Expedition: Bismarck

2002
7.4| 1h32m| en
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James Cameron take several survivors from the German ship and crew, and together use state of the art technology to discover the ship wreck as it is today. Diving in submersibles and using ROV's we get to see the inside of the giant ship from WWII which sits on the bottom of the sea.

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Scanialara You won't be disappointed!
Acensbart Excellent but underrated film
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Portia Hilton Blistering performances.
Squeele In a nutshell: director James Cameron and his crew (among them his engineer brother Mike, German WWII veterans, DP Vince Pace and a bunch of equally brilliant scientists and historians) join a Russian research ship in order to film the wreckage of battleship Bismarck, a ginormous Nazi cruiser sunk by the British (or was she?) in May 1941 off the coast of France, or as the commentary by Lance Henriksen dubs her: "the Death Star of her time".This is a docu-fiction type of documentary. Phenomenal archive footage and stunning present-day images are blended (sometimes not flawlessly) with CGI schematics as well as stiff period dramatization. As much as I love Jim Cameron's movies (I truly think he's one of the most important filmmakers working today, even his lesser efforts in the fiction domain being better than 95% of their rivals IMHO) I wasn't introduced yet to his documentary work. Now that I've seen "Expedition: Bismarck" I honestly can recommend it to anyone interested in history, underwater filming, or just documentaries altogether. That being said, some of Cameron's flaws or shortcomings as an artist were more visible here than in his previous work, and it prevented me to completely dive into it.Cameron's brand of tech-heavy obsession transpires logically more here than in any other film. There is a strong emphasis on engineering aspects and basic underwater physics. As much as it's portrayed efficiently with much pedagogic concern, it might be a bit hard to follow for the younger - or less tutored - audience. The first 30 minutes skip quite bizarrely through the historical facts, the Bismarck being portrayed in such a hammy manner than its sinking in comparison seems like a mere footnote. As much as this choice pays off later on, I still found the intro quite unbalanced and suffering from a poor dramatization that looks like a cheap A&E biography.Another annoying aspect was the historical theories submitted by the film. Much like another Cameron-produced documentary (you know, that obnoxious movie about the tomb of Jesus?) some established historical theories are being challenged here by the filmmakers. And even if I don't believe in any bias on their end, the way they present their "discoveries" is way too rushed or opaque to be credible. Sometimes James Cameron and his mates sound like smug, arrogant tomb raiders jumping to conclusions while said conclusions are neither really explained nor sustaining their arguments. Nothing in this movie shows a lack of good faith from the filmmakers, but the way they mistake themselves for History detectives is totally out of place. That being said, these flaws are quite forgettable compared to the astounding undersea filming. This is truly the most breathtaking marine film since Louis Malle and Jacques Yves Cousteau's groundbreaking 50's film "Le monde du silence". And more importantly, the usual criticism toward Cameron's work (a so-called coldness and lack of emotion) is here negated by the very moving story of two 80 year-old men who survived the sinking. The genuine emotion from those two German WWII vets not only humanizes the story, but shows how young spirits could've been brainwashed by the Nazi propaganda. Yesterday's enemies being today's friends gives this movie a well-earned upbeat ending that never feels staged or stolen.
Michael DeZubiria It will be hard for some viewers to look past assumptions that this is a documentary made by a Hollywood director trying to cash in on the success of Titanic by making documentaries like Expeidition: Bismarck, Ghosts of the Abyss, and Aliens of the Deep, but from his past as the director of Titanic and Thhe Abyss, I think it becomes genuinely clear that he just has a true, child-like fascination with the unreachable depths of the ocean, and he has achieved a level of success that allows him financially to travel miles down into the deep and show us parts of the world that no human being has ever seen before and may otherwise never have seen at all.Granted, I understand that Cameron is not solely responsible for our ventures to the bottom of the ocean, but his efforts have given us images and memories and knowledge about the wreck of the Bismarck, one of the most controversial shipwrecks of World War II, and has made a tremendous contribution to science and to history.This documentary goes into astonishing detail about the political climate of the world at the time the Bismarck was built by Nazi Germany and the jaw-dropping statistics that she boasted, both physically, from her deck guns at over 100 feet long able to fire thousand pound pieces of metal thousands of yards with frightening accuracy, to the tremendous number of ships that she was able to sink before was finally sank herself during a battle with British ships.The controversy comes in over who is to take credit for the actual, physical sinking of the Bismarck, as the British claim to have sunk her while the Germans claim that her crew destroyed her in a last effort to have some control over their own fate. The film features astonishing