Genghis Khan

1965 "Only once in the furied history of adventure and conquest...did one man rule so vast an empire!"
5.8| 2h7m| en
Details

This is the story of the shy Mongol boy Temujin who,during the 13th century, becomes the fearless Mongol leader Genghis Khan that unites all Mongol tribes and conquers India,China,Persia,Korea and parts of Rusia,Europe and Middle-East.

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Reviews

NekoHomey Purely Joyful Movie!
SunnyHello Nice effects though.
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Stephen Chalmers Having read Conn Iggulden's Wolf of the Plains trilogy I came to this movie to see more of the Genghis Khan legend. Whilst the novels are themselves loosely based on the history, this movie is way off track. It is difficult to see from this version how Temujin who later became Genghis Khan could have united warring Mongol tribes. It would have needed someone with immense strength of body and character, and Omar Shrarif's character just did not portray this. Robert Morley as the Chinese Emperor was amusing but nobody else had any credibility especially Temujin's wife, Bortei played unconvincingly by Francoise Dorleac as far too western. Considering Genghis Khan achieved the unification of a Mongol nation at the beginning of the 13th Century, the film set looked more like early 20th Century Wild West. Give this one a miss, if you are interested in the history go elsewhere, if it is a good action adventure set in the Mongol steppes then look elsewhere also.
elshikh4 ..The movie itself didn't answer completely that question as it was a lousy try to read the great side in such a character but in such very fabricated way ! Actually the whole thing looked like an imitation of the era's cinematic epics of the big production yet it seemed eventually more like a parody, especially with attitudes such as casting (Mason) and (Merley) as Chinese people !?? That to tell you the truth was pathetically comic !, and that strange ending which tried hard to remake (Genghis Khan) as (Alexander The Great) !! Anyway the famous screenwriter (Robert Bolt) said once "If you want history go read a history book and don't you watch a movie !" as movies mostly present the art more than the real history, however in here it's the bad weak nearly idiot kind of art. You can simply look at it as another adventure movie from the 1960s with some nice elements if only you forgot the names of the real characters, and their actors as well !
mmarotta1 Yes, the quip about the Mikado Road Company is correct. That said, this non-biography is not far as from the Lamb book as the recent TROY was from Homer. It is a fact of mythography that each retelling reflects the time and place. We grant validity to the archaic Sigurd and the medieval Siegfried, and to Wagner's. So, too, is this recasting of Genghis Khan not a biography, but a myth. Accept it for that and the story is as good a movie as "Damn Yankees" was about baseball or "South Pacific" was about World War II. In fact, maybe if this movie had a song or two... "Conquer the World" "Stepping Along the Steppes" "My Horse's Milk" ... well, perhaps not...
tony-peterson Genghis Khan (1965) This is probably not the most accurate of films about Genghis Khan, but at least it's enjoyable in a silly, entertaining way. It's a bit of a guilty pleasure for me. I can see it's not all it should be, but I like it nonetheless.I'm not a big fan of Omar Sharif, but, in the title role, he's rather good and a lot better here than he was in DOCTOR ZHIVAGO or LAWRENCE OF ARABIA.The film features very stereotypical Chinese characters and co-stars Robert Morely and James Mason both look and act like two characters from Gilbert and Sullivan's THE MIKADO. It's rather ludicrous, but, once again, enjoyable.Production values are high and Dusan Radic's music score is not only evocative but one of the best from the mid-1960's.