Grindhouse

2007 "A double feature that'll tear you in two!"
7.5| 3h11m| R| en
Details

Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers before each segment.

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Reviews

Listonixio Fresh and Exciting
CrawlerChunky In truth, there is barely enough story here to make a film.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
gavin6942 It's ladies night and the feeling's right... for Stuntman Mike. After encountering a group of girls at the local tavern, he decides to have his way with them. And not in the way you might think. The second half repeats the event with another group of girls, only this time things go decidedly different.I loved this film. I didn't see it in the theater, but I saw the extended cut on DVD. So I can't speak for the differences other than that I know the lap dance scene is longer and they added in the toe-licking scene, both of which are great. Many people, including my horror buddy Jason, told me this film was slow and Tarantino had lost his edge. And yeah, it was slow, but I think this worked -- it probably seemed worse in theater because it followed the non-stop bull ride of "Planet Terror".The dialog is not Tarantino's best, but it's not bad. There's no quotables like the "royale with cheese" or pretty much the entire script of "Reservoir Dogs". But he makes the mundane, everyday conversation seem like something worth watching. And he knows how to write them. Compare this conversation (the one by the first group of girls) to conversations in other films, and you can't tell me that this wasn't more realistic. So, that's a pretty good job.For those who wanted gore, thinking this was a horror film, you probably were disappointed. Sure, there's some really good blood in the car crash scene (and even a face getting ripped off by a tire) but it happens in under 30 seconds, so you really have to keep your expectations low if you want gore. Me, I didn't mind. The suspense of the story was all I needed to keep me waiting to see what Mike was going to do next. He was a weird guy, both maniacal and calculated.Tarantino, or whoever did the casting, knew what hey were doing. The first group of girls was just alright, but since we wanted them to die it was okay we didn't find them as attractive. But in the second group, we have Rosario Dawson (whom I don't generally like, but was okay here) and the love of my life, Mary Elizabeth Winstead. Actually, the love of my life is Mandy Moore, but Winstead is the best horror has to offer. That cheerleader outfit was divine.Also, I loved the soundtrack. Tarantino is great at exposing viewers to 1970s music they've long since forgotten or never even heard of. The Coasters "Down in Mexico", April March's "Chick Habit" and the thumping "Hold Tight" are just stellar. Sure ,he could throw in some modern pop or rock songs, get a soundtrack that sells millions. But why? He's mining gold right here. Just as he's done on "Kill Bill" and all films before. He made "Stuck in the Middle With You" a bigger hit than it ever was the first time out.Some have complained it's too self-referential, with the subtle in-jokes about the other movies, including Texas Ranger McGraw, the Vipers outfit, the "tasty beverage" and more. Screw the critics. Self-referencing, or any referencing at all, makes a solid film. It's that subtlety that pays off for the alert and insightful that really drives a film home. Kevin Smith, who I think has a lot in common with Tarantino, is very self-referential. And you know what? It makes his films gold because you won't catch all the connections your first time.Let's list off the amazing cast: Kurt Russell (Stuntman Mike), Rosario Dawson, Jordan Ladd, Rose McGowan (who is much hotter as a brunette and a former love of mine, but I'll take her as a blonde), Mary Elizabeth Winstead, Zoe Bell (Uma Thurman's real-life stunt double, and Quentin Tarantino as Warren the Bartender. Priceless.If this film bored you in theater, give it another chance. I think the extended edition really adds some missing flavor. Sure ,you're not getting the sex and gore and non-stop thrills, but there's something about this film that really captures the style it was shooting for (the style of "Dirty Mary, Crazy Larry") in a Tarantino vein. I think it kicks a llama's butt.
MudgeMalog It was the best of films it was the worst of films.....Planet Terror - Everything you could ever want from a "Grindhouse" film: action, gore, hot babes, explosions, plus the coolest characters and an overly-fantastic plot. My adrenaline was pumping throughout and I couldn't have been more content and satisfied with my ticket purchase.Death Proof - It's like having lunch with my aunt and her ugly friends. This was not Grindhouse at all. The energy that was built up from the A-movie was lost very quickly in this B-movie. I LOVE QT usually, but I can't defend this ISHTAR. This has everything you DON'T want in Grindhouse: ugly women, long-boring conversations, predictability, and characters I care nothing about.Overall, the movie is worth seeing, but I'd highly recommend to everyone just get the DVD of Planet Terror and skip Death Proof altogether.
JolinKnight I have to make an apology for my voting, as telling the truth, there is no idea about what this movie is going to talk about and why the directors put them together.From the first one - Planet Terror, it is immediately recognised a "Quentin Tarantino style". Looking like ridiculous and mess, fulling of disgusting scenes and exaggerated blood plasma blasting. Quentin himself even performed a funny character in the film just like he always did in other movies directed by him.To the second one, actually, I don't like this type of movies. Talking too much junk without any relationship with the main idea the movie wants to express. Too many dirty words, which I don't believe is the style of American speaking. The only thing I like here is the punishment for the murder, and the performance of the Australian girl. The familiar accent made me excited, "I tell you mate" this is very lovely, especially spoken by a girl.The last thing I want to tell is a positive comment. It is really worth to watch in the cinema. One ticket, two pictures, so why not.
onthefloorthere There is really no need to say anything about Grindhouse, these two films simply have to be experienced. In a few words - two (or one and a half) horror features in the best traditions of B-movies. "Deathproof" is about a former stuntman using the hp under the hood to murder women. At times painfully predictable, it is nevertheless very enjoyable, packing a fresh Tarantino punch. "Planet Terror" is a typical zombie apocalypse flick, wielding an impressive arsenal of absurdly funny and/or bizarre moments - from Naveen Andrews' collection of certain bodily organs through Jeff Fahey's very amusing role to Tarantino's short, but memorable appearance. Watch both of them for pure pulp enjoyment. "Machete" is highly recommended for dessert.