Johns

1996 "This ain't no 90210"
6.3| 1h36m| en
Details

It's the day before Christmas, the day before John's 21st birthday. He's a prostitute on Santa Monica Blvd in L.A., and he wants to spend that night and the next day at the posh Park Plaza Hotel. Meanwhile, Donner, a lad new to the streets, wants John to leave the city with him. John spends the day trying to figure out how to deal with Donner's friendship.

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Reviews

CommentsXp Best movie ever!
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
jinx5000 There must be more Arquette family members out there then I thought if this flotsam got over a 2. This is film is not just garbage but the kind of garbage that leaks that nasty melange of trash water whose brackish color denotes a mixing of foul condiment bases. Haas and Arquette (two actors whose stand-ins should get higher billing) play gay prostitutes who dream of saving enough scratch to make it out of LA for the dream factory that is Branson, MO!? As many wads as the two of them have no doubt taken in real life I swore I thought this was a comedy for the first fifteen minutes given their innate lack of talent. But then the clichéd writing and amateurish directing kicked in and I began laughing out loud as this cinematic abortion lurched to its trite "shocker" of an ending and I realized that "Johns" took itself seriously. No, don't go on that "last date" John! Don't go on this date at all. And don't get me wrong, it's not the subject matter (Chuck and Buck is a personal, if creepy as all get out, favorite) it's the execution-which speaking of, if you can hear me God, please put Arquette down like the dog this movie is.
xavrush89 The good acting by David Arquette surprised me, I'll admit. Too bad he and Lukas Haas' efforts in this film go unrewarded by a meandering script and barely developed secondary characters. The portrayal of life on the street was intriguing, but the turns of events didn't go anywhere, yet at the same same time the film's conclusion is inevitable. It's as if the director had Point A and Point B and called in some favors to get some name actors to improv scenes. It's sad that even in a modestly budgeted independent film like this, they filled the bill with heterosexual actors who got to be gay as a dramatic exercise, then went back to their heterosexual lives, while we can still count on one hand the number of openly gay actors working in movies and TV combined. You'd think a small film like this might have been an opportunity a gay actor or two. But noooooo, we already have our quota of openly gay actors on the lower rungs of the Hollywood ladder.But even not taking that into account, the film is just okay at best. Not enough of a story, and even barring that, the dialogue in unmemorable. The only reason to watch is to see David Arquette in a new light, otherwise skip it.
monsterflick The film is rough and gritty, yes, but also a little corny and cliched. The best reason to see it is for the acting. Lukas Haas is great, as usual. But David Arquette is downright brilliant. When I first saw this film, I felt like I was watching a young Marlon Brando. I was convinced Arquette was going to be the Next Big Thing in Hollywood. Then he yucked it up in the wonderful "Scream" films, making a bigger splash as a comic charicature. And then came his 1-800 AT&T commercials, and all his talk show appearances in oversized zoot suits, and his marriage to Courtney "Friends" Cox. The poor guy may be Hollywood's biggest untapped talent! Check out "Johns" if you want to see a side of David Arquette you've never seen. (I just hope his performance isn't ruined by your memories of those phone commercials.)
waldorfsalad Only if you're a David Arquette or Lukas Haas fan will you really enjoy this movie. In fact, Lukas is very well cast as the black sheep of the family turned male prostitute. It drags in places but I think director Scott Silver set out to capture the sordidness and lonliness of your average L.A. hustler, so in that case it's very believable. But the film does call for a long attention span. One of the best scenes, and oddly touching was with Elliot Gould, terrific as always, as the client drawn away from his tête à tête with John to handle his family man duties. But other than that, the film seems rather pointless and to call it "Midnight Cowboy for the 90's" is really hyping it.