VividSimon Simply Perfect

Listonixio Fresh and Exciting

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

JohnHowardReid A wonderful film which ranks with El Cid as one of the best historical blockbusters ever made. I've mentioned before that imaginative "B" directors often turn out staid and uninspired "A" work. This hasn't happened here. True, some critics feel that the non-battle scenes lack power, but I found them far more interesting and forceful. The inner action of men's minds, the crackle, dart and thrust of their speech, their motives, aspirations, stubborn beliefs and hidden agenda formed for me a richer panorama, a far more fascinating vista than the mere brute clash of iron against steel.The acting is well-night perfect with both Guinness and Harris superbly cast as contrasting king and conqueror. It is these two powerful players, both giving the performances of their lives, who rightly dominate the action. The director's script — following history itself — brilliantly thrusts them center stage and cleverly keeps them there until the inexorable end. It's hard to keep audience interest alive when the outcome of the plot is so well-known, but Hughes manages to work up such sympathy and suspense, we concentrate all our attention on events as they unfold so fascinatingly before our eyes. The sets, the costumes, the rich details and panoply of court and parliamentary life are alone so gripping — and beautiful to behold — that occasionally historical events seem like an intrusion! And that is exactly the right approach for a writer- director to take, crowding our hearts with such an abundance of inspiring and abhorrent images and ideas, there is no time to reflect. In Hughes' hands history is always vigorously alive, never static or blandly familiar, — let alone moribund or dull.

Michael A. Martinez It's a bit awkward to see Irishman Richard Harris spitting venom and turning against his king at the idea England hiring on Irish mercenaries and bowing to a Catholic Queen, but he puts in a very fun performance in this little-represented section of history. The film plays its cards too soon with the pacing though, bringing us the most exciting action, scenery, battle scenes and dramatic panache early on and then ending on more of a somber courtroom whimper. Nicely, the film stays apolitical and presents both sides with some sympathy. Alec Guiness really shines as King Charles I, managing to play the role as bumbling and arrogant yet sympathetic as extremely courageous to the end and as an unfortunate product of his time. It's really interesting to see Michael Jayston playing one of the more vehement revolutionaries in this film, especially considering the next year he'd get his big starring role as the very pro-establishment titular character NICHOLAS AND ALEXANDRA, a very similar film about the end of a European Monarchy.CROMWELL is unfairly forgotten these days, especially considering it is quite lavish, somewhat realistic in terms of production design and battle tactics, and features excellent performances by a whole host of familiar British performers like Timothy Dalton, Jack Gwillim, Douglas Wilmer, Charles Gray, Frank Finlay, and a lot of other actors I recognized from "Doctor Who". B-movie stalwart Ian McCulloch is credited though I failed to identify him, maybe as he was so young at the time and, like everyone else in the film, difficult to recognize under wigs and heavy makeup.

Neil Welch My English history isn't the greatest, so I take the view that this movie is probably a tolerable overview of the Cromwell era without necessarily being spot on with its facts.Richard Harris is an intense Cromwell and Alec Guiness is an aloof Charles 1 as this tale of accountability, the divine right of kings, parliament's position and, ultimately, civil war proceeds.From a film-goer's perspective, the movie needs a dramatic set piece nearer the end - Charles' execution and its aftermath is a rather low key and understated way to finish off the film. There are some large scale and relatively well staged battle scenes earlier on.Which leads me to ponder the rationale behind this movie. It is rather late in the day for an old-style massed battle action movie (viz. the Hollywood knights in armour movies, El Cid, Charge Of The Light Brigade etc.) and, in any event, despite the battles, this is quite a talkie movie. I suppose it tells an important story which hadn't, at the time, been told in any detail elsewhere.

jamescallumburton Disgusted with the policies of the tyrannical king Charles the first Oliver Cromwell , a puritan and god fearing man decides to head for the new world. However his plans are soon to be put aside as he ventures forth to lead Parliament against the monarchy and bring about a new order of government that still exists today. Richard Harris gives a fiery and impressive performance as Cromwell and captures the sense of a holy man with an unyielding sense of duty and unequalled ambition. Alec Guiness always gives a charismatic performance and portrays the king in a respectable manor. With notable performances from Robert Morley and Charles Gray amongst others. The battle scenes are excellent with a sense of tremendous scale and stature. The costumes are lavish and beautiful to view. All in all Cromwell stands out as one of the best historical films to date. The history i believe is quite incorrect however it certainly dosen't spoil the film. An excellent film with a great cast and production.