Smartorhypo Highly Overrated But Still Good

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Michael Ledo This is one of those crime thriller dramas I couldn't get into as much as everyone else. The story develops slow and the plot reveals itself slow so consider this your warning for early plot spoilers.In 1974, Jim Stewart (Sullivan Stapleton) gets out of prison and goes looking for his old friend Merv Farrell (Alex Russell). Merv has moved on and is engaged to Paula (Jessica De Gouw) having started a new life. Jim's presence is disruptive. He doesn't trust him around Paula, and as the plot reveals itself, the two were very close cell mates. Jim returns to what he knows and drags his reluctant buddy into it.While you can feel the angst and intensity, I was not being entertained. The premise and antics were dull considering today's films. The female impersonators really didn't add anything.Guide: F-bomb. Sex. Brief Nudity?

geraldohanna Cut Snake is one of those rare films you find one night while searching through an endless list of films you have yet to see. You've looked over it numerously, thought about watching, even pressed played and quickly stopped... Why? I have no clue... Maybe because it's a little film with a cast and director i have no previous knowledge of... But Cut Snake is a good film... Just flawed with a sprinkle of Cliché undertones.Merv (Alex Russell, "Chronicle") has a good life going with his girlfriend Paula (Jessica De Gouw, "Underground") but with the unexpected arrival of James (Sullivan Stapleton, "Blindspot") a friend from his shadowy past, he is forced to revisit closed doors. From here we enter a character study of these two men and how they both interactive and somehow fit together. With Merv, we see quiet and fragile; but a temper hidden deep within. James, anger, sadness and neglect. Blake Ayshford and Tony Ayres ("The Slap") do a wonderful job of dissecting both men and yet showing how they fit together or most importantly what brought them together. But because we've already seen a movie like this before... (Brookeback Mountain) the emotional gravitas of this film falls flat. It feels as we are getting the same movie only with a slightly different plot and characters. Swapping the late Ledger for Russell, and Gyllenhaal for Stapleton; who unlike Gyllenhaal is a closeted homosexual but unsure why he resents his feelings. We even having the awe-struck girlfriend who is saddened by what she sees. But the real star of this film is Stapleton, who honestly carries the burden of coming home to find your love one has moved on. He affectedly shows us anger and yet humorously makes jokes about the situation with each step. Cut Snake is an entertaining film if your in the mood for another Brookeback Mountain.

david-rector-85092 Cut Snake is the latest feature from Australian director Tony Ayers. I enjoyed his 2002 feature 'Walking on Water', and thought he was one to watch. Weaving between single dramas, mini series and feature films, Tony's latest Cut Snake is of interest for his name, and secondly for that of leading man Sullivan Stapleton. An actor on the rise, Sullivan has also been carving out a name for himself across different mediums, and he makes the most of his leading status, piercing the lens with his brooding frame and affect. It is at times a bold and shocking performance; one that elevates him, rightfully to leading status in this country. Alex Russell and Jessica De Gouw were both discoveries for me, and the former emerges with the more fleshed out and compelling character. It is beautifully designed and directed and an interesting interplay of genres and characterizations.

mnaseef I saw this premier last night and their was discussion on not revealing the twist and I wont for the sake of this review but I think its a bad idea not to reveal the twist. I think it'll make more money by revealing it. If its left as surprise it comes across more as a reflection on the actors ability to quickly change character as opposed to steeping in from the beginning that these characters can and do exist in the way they are despite their difference. It also seems clunky then and without integrity to appear suddenly different to the point that after that twist is established the movie is finished and resolved. The cinematography was very good and it really did have great features. Once scene in the Chinese restaurant didn't quote cut it for me though. Still overall collaboratively it presented round and beautiful to watch.