris performance was spot on, it had its comic moments but you felt the character's fallen from grace humiliation. So if you went in thinking you were going to get a laugh a minute from this comic genius you were disappointed. Only Ed Asner could have pulled off Artie, the nasty crotchety old buzzard career criminal and still be so endearing. Director Brian Jett got Oscar worthy performances out of these two and others in the cast. As an audience, do we have the time to sit and appreciate the complexities of Walter, played brilliantly by David Denman? He had to play straight man to a cast of faulted characters while dealing with his own short comings. Who did not fall in love with Darla? Gillian Jacobs was, well, beautiful as ever and you sensed her conniving character becoming real and not just putting on an act just to get what she wanted. I know that with people in the cast like Ed Asner, Kevin Hart, Dov Davidoff, Garrett Morris, Jack Carter, Rance Howard you'd expect a laugh a minute but instead you end up watching a sweet moving movie about people in situations that you have to laugh to keep from crying. This was a tragic comedy doing a high wire act between tragedy and comedy. Brian Jett did a great job with 4 strong characters, each with their own character arc, their own issues and their own way to resolving them. This is a comedy but not for the MTV crowd.
bumpy-3
Let Go (2010) shoots for delightful. Unfortunately, it only actually hits somewhere around "let's light all copies on fire and do away with 'em". Quirky for the sake of being quirks, one only needs to be clued in by the movie's poster, one that looks all too much like the cover of a circa 2007 Urban Outfitters catalog. In short, this thing is a wholly unsatisfying mess. If you crossed 'Little Miss Sunshine' with 'Juno' and rolled the combined goo in a chopped-up copy of 'Garden State', then forcefed the resulting paste to Kristen Schaal while Michael Cera and Jesse Eisenberg were chained up nearby, eyelids pinned back and forced to watch, you might have an interesting piece of cinematic art (or, if you ended up *really* lucky, marketable snuff film) that a future unmade sequel to 'Let's Go' would one day strive to be.