research and a detailed look at the history of the ship and the battle that sank her, as well as some incredible computer generated recreations of the actual sinking of the ship, edited together masterfully with the new footage of the 61 year old wreck.The addition of two of the survivors from the Bismarck, as well as the fact that old enemies now look back on the battle and the war and the lives lost with mutual sadness and regret add a poignant human element to the story, which was always there but which is easy to forget in the face of the sheer magnitude of the ship, her power, and the wrenching inhumanity of that war. This is a powerful documentary that only suffers from a goofy, highly over-dramatic narration that reminds me of the similarly goofy narration of the atrocious documentary Gunner Palace, which generated high expectations and satisfied none. This documentary is the exact opposite, and whether or not James Cameron is cashing in on any kind of success, if he keeps them this good, I say keep them coming.
bruno-chereul It's a hard but wonderful documentary about the end of this war ship. James Cameron forgets one thing, a very important thing. Despite the first radars , the MI6 knew exactly the position of the Bismarck, owing to "Enigma machine" built by Turner. The Admiral Reder was so stupid to communicate from Berlin with the war ship.The results is knew: 2,500 dead sailors and a fall down during 12 minutes near the french harbour: Brest.But, fortunately, the liberty for all the english then U.S.Ships to help England and 3 years ago, liberty for the free Europe.
Ralph Michael Stein Two of the slightly more than 100 survivors of the 1941 sinking of the German battleship Bismarck accompanied James Cameron on a mission to determine the exact circumstances of the mighty warship's demise.In the early stages of World War II Britain's Royal Navy feared not only U-Boats (which, in fact, were in short supply) but surface commerce raiders, both disguised and conventional. In the First World War Germany's surface sea raiders posed a serious challenge to ocean-borne commerce and their rampages required significant diversion of British naval assets.Before television, Americans and Britons followed the war through newsreels at a time when very many attended movies at least weekly. Newspapers and magazines provided military and naval commentary, often accompanied by photos and maps.At the beginning of the war the German pocket battleship Graf Spee captured world attention as it raided the Atlantic before being hunted down and grievously damaged by British ships. The subsequent spectacular scuttling of the Graf Spee on the River Plate was filmed and later watched by millions.The Bismarck and its accompanying vessels posed an enormous potential threat to Britain's sea lines. One of the most powerful warships ever built, its mere existence was a daily factor in British naval plans. When it sallied forth in the spring of 1941 the Royal Navy successfully intercepted the vessel but in the first exchange of broadsides, HMS Hood was hit and it went down with all but three of its crew.James Cameron's documentary, supplemented with reenactments, barely conveys the shock felt in England when news that HMS Hood had been lost was received. HMS Prince of Wales, with the Hood, was damaged (HMS Prince of Wales would be lost in December of the same year to Japanese forces while under the command of an admiral who doubted that aircraft could sink battleships).A task force of Royal Navy vessels cornered the Bismarck which steamed in endless circles because a fortuitous torpedo hit from a British plane jammed the ship's rudder.Pummeled by the massed firepower of many ships, Bismarck went down. A continuing mystery, and controversy still alive, was whether the fatally stricken battle wagon went to its grave proximately through battle damage or whether the crew hastened the end by setting off scuttle charges and opening sea cocks. National pride - British and German - is still sufficiently alive for this issue to command attention.Whatever the answer the destruction of Bismarck was a relief for a stressed and weary England. A popular movie of the encounter was made years ago.Cameron basically adopts the approach, and most critically, the advanced technology that Robert Ballard has used so successfully in exploring the Titanic, the Lusitania and other famous maritime wrecks. It's interesting to watch him at work, both on the surface and in the deep diving craft housed on the Russian marine archeological vessel that has made many discoveries possible.Cameron briefly explores the history of Nazism and the two elderly German survivors explain that as little boys they grew up under the mantle of Nazi control and couldn't help but hate the British. They become emotional when talking about their lost shipmates and in one moving scene they throw a wreath into the ocean while expressing respect for their dead comrades and hope that there will be no more wars.The Discovery Channel premiered this film tonight and, of course, it was chopped up with commercials. It will make a greater impact when seen as an uninterrupted feature length documentary.The sea holds many mysteries and in the past decade research submersibles have uncovered some and answered a tantalizing few long- time questions. Cameron's passion for this project comes through here (as does more than a hint that he isn't as patient and at least as superficially easygoing as Ballard appears to be).This is a fascinating film that all interested in World War II and the sea will enjoy.9/10 (for this genre).

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