Hellen I like the storyline of this show,it attract me so much

Console best movie i've ever seen.

Beanbioca As Good As It Gets

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

moonspinner55 Jennifer Jason Leigh and Mare Winningham are a good match portraying vastly different siblings, but only Winningham is able to bring something convincing or substantial to her role. Leigh, playing bar-band singer and alcoholic Sadie Flood, constantly leans on older sis Georgia, an acclaimed folk singer in the Joni Mitchell mold. Perhaps due to her double duties as co-producer on the film, Leigh seems to have boxed herself into a corner: she isn't credible as a singer and, even if this is intentional, gives herself far too much screen-time at the microphone. Probably hoping for a tour-de-force, Leigh is wire-drawn and nervous and jagged; however, we simply do not see any talent within this character (Leigh is obviously a solid actress, but she makes decisions here that wall us off from her). If Sadie had even the slightest bit of charisma or appeal, we might be able to buy into the concept that she gets the (small) breaks that she does. As it is, the likelihood of her ever getting up on stage is slim. Director Ulu Grosbard crafts a few intense dramatic sequences, and the editing at the finale juxtaposes Sadie's bar performance with Georgia's sold-out arena show--both singing the same song--and it's a sadly nuanced moment...but really, what's the point? *1/2 from ****

Syl While I love Mare Winningham and Jennifer Jason Leigh, I felt terrible for the lead character of Sadie Flood who longs for the same success as her older married, conventional sister Georgia. The film earned nominations for Winningham who plays the role with understanding and grace like most of her performances. I just find it so sad for Sadie who is genuinely a tragic figure of a character who loves and is at loss about her relationship with Axel, a quiet pizza guy, who falls in love with her. I remember them hitch-hiking rather than ride in a car with Georgia and her husband. It is a sad, thoughtful movie about sibling rivalry and relationships.

doesticks Grosbard is my favorite director. Between "Georgia" and "True Confessions" I simply cannot imagine better motion pictures."Georgia" has everything right - the right cast, the right details, the right decision to show the entire spectrum of the live music-making process. Grosbard is so correct in showing us the two sisters performing entire songs instead of using more cinematic fades to elapse time. This is about MUSICIANS and you have to show what it is they do, and Grosbard has the audacity to show it in real time.The last shot of Jennifer Jason-Leigh saluting the guy who bought her the shot of whiskey as she was performing brought tears to my eyes - not so much in empathy for her but in the realization that I had just seen a perfect work of art.

Andy (film-critic) What a beautiful family drama this film was! Not only did director Ulu Grosbard give us this story about two sisters and the struggles between them, but also he gave it to us (with the help of writer Barbara Turner) with a surprising twist that you do not see in everyday cinema. Here is a story that is brutally honest and exceptionally real to anyone involved. On the top layer you have a sister trying to compete with the popularity of the other, on another layer you have a troubled spirit controlled by substance abuse, and yet on another layer (and they keep going), you have this sister which isn't a good singer more passionate about the craft than the one that has an ever growing fan base. Wow. With this much structure and substance, you may think that it could get wrapped around itself relatively easy and eventually loose the potential that it has. Well, if you were thinking that … you would be wrong. Georgia is able to keep us guessing and wanting more from each passing frame. From the tight character work by Jennifer Jason Leigh and Mare Winningham to the powerfully emotional story of sisterhood, this movie will keep you enthralled until the final scene, which will literally knock you off your seat.I must applaud Jennifer Jason Leigh because I have never been as impressed with her performance as I was as her turn as Sadie Flood. From her passionate portrayal of Sadie to the ability to capture every word with crisp emotion and distinction, Leigh takes every scene and makes it her last. She is brilliant and honest at the same time. She gives so much to the camera and to the role that you move away from that feeling of watching a movie and handed that sensation of being allowed into someone's private life. This feeling could be because the events that happened on screen were "real" to those involved due to the semi-biographical story penned by Barbara Turner. This was also filmed during a time when Miramax was actually making thought-provoking films that featured nobodies giving us performances of a lifetime. While Leigh had worked before, the other breakout of this film was the title character, Georgia. While screen-time with her was considerably shorter than Leigh, it was her strong bond with Sadie that allowed Mare Winningham to even be nominated for an Oscar in 1996. While I to believe that she did deserve it, apparently the Oscar ballots felt that Mira Sorvino was better. Can you hear me shudder? I can honestly say that the reason that this film was such a powerful film about music and family was due greatly to these two anchor actresses giving us more than 100% and pulling at the strings of our hearts. We all know what it is like to have a family member succeed faster than another, and it is difficult. It is also perfectly portrayed by Leigh and Winningham.Outside of the acting, if you can really keep your eyes on anything else, to fully submerge yourself in this film, you have to listen to the music. While others will argue that it is nothing more than just a secondary ploy to demonstrate the unequal balance between the sisters. I really thought that the songs were what connected these two. There was some equality between them. As I watched this film, and listened to the music, I couldn't help but think that perhaps these two women were one in the same. Think about it. Here you have one, Leigh, who cannot sing, but leads the clichéd singer lifestyle. She is very nomadic, very experimental, and extremely passionate about the craft. While she may not be able to sing exceptionally well, she does harbor this passion that seems to be lacking from the other sister, Winningham. While, on Winningham's side, she has this voice that will pack auditoriums, though she lives a very quaint life with a family and a house. It always felt that Winningham's gift was a burden to her, and she would have rather had the simple life and handed it all over to Leigh … but she doesn't. That passion to perform is relevant in both sisters, which made me feel we were watching the same person just cut in half.The only negative aspect that I felt hurt this film from reaching perfection was the timing. The script was great, phenomenal actually, but there were just moments when I felt that either the direction or the timing was off. The entire plane scene (which was my second favorite of the film) was brilliant, yet a bit far fetched for my belief. It was great to see Leigh completely break down in order to get to her sister, but the zaniness of it all was a bit overwhelming. Also, I needed some pre-information if possible. We had one scene of the sisters when they were young that could have been expanded just a bit. It would have been interesting to see when the two broke off and what really forced the two to choose the lifestyle that surrounded them. The concept of Sadie riding on Georgia's coattails was relevant throughout the entire film, but more could have been expanded on it. It wasn't until closer to the end when I completely realized what was happening in the beginning of the film. Just some small housekeeping would have propelled this film into "favorite" land.Overall, I was shocked and delighted with this film. The final scene of this film, which shows the repetitive nature of life, continues to roll around in my mind. Leigh's performance was exceptionally raw and showcased her true talent. The secondary characters in this film could have been a bit tighter (Axel was very flimsy because I wanted to know him better), but it didn't seem to destroy this picture at all.Grade: **** out of *****