Solemplex
To me, this movie is perfection.
Kien Navarro
Exactly the movie you think it is, but not the movie you want it to be.
Marva
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
The-Axe-Of-Eugene
But no. It has two problems, and in a short film where the only important thing it's the visual style and how it looks (the animation style), this film isn't good enough.OK, the visual style it's really cool, because you know, Dali style. Whatever, it doesn't success in the same way in the animation, being sometimes fluid and smooth, and others just rear too look at, and not in a good way. It looks like a transition between a photo and one of those in which an image fades slowly to result in the other, and this doesn't match at all. Besides that, it look awful.The other problem with the animation it's the use of CGI, when the movie will be far better only with a traditional style, or at least being just in 2D.In the end, nothing really interesting, maybe if you're a fan of Salvador Dali.
bob the moo
Originally conceived as a joint project between Disney and Dalí back in the 1940's, this short animation never got to the stage of being completed for various reasons and instead existed as paintings and storyboards Dalí made with Disney animator John Hench. These were on display at the Tate Modern as part of the exhibition "Dalí & Film" and I did like the fact that I could see the creation of the film and then step next door to watch it and see how close it came to the original design from over fifty years before.Watching it is a strange but enjoyable experience because it is at once Disney and Dalí and this is a combination that I didn't think sat all that well together thematically or visually. I did get used to it but it did jar with me to see a woman with a typical modern Disney face, suddenly becoming part of a Dalí's creation. Perhaps this was the intension but it did feel a bit like someone was flicking a switch somewhere to go Dalí then Disney then back again – not so much a combination of styles as the two being placed next to one another in one piece. This feeling aside though, it is a quiet engaging and enjoyable film that I enjoyed immensely visually. Dalí's vision is brought to life really well and the images from his storyboard and paintings generally are instantly recognisable.Again I did wonder if the film would have been quite so "Disney" if it had been made in 1946 with the man himself directly involved – at times I did feel that I was watching Pocahontas and it did take away from the experience a little bit. Fortunately the storyboards prevent it going too far from the original images and as such it is interesting and imaginative; the CGI is a blessing and a curse though. On one hand it makes all this possible but on the other it seems significantly less real than Dalí's actual paintings – I'm not sure quite why but I think the colours are too simple and the imagery lacking in the detail that some of his work has.Overall though, it is still an enjoyable and enchanting film and a chance to see Dalí's images flowing across the screen. Perhaps a little too Disneyified for my tastes, it is still well worth seeing for the chance to enter a Dalí painting and follow a story about loss and love.
ccircosta2002
I had the privilege to see Destino at the Salvador Dalí Museum in St. Petersburg, Florida.It's the only place in the world where it plays on a regular basis. It six minutes I believe.I thought it was beautiful. Enchanting. If you can, see it. I absolutely loved it.
Amanda
There is no other way to visually match the haunting and lyrical piece, Destino. Utilizing a stunning array of Dali's most iconic pieces, this short tells a very emotional tale. It has left me without words to describe it. Simply, it is beautiful, breath-taking, stunning, and almost lyrical in the fluid change of the figures and icons.The melody will haunt you for days as you struggle to fully grasp this masterpiece.However, it is at times too Fantasia-like, too Disney, and not enough Dali. It can be taken as a superficial composition, but I like to think of it as more, as though Dali knew something that we do not and this short serves to inform us of his secret.
