GamerTab That was an excellent one.

Moustroll Good movie but grossly overrated

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Comeuppance Reviews Scott Barnes (Travolta) is a Miami-area social worker whose problem is he cares too much. He left his former life of working in advertising and being an alcoholic behind so he could try to make a difference to the downtrodden. He becomes personally involved in the life of 13-year-old Tommy (Lawrence), becoming almost a father figure to him. When Tommy is kidnapped by a local supergang, cleverly called the "Youth Incentive Program" - because it doesn't sound like a gang name - and they force Tommy to work around the clock packaging crack into vials, Scott Barnes gets mad. After, of course, trying to get help from the local authorities - Sgt. Falco (Casey) and Lt. Ortega (Elizondo) - and failing, Scott Barnes does what only Scott Barnes can do - he summons all the awesome power of social work and goes on a rogue, one-man mission to free Tommy from his CHAINS OF GOLD! Of course, there's also a love interest (Henner), and the final confrontation with arch-baddie Carlos (Bratt). Will Scott Barnes be the new action hero for the 90's? Find out today...Because it stars Joey Lawrence and John Travolta, it's "Whoa!" vs. "Aw Geez!" in the cinematic team-up you always wished would happen, and actually did. Sure, this was made in the "dark period" immediately preceding Pulp Fiction (1994) for Travolta - but he seems to be giving his all, and you really care about the plight of Scott Barnes. He's the social worker we all wish we had. Naturally, during the course of his social work, he gets into car chases, foot chases, shootouts, punch-ups, gets tortured, and gets thrown into a pit of alligators. Like any good drama about the hard life of a social worker, there is a pit of alligators.Though this reference may only make sense to die-hard fans of our site, Chains of Gold is a bit like a cross between Liberty and Bash (1989) and Short Fuse (1986) - with the only difference being that this time around, when Travolta sees a local Hispanic hoodlum steal a briefcase from a pedestrian, he slickly tries to blend in with the streets and says "hey, ese, give me the case!" You see, Barnes is an X-treme social worker who smokes cigarettes, puts his life on the line for his clients, and, to prove he's a good influence on Tommy, he spends time with him breaking windows with rocks at a building in the area.Bernie Casey is also here as a cop who is close to retirement - no surprises there - but instead of the classic scene where the Chief tells a rogue cop to turn in his badge and gun, there is a similar scene where Barnes's boss dismisses him, but because he doesn't have a badge or gun, he just leaves. He spends his time undercover with the YIP gang, the members of which think it's such a badass name, they get YIP tattoos to prove their loyalty. This might be the first recorded instance of not a COTE (Cop On The Edge), but a SWOTE (Social Worker On The Edge).It's great to see Terl himself get in on the action - Travolta even gets a co-writing credit on the film (presumably he pressured the other writers for more chances to say "aw geez!"). In most of the movies on this site, there is usually an explanation for why the hero has such advanced fighting skills - he's a former cop, ex-military, previously a bounty hunter, U.S. Marshal, black belt in several different forms of Martial Arts, or left the Navy SEALS because it wasn't challenging enough. Something like that. Not so here, which is what's so funny about Chains Of Gold - no explanation is ever given for why Scott Barnes thinks he can take down a thousands-strong street gang and enter into gunplay and hand-to-hand combat with hardened criminals. I guess it's all part of the "sparkle" of Chains of Gold.So for a serious drama about social work, look elsewhere...wait, no. Look HERE. Thanks to the magic of the direct-to-cable, R-rated John Travolta action drama, we think we found DCF's next recruiting video.

Wizard-8 I'm assuming that John Travolta decided to take things in his own hands at the time of making this movie, seeing that his career was in a slump at the time. I assume that because Travolta is credited as being one of the four screenwriters of this movie. It must have hurt when the finished product was shelved for some time before being dumped directly to cable TV, though I'm pretty confident that the movie wouldn't have done well if it had been released to theaters. It's pretty apparent this was a low budget movie, with such attributes as poor photography and dimly lit sequences. In fact, despite all the swearing, violence, and drug scenes, the movie feels like it was made for TV. The screenplay contains some howlers like interracial gangs, but it's a mostly dull and slow-moving affair. Bernie Casey and Hector Elizondo are good, but there's only so much they can do in their limited roles. As for Travolta, while he's been good in other movies, you wouldn't know it from his performance here. His swearing, getting uppity and saying such things as "How dare you?", crying, and bulging eyes suggest a director who was reluctant to reign him in for some unknown reason. The only reason to see this is to try and figure out how this got re-released (on DVD) a few years ago.

Pepper Anne John Travolta is social worker Scott Barnes, a person adamant about keeping the kids of some innercity area of California from giving into the rampant drug circles that work the street. He's been working the job for so long, he knows the dealers by name, and they know him.The job gets personal when a close friend of his, a 13 year old boy named Tommy (Joey Lawrence), starts dealing. Unfortunately, Tommy has already become much more involved in the "Youth Incentive Program," which is the name for the dangerous clan of cocaine dealers that run the area. Travolta figures that he owes it to Tommy to help him, seeing this as an opportunity to redeem himself after having accidentally killed his only son in an accident where Scott was drunk. Scott, the bold idealist that he is, goes undercover in one of the most dangerous drug rings (which reminds me a lot of Shredder's underground gang from the Teenage Mutant Ninja Turtles movie), hoping that he can rescue Tommy from their grips before it's too late. Though the message is good, considering it is a powerful statement especially where kids are messing up their lives in being hooked on this stuff (they run like rats in the daylights to protect their stash) because they're sold on the false philosophy that they'll become filthy rich. Likewise, it illustrates the failures of the system as Scott tries so hard for other government agencies to help him out and put an end to the mess that he's witnessed for so long. But, it does in part seem a little too unrealistic, detracting from the importance of this message somewhat, as Scott, by himself, tries to disguise himself and his motives from a very ruthless leader (Benjamin Bratt) and his even more ruthless gang of drug dealing thugs. When the stakes are high, these guys will do whatever it takes to protect their product and their money. But is Scott able to do much more to protect Tommy?

undercover15 About a social worker who is set on bringing a kid out of the underworld and drug trade. He asks for help from the cops who dont care about one kid. He disguises himself and gets into the dirty underbelly of the trade, just to save a kid. This movie could be worse, the acting is horrible, and even the story seems out of whack. But if you have a 2 hours to spare, why not see what kind of movies Travolta was in before Pulp Fiction saved him. This movie isnt horrible, it does have it's highlights, and what could have been a good story about the drug trade. But sitting through a lot of bad acting override these. Not a recommended movie.