Pluskylang Great Film overall

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

zippyflynn2 Extremely few comedians are successful, even fewer for more than a year or two and the majority of those few that are still working the large venues, who prove themselves to be other than just some flash-in-the-pan dressed up in an ill-fitting suit of success by an aggressive publicity team and a gullible, entertainment starved audience; usually build their careers on one or two jokes that they've turned into their shtick: they have a quirky personality that is charming or, at least, familiar. Essentially they're one-trick-ponies with long legs. This isn't something I was really thinking about in much detail until I watched the exception to all these rules: George Carlin in Life Is Worth Losing. Here is a man who is nearing seventy years old (as of this writing), his fiftieth year in show business and he presents us with his finest, most polished work of all. He is one of those exceptionally rare breeds, in any given professional field, who not only improves with time, but substantially so to an extent that you clearly see all of his work until now has been the foundation for the masterpiece he offers us now. Not one to be particularly impressed by the vast majority of so-called "great" things, it took me a while after my first viewing of Life Is Worth Losing to absorb what I had seen and several repeated viewings shortly thereafter to understand I was witnessing a truly great comedian, a genius, THE master of his craft. In a world where the vast majority of "great entertainment" is hyped up bullsh*t and mediocrity, a passing fad at best that sours on your second taste if not turning bitterly toxic, George Carlin is a man who shows us what real, adult comedy should be: a mixture of cleverly constructed fun and intelligent material that makes you think about our comically tragic existence. This is George's best performance and material so far, his most thoughtful, thought out, thought provoking and heartfelt.I really expected to see and hear universal applause and praise for this great work. Instead, I was surprised to hear and read so many negative reviews about this masterpiece. Surely these can't be the same George Carlin fans who loved his work before. Especially those who said this work was "bitter". If anything I found his latest offering to be a lot less angry than most of his previous work and more thoughtful. Then I realized what all the fuss was about: in this performance George is holding up the biggest mirror he's held up so far. He's forcing more Americans to look (and laugh if they have the courage) at themselves than he ever has before. He leaves very few stones unturned in his satirical offering. For a start he talks about a lot of Americans right off the bat when he discusses obesity, as a third of Americans are classified as medically obese and about half of those as morbidly obese, according to the latest American Medical Association studies. He also talks about mindless consumerism. Between these two subjects he's covered the vast majority of Americans. And since Americans are becoming more dimwitted and righteous, the bulk of them will not laugh at themselves, the purpose of intelligent humor but prefer the sadistic, mean spirited "humor" they see on television (which George satirizes in "The All-Suicide TV Channel") or read in those idiotic emails too many people forward to everyone in their address book with titles like "10 jokes about rag-heads" or "Stop complaining you homeless person". (Some of these atrocious emails that preach intolerance are erroneously attributed to George Carlin but in fact are written by other people, none of whom have the courage to take credit for these awful, embarrassingly written pieces. Sources: see www.snopes.com or www.georgecarlin.com) If you watch "Life is WorthLosing" for just the opening and closing segments, you will see pure brilliance. The opening segment "A Modern Man" is a work of genius and you will be awestruck by George's mastery of the English language as well as his selection of timely material. The closing segment "Coast to Coast Emergency" is actually a very hopeful piece but I think too many people get confused by it because he's discussing the bitterness of the average person and is revealing that the solution to most people's unhappiness is to rid themselves of their own bitterness. Don't listen to the critics of this work, it's a fantastic piece. Typical of the vast majority of naysayers, they are really talking about themselves when they describe George as "bitter". It's why it is always a risk to tell the truth because most people want to kill the messenger that brings them bad news, especially when that "news" (intentional ignorance actually) is about themselves.This is George Carlin at his polished, intellectual best. It is a masterpiece of comic genius that you will want to add to your library and watch again and again; especially after one of those too frequently increasing moments of realizing the dumbing-down of your fellow countrymen and women is an alarming reality.

michael_the_nermal As someone who's seen a couple of George Carlin shows and thought them hilarious, this stand-up special was utterly dismal. I admire George Carlin's attempts at misanthropic social commentary and humor, but this show was way too heavy on misanthropy and almost empty on humor. Carlin does not make any jokes or punchlines at all, nor does he attempt to make any humorous statement in what can only be called an ugly and hateful rant. His waxes rhapsodic about suicide rates and sexual perversions, but only describes them, with no attempt to make jokes about them or connect these morbid topics with the audience, much less himself. In order to be funny, he would have to connect his topics with a joke, or at least make some flippant remark that the audience could find ironic or cheeky. Good satire looks for irony in their topics, and Carlin just describes his topics without connecting them to the greater sphere of the human experience, with the irony serving to make the comment humorous. Carlin doesn't try at all to be funny; he just harangues and blathers on. Carlin's laziness is apparent and frankly insulting; misanthropy is a wonderful topic for a humorist to focus on, but in order to be entertaining, it must be FUNNY! That is why misanthropes like Jonathan Swift and Mark Twain are still read and beloved today. Carlin's rants have no point other than to vent his frustrations and shock his audience. It is pathetic and saddening, as Carlin now appears to be in the twilight of his career. This is an inauspicious end for one of the best humorists of the twentieth century. I hope Carlin will work harder to be funny the next time around.

chagid All I have to say is that "Life Is Worth Losing", if you had to sit through George Carlin's new stand up. I am a huge fan of his past HBO stand up's but this one made me go to sleep. He has just lost his touch, it's a shame what rehab will do to you. The comedy was really just not there, the delivery was not sharp, stuttering over lines, reading of cues, just not Carlin humor. Yes the show had it's up's, but very few, and none of them where worth repeating the next day. I hope this new clean cut Carlin takes a drink and a couple pills, because this is not the guy that gave us such great stand up's as, "You are all Diseased", "Complaints and Grievances", "Jammin' In New York", "Doing It Again". George, please give us the old pi**ed off, grumpy Carlin that everybody loves.

Julie Brilliant. Edgier than ever. I hope someone has taken down his opening monologue and posts it in the Memorable Quotes area. Truly one of the supreme comic geniuses of our time. I particularly enjoyed the hypothesizing about "Suicide TV," and the skewering of America's obsession with all things sensationalized. Nobody is ever safe from Carlin's wit and command of the English language, and he wouldn't have it any other way. Interesting to see how he has elaborated on elements of his live stage act from two years ago. I also appreciated how there was much, much less time devoted to non sequiturs and more ramblings that were all connected, often in a very twisted and disturbing way. Here's hoping for more Carlin specials to come.