L.A. Slasher

2015 "Death to Reality TV!"
3.2| 1h26m| R| en
Details

Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, "L.A. Slasher" explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent - purely through notoriety achieved through shameful behavior.

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Reviews

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
adonis98-743-186503 Driven to rage over the tawdry excesses of reality television, a self-appointed cultural crusader kidnaps several very famous nobodies to make his point- but his crimes only generate more tabloid frenzy. L.A Slasher wastes once again Dave Bautista in a ridiculous and awful role but the same goes for other actors as well such as Danny Trejo and Eric Roberts. The film doesn't do that much of a sense and the opening credits showcased what was going to come eventually and if you've never seen it? Please just don't it's not really worth it at all. (0/10)
Michael Ledo This is not your classic 10 star film and indeed some might consider it the worst film they ever saw. As a hater of the scripted reality TV shows, I appreciate someone creating dark irony over my contempt.The plot is simple. Reality TV stars are being kidnapped and killed/abused. The killer seems to love Big Hair 80's music, and unfortunately they used too much faux 80's music, but I got the idea. A person who seeming loves the artificial aspect of the 80's that many older people loathed, goes on a crusade against people who are "famous for being famous" as he teaches them "the price of fame." While he is doing this, he is becoming famous, as we discover he has his own fan base who believes he is doing society a favor.People who use "totally", Facebook, Twitter, and do Selfies are at risk. Reality TV is "the birthplace of morons" and "doesn't count as acting." There are reality star look-a-likes in this feature filled with dark humor. No one in the film has a name. They are simply known for the reason they are famous. The film doesn't center on anyone, but rather gives everyone a few minutes of character identification. We have no real background on the slasher and the end production credits doesn't identify the slasher, but IMDB does...as two different people, one for the body, another for the voice.The film shows gallons of blood but no gore. You see the knife move and moments later there is blood. Seldom do you see the actual act of violence or close ups of wounds. No severed body parts. It is not a slasher film that is "gore-centric."Guide: F-bomb. Brief sex. Background stripper nudity. Eric Roberts playing "Clockwork Orange." Again, this film is not for everybody.
TheLittleSongbird Yet another film with a semi-decent idea marred by shockingly awful execution. Understood what 'Abducted' (aka. 'L.A. Slasher') was trying to do, for me it just didn't work and is as bad as the rating and previous negative reviewer says it is (not everybody will agree and that's fine).Got that 'Abducted' was aiming to show how badly people act in reality shows (and there is a lot of truth to that) and how annoying they can be (again true, every reality show has at least one detestable contestant, often for controversy reasons). For me, 'Abducted' took it way too far. Am not sure whether it was the intent to have the victims so obnoxious that you are rooting for their deaths or at least to the extent it takes it, but not in a while have a whole cast of characters in any film seen recently been this terribly written or hateable.Just as bad is that 'Abducted' completely fails to make one root for the villain, which one would kind of expect when you hate the victims so much. One with quite good potential, but he manages to be one of the most annoying and least sinister villains in the whole of psychoville. Andy Dick was just completely wrong for the role and that one is laughing in embarrassment rather than getting chills at his acting is not a good. Eric Roberts is wooden and looks uninterested, while Misha Barton looks as though she had just escaped from a drugs rehabilitation centre (apologies if anybody finds this distasteful, just my thoughts while watching). Dave Bautista and Danny Trejo are completely wasted with very little to do, and the rest of the cast have even less other than act as obnoxious as possible. 'Abducted' looks terrible. And not just in spurts, we are talking about second one right up to the ridiculous finish. Everything just looks so chaotic and like a visual eyesore. In terms of audio, it adds absolutely nothing and often at odds with what little atmosphere there is.The very few times it's coherent, the script is completely unnatural and the amount of cheese, illogic and dumbness borders on unbearable. The film is very sluggishly paced, the direction even more so and the story execution is a disaster all on its own. Even more incomprehensible than the script, it is choppy, dull, ridiculous and with no tension or suspense whatsoever. Even when giving 'Abducted' a fair chance, staying awake is a chore and the want to bail becomes stronger and stronger as the film wears on.All in all, terrible in every way. 1/10 Bethany Cox
Nicole of ArchonCinemaReviews.com Death to Reality TV.I think it is safe to say that humanity is over reality television. Everyone wants to be famous for nothing, but the LA Slasher has something different in mind.Dressed in garb that imitates the oddity of Michael Jackson, a self appointed crusader against the insipidity of Hollyweird decides he's had enough. Bubbling over with uncontrollable anger, he turns his violent urges to those responsible for today's preoccupation with trash television.With character names such as "The Actress" or "The Teen Mom" or "The Drug Dealers" you really get a sense that the characters of this film are nobodies, just like their reality show counterparts. This detail is just one of the many subtle ways in which LA Slasher acts as commentator on modern day pop culture. In case you are a little dense, from watching so much junk-TV, the dialogue spells out the film's sentiment:"Everybody hates reality TV. But they watch it just so they can tell you 'bout how much they hate it. Whatever problems you have, change the channel until you find somebody who's worse off and then suddenly your life doesn't seem so bad, does it? Well let me tell you something: it is that bad."And who better to voice these disdainful monologues than the pseudo King of Reality Rubbish, Mr. Andy Dick, the voice and man behind the LA Slasher. Unfortunately these meta nods to garbage television end there, as no other humorous cameos make an appearance with the exception of Brooke Hogan. Some C-list actors like Drake Bell, Mischa Barton and Eric Roberts get to make fun of their personas by representing the loathsome reality-TV archetypes.Based on the context of the film, I imagined LA Slasher to be a comedy-horror hybrid and it is not, nor does it try to be. The cinematography is deliberately saturated to mimic the grotesqueries of reality television and perversities of LA. LA Slasher also gets the soundtrack right with an 80s dance vibe. Midway through the film however, LA Slasher starts to lose its edge as it veers too far into the absorption of entertainment news with reality-TV and borders on monotonous when a change of pace was desperately needed.Perhaps it would have been more successful if it tried to blur the line more into horror, but then again, perhaps that added burden would have doomed the film to certain failure. Regardless, I'm a sucker for this type of film and LA Slasher has humor, smarts, a cohesive plot, interesting dialogue and a unique point of view.Please check out Archon Cinema Review's website for full reviews of all the recent indie releases.