Beanbioca As Good As It Gets

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

WILL Of all the Leonard stories put to film, this to me is the best. The voice-over along with the visuals carry the book's feel, both plot and dialogue. Peter Weller has a subtleness that breaks through his seeming deadpan, and Charles Durning couldn't be better at ambiguity. Kelly McGillis is more than a pretty and sexy figure. All the characters are mixtures of good and not so good, and as typical Leonard characters they work out the balances of their desires. The direction is great. It keeps you moving, wondering, and figuring out the mystery. The story has several components that mix well as they are revealed. And there is the basis of reality to this film. It helps to recall the invasion of the Dominican Republic and the practices of torture attributed to the head of police at the time.One of this films wonderful attributes is the score by jazz pianist/composer Chick Corea. It surprises me that no one has mentioned it.And lastly, let me say that the film is exciting. Viewing after viewing it holds up well.

squelcho Could have been so much more, given the supporting cast and Elmore Leonard's script, but it's a flat beer of a movie. Maybe Ferrara got homesick, but the pacing and editing is unusually lethargic, so perhaps impending bankruptcy was driving the whole production into the throes of despair. The performances are so underwhelming as to be invisible. Weller is a B-movie actor. Robocop is still his finest hour. McGillis looks fairly lantern-jawed and mannish throughout. Was Ferrara taking the mickey by shooting her profile so often?. Tree-like in every scene, could anyone seriously find her charms so irresistible?The bogus history lessons and lightweight back story are dull as ditchwater. And the mushy love scenes between the two leads just don't cut it. A clunker for completists. Catch it on afternoon TV if you're paralysed from the neck up.Hard to believe that Ferrara had anything at all to do with this movie.

cfisanick It's no secret that "Cat Chaser" was taken away from director Abel Ferrara and slapped together by committee right around the time of the Vestron bankruptcy. Consequently, Ferrara has disavowed this film. But he shouldn't. While it has some murky plotting, no doubt due to the re-editing, it's quite an interesting, evocative adaptation of an Elmore Leonard novel. Ferrara always impresses with his sharp direction, and the wonderful art direction really captures the feel of sleazy bars, motel rooms, and the Dominican Republic. Peter Weller is fine, Kelly McGillis is quite uninhibited in her numerous nude scenes, and it's fun to hear Charles Durning pronounce "toilet" as "tur-let." "Cat Chaser" is a lost treasure from the late 80's worthy of rediscovery and a director's edition DVD.

George Parker "Cat Chaser" is an uninspired and confused novel knock-off which doesn't equal the sum of its many talented parts. The film involves romance, lust, greed, murder, deceit, etc. but comes off flat, one dimensional, and lacking the passion of its plot. An okay journeyman B-flick which should have been better but still has its moments and might satisfy the needy couch potato.