Exoticalot People are voting emotionally.

Lucybespro It is a performances centric movie

Glimmerubro It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Hollywoodrulez It felt real to me I found myself believing every word Walter said. Even if the guy was nuts his skill and knowledge pointed to the fact that he could have killed JFK. He knew the scene of the crime very well ( And I don't mean from a spectators POV) To much evidence proves that he was the second shooter. The way it was shot helped the overall look of the film. I actually felt like I was watching a documentary until the cast credit came up at the end. Then I realized that this was a filmmakers recount on the actual confession. Many other forms of media have been created about the JFK murder but this one really stole the show for me. I also enjoyed the fact that a former American hero of the marines would actually be the guy to secure supreme power by killing the president. I got to say the scene towards the end where Walter is proving he done it by getting a gun into the white house and about to shoot another president was totally crazy in all the right ways.

Dr.William Russo After viewing the intriguing and well-done ILLUSIONIST, my next stop was to look at Neil Burger's first film. Like his well-known movie about magic, the first major picture he directed also deals with illusion and truth. This time he sets his aim at a mock documentary about the Kennedy Assassination. Raymond Barry plays a crusty and dangerous shadowy figure named Ohlinger who recounts to an unemployed television cameraman that he is the alleged "Second Gunman" at the Grassy Knoll in Dallas. From here the younger man becomes sucked into conspiracy, odd happenings, and culminates with apparent murder and a possible second presidential assassination attempt. Burger weaves this with clever technique, building a more and more credible and incredible narrative. As one early character notes, all this is quite dangerous. But the cameraman's ambition supersedes his judgment, and he follows the mad gun man to the ultimate end. What Burger has done with a small budget and two effective lead actors is truly delightful. For those who want clever use of cameras, enjoy the possibilities of history, and cherish the notion of seeing a brilliant and talented director unfolding before our eyes, this film is worth it. Based on this and the ILLUSIONIST, Neil Burger is a fresh talent who deserves our full attention.

A.N. Not knowing what to expect, I recorded this on broadcast TV and was riveted from the opening scene. I usually like movies about ordinary people in extraordinary circumstances, and this was a great example.The sense of place and tension was gripping, even with no soundtrack. The very lack of music added to the stark feel. A subtle scene involving video surveillance was especially chilling. It makes other movies seem overproduced and fake. They should use this technique in a lot more films. No need to involve a cameraman's angle; just have everyone talk and act naturally. Most movie dialog is too slick.It's hard to imagine anyone else in the role of the shooter, laconically yet frighteningly played by Raymond J. Barry. He's one of those actors you know you've seen before but can't quite place. I'm going to check out his other movies to see if he pulls off that same quality.Without giving away the ending, I don't think they could have done it any better. IWTA isn't as overtly scary as a more famous pseudo-documentary about a witch, but I put the two films in a similar category. You have to wonder if this was inspired by the BWP concept. It's excellent either way. I'll have to watch it again to catch anything they cut on TV.

drifkin Blair Witch Project meets Oliver Stone's JFK and puts both to shame. Nasty, brutish, and short (85 minutes) and true to life in every other way too. Highly sophisticated and intelligent, it cuts right to our most primal fears while presenting itself in a deceptively primitive fashion. Explores the shadows in our recent history and national psyche with acute, paranoiac vision.