Plantiana Yawn. Poorly Filmed Snooze Fest.

Linkshoch Wonderful Movie

WasAnnon Slow pace in the most part of the movie.

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Robert Reynolds This short was nominated for an Academy Award for Animated Short. There will be spoilers ahead:This is a visually beautiful and haunting short, told with no dialog. The basic premise, that a feral boy is found by a hunter and returned to civilization, is deceptively simple.The fact is, when you find a child who has essentially lived as a wild animal for a sizable portion of his life, it is shortsighted at best to think, as the adults in the film clearly do, that merely cutting his hair and dressing him as a "proper" boy dresses makes him a boy. For starters, he has absolutely no idea what the culturally instilled modes of behavior are for a human child.He still has the instincts of a feral animal and those will take years to break down and replace with the behaviors installed by years of being raised in the social settings of human societies. That's what this short is about.It has precious little to do with "freedom", as the boy was no more "free" in the wild that he is in "civilization". He just trades the norms he became accustomed to in the wild, which will sooner later mean a relatively early demise (he very nearly dies before the hunter finds him) for the norms of human society. He's in a cage either way, he just traded a cage he's comfortable with for one which is strange and terrifying.An excellent short which is available for download for a reasonable cost and is well worth tracking down. Most highly recommended.

Hellmant 'FERAL': Two and a Half Stars (Out of Five) Another 2014 Oscar nominated animated short film is this 13 minute tale of a wild boy found in the forest by a hunter and brought back with him to civilization (for the first time). It was written and directed by Daniel Sousa and features no dialogue. I found it to be somewhat bizarrely interesting but ultimately a letdown; it doesn't seem to really go anywhere. It is one of the more mature and dark Oscar animation entries (this year) and the visuals are nice to look at but the story has been done many times before (to much better effect). I'd say it's definitely one of the weaker nominees this year.Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=PAefz9rzS5w

MartinHafer This year's crop of Oscar-nominated animated shorts is unusual. In the past, normally there are 2 or 3 films which are exceptional and I would be happy seeing any of them win. This year, however, "Get a Horse!" is so superior that I would be incredibly shocked if it did not win. Now I normally prefer shorts from small film companies--as I want to encourage the non-corporate players and an Oscar is a great way to do it. But Disney simply outdid itself and the rest just pale in comparison.I'll cut right to it on this particular short--I really don't know why it was nominated for an Oscar for Best Animated Short. It's got some nice and unusual animation but to me it is by far the weakest of the nominees and I've seen a lot of other shorts (especially the Commended Shorts that were shown along with the Nominees in the theaters this weekend) that were better.Story-wise, there isn't a whole lot here and it's told without words. A feral boy is found in the wild and brought to civilization by a hunter. The child has difficulty fitting in and that's really it.The animation style is what I appreciated in this one. While there are no faces on this animation, it really isn't simple because the style and artistry is there. Nice to see once.

boblipton FERAL is a nominee for the Best Animated Short for the awards issued in 2014 and while the beauty of its bleak and spare art is certainly moving, there is an overwhelming pomposity to its construction.To tell a story about the overwhelming need to be free in a branch of movie-making which is the most nearly controlled of its genres, in a form in which, if the producer be dissatisfied with a performance, he can rip the actor up, is nothing short of bizarre. Every sequence, every frame, every jeer of a child's voice is added and modified at the insistence of the creator. It calls attention to its own artificiality even while decrying it. This short is, as I have said, quite beautiful, but it lacks that most essential craft in the composition of such a didactic story: the art that conceals art.