SpuffyWeb Sadly Over-hyped

Cortechba Overrated

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

krutikarao Dior and I was nothing short of a mesmerizing glimpse into the working of the worlds most celebrated fashion house. This documentary captured eloquently the working of an artists mind. It shows Raf Simmons take a plunge into the couture work.Simmons, a ready-to -wear designer struggles with the art of mastering a couture line; that to, in a short span of 8 weeks. It also shows the language barriers between him (Belgian) and the workers. The behind the scenes gives you a beautiful glimpse into the creation of couture. These are not just garments, but the evolution of thought, love and effort. It portrays the love a creator has for his creation. The last bit was definitely the most enticing of all- the final moments where everyone waited for the models to walk the ramp- with tense faces and bated breaths. If you have a heart for fashion, this is definitely a must watch!

uslogin I find that if you have to make a "behind the scenes" style documentary, you really need to have a good story. For fashion nerds, Dior might be an icon, for the rest of us, these are just people, trying very hard to look like they are doing something meaningful. Also, it doesn't help the Raf is repeatedly accused of being a racist, for his refusal to use non white models. It killed the fun for me, as I'm sure it will for others.I think in our day and age, something like this could not exist out of cultural and historical context, including the unpleasant sides of the world of fashion, especially considering they also had on their patrol John Galliano.

Hellmant 'DIOR AND I': Two and a Half Stars (Out of Five)A documentary film about acclaimed fashion designer Raf Simons; and his work as the creative director, for Christian Dior S.A. (better known simply as Dior). It was written and directed by Frederic Tcheng and stars Simons (as himself). The movie also features cameos by Marion Cotillard, Isabelle Huppert, Sharon Stone and Jennifer Lawrence (which is the main reason I saw the film); as themselves as well. Although the movie is consistently beautiful to look at, it's also extremely boring. The film focuses on Belgian fashion designer Raf Simons. It begins in 2012, when he first replaced Bill Gaytten, as the creative director for Dior, and it follows him around as he passionately directs the French fashion house's employees. The filmmakers interview Simons, as well as several other Dior fashion artists. It all leads up to the debut of Simons' first 'haute couture' collection. The movie is somewhat interesting, but really slow-paced, and mostly a bore (at least in my opinion). I do like watching beautiful women, in beautiful and glamorous clothes, but I'm not that interested in the 'behind the scenes' of how the fashion industry functions. This should be an interesting movie, for those that are though. Jennifer Lawrence only briefly appears, in a nonspeaking part, as an audience member at the big final show.Watch our movie review show 'MOVIE TALK' at: https://youtu.be/bOI7ZdxfHTQ

beantime Like most people, my exposure to haute couture comes mostly from Vogue magazine and the "what are you wearing" interviews done on the red carpet. I expected this documentary to be a red carpet parade of elegant Dior couture, but instead saw a film that spends the majority of its time in the atelier (workroom) of the House of Dior to chronicle the less elegant process of creating a couture collection. The creative process takes us from Raf Simon's vision as the new artistic director for the House of Dior, to a complete couture collection, and it is a thrill ride. There is a necessary tension in Simon's need to be true to his own vision whilst being true to Dior and the film does a wonderful job of finding those synergies between Simon and Dior, both in their collections and as people. Layer that with a wonderful study in creative collaboration as the craftspeople who work at the atelier (some for 20 or 30+ years) meet and learn how to support Raf and his first ever couture collection. I have a new appreciation for the art of haute couture after seeing this film. If I only had the budget!