Humaira Grant
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Jonah Abbott
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Erica Derrick
By the time the dramatic fireworks start popping off, each one feels earned.
TheLittleSongbird
Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes, Hanna Barbera, Studio Ghibli and Tom and Jerry, and still love it whether it's film, television or cartoons. With significantly broader knowledge of different directors, animation styles and studios, actually appreciate and love it even more now.'I've Got to Sing a Torch Song' may not one of my favourite cartoons or an amazing one, there are funnier, more inventive and livelier cartoons about. Not that 'I've Got to Sing a Torch Song' is devoid of any of those things, just that other cartoons do it better. It is a lot of fun still and is very charming with a lot to like. Deserving to be more widely known, having come from a period with stiff and more well known competition from major pioneers in animation.It is very flimsy in story sure and is fairly familiar, it is not hard to figure out how the cartoon was going to end.Did feel that the cartoon was slightly over-cluttered and it is agreed that familiarity is in order with the caricatures, references and their antics. This was a case of recognising some and having no clue what others were, making the content/humour somewhat hit and miss.On the other hand, the animation is great. Full of attractive shading, meticulously detailed backgrounds, smooth movement and crisply drawn character designs, one is convincingly immersed in the bugtown world. The music is lush and full of energy, with an infectious song. Many of the things shown here is impressive in how it synchronises with the music and animated dazzles and amazes.Much of 'I've Got to Sing a Torch Song' is amusing, despite the content being hit and miss, with some wit and it never tries too hard to be cute. The charm factor is high and the caricatures and references that were recognised by me were really fun to spot and well incorporated. All in all, worthwhile for a look of what it was like in the 1930s, and very interesting in that aspect, but didn't blow me away and it is dependent on how one is familiar with what is being referenced. 7/10 Bethany Cox
Edgar Allan Pooh
. . . than they did on food. At least, that's one of the main Take-Aways of I'VE GOT TO SING A TORCH SONG, which doesn't even reach its title tune until about five minutes of this seven-minute animated short have passed by. In the Looney Tunes Universe, American families would exercise to radio music while grouped together in their underwear, with 12-year-old Little Sis just wearing her panties. Rooms full of college coeds would come together in their bras and panties as Bing Crosby crooned. Harem gals would dance for their owners clad in even less. Beyond animated sex, TORCH is crammed full of Racist sight "gags" and recurring cameos by long-forgotten Dead People. Most folks Today cannot recall very many key cast members of MY AMER!CAN COUSIN (which Abe Lincoln was viewing when a Racist shot him to keep Black Lives from Mattering), and the caricatures incorporated into TORCH are of equal Unimportance. That's why very few of Today's cartoons are built around "immortalizing" fleeting personalities such as Tiny Tim, PeeWee Herman, or Donald "You're Fired!" Trump. As Warner learned, "celebrities" are here Today, but gone Tomorrow.
forestkeeper
Like others have already said, this cartoon is a fine example of the difference between "Looney Tunes" and "Merrie Melodies". A lot of people will say that music videos didn't come around until the 1980s, with the airing of MTV, but in reality these could be considered the earliest forms of music video. While the actual singer or band that wrote the song doesn't perform it, it should be noted that the film/record company, Warner Brothers, owned the rights to the song, so they could use it in any way they saw fit, which was a common practice at the time when this cartoon was produced, including having it performed by various celebrity caricatures, a bunch of babies (Shuffle Off to Buffalo), or two foxes and a few billboards (Smile, Darn Ya, Smile!). They could even alter the lyrics to match the plot or theme for the film in which the song would be reused (see: Shuffle Off to Buffalo, I Love to Singa), as a way to get audiences to purchase the records or sheet music for that song, and play it themselves. Back then you could buy song books or subscribe to a monthly magazine that featured sheet music and lyrics to popular songs of the time.
Lee Eisenberg
Way back long ago, before Bugs, before Daffy, even before Porky - heck, they weren't even filming anything in color yet - Leon Schlesinger Studios tried various and sundry ideas in their cartoons. "I've Got to Sing a Torch Song" shows several people around the world exercising to a radio broadcast, with a few gags along the way, and caricatures of famous people from the era.If you're wondering why they named the cartoon after the song, that was the policy with Merrie Melodies cartoons. You see, when Leon Schlesinger Studios started releasing Bosko cartoons in 1930, all the cartoons carried the Looney Tunes tag. Before too long, they created the Merrie Melodies tag (playing off Disney's Silly Symphonies). While the Looney Tunes cartoons continued showing off Bosko - and later Buddy, and then Porky - the Merrie Melodies cartoons would have the names of songs, and the characters would sing the song in one scene. Such was the case not only with this one, but also "I Haven't Got a Hat" and "I Love to Singa", among others. Eventually, they stopped having characters sing title songs. When the Looney Tunes switched to color, the two series became indistinguishable.Overall, this is a look into Warner Bros. animation's very early days. Within ten years, their cartoons didn't look the same at all. Hell, within five years, the combination of stars Porky and Daffy, plus directors such as Tex Avery, had totally changed the look. But this one is still worth seeing. Because Greta Garbo did want to be let alone.I never knew that Bing Crosby was already famous in 1933. Of course, I have no kind words for him.
