Busting

1974 "What this film exposes about undercover vice cops can't be seen on your television set."
6.4| 1h32m| en
Details

Two Los Angeles vice squad officers find themselves up against their corrupt superiors when they try to bring a crime boss to justice. During the course of their investigation, the two cops disguise themselves as gay men and raid a gay bar.

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Reviews

CommentsXp Best movie ever!
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
alexanderdavies-99382 God I hate this film, no coherent plot, lousy direction, a poor script, hardly any action and a downbeat ending to boot. Elliott Gould and Robert Blake have done far better films than "Busting." Both actors are wasted here. It's become a well worn theme of the "buddy cop" movies but episodes of "Starsky and Hutch" are better - and I do enjoy that show a good deal. Watch this only as a curiosity and no more.
moonspinner55 Elliott Gould and Robert Blake are a surprisingly affable team in this blood-spattered crime-flick written and directed by Peter Hyams, which stays loose and shaggy and doesn't wrap itself up too much in seriousness or pretensions (until the finale). Two Los Angeles vice cops, tired of seeing their prize busts going unrewarded by a police commissioner who is on the take from a sleazy crime czar, use their down-time to shake up the kingpin, whom they are sure is about to pull off a major drug exchange. The leads are a lot of fun, particularly Gould, and Hyams keeps the camera moving-moving-moving until you feel convinced he must have his cinematographer strapped to the back of a motorcycle. There are the usual cheap shots, titillation asides, a blatantly moronic judge, and the proverbial exasperated sergeant who keeps saying things like, "My ass will be in a sling!" Hyams is really tough on Los Angeles, and one might come away from the picture asking: if the police force were so corrupt, wouldn't that be a bigger story than the one we're getting? Still, the combination of good performances, an interesting script, a goofy undermining, and a down-and-dirty scenario makes the movie a rowdy ride with exciting sequences. **1/2 from ****
rosscinema This was Peter Hyams directorial debut and he does show some of the elements that would later make him a very good filmmaker. Elliott Gould and Robert Blake play two vice cops who are tired of they're job until they try and bust a hooker (Cornelia Sharpe) and are told that she has connections with a local mob boss (Allen Garfield) and because of that she won't be prosecuted. So then they decide to check him and his operations out. What I think hurts the film is that its so predictable and its just another cop film from the seventies. Nothing that special. Gould and Blake use the usual cop banter when they talk and then there is the obligatory scene with Gould in his rundown cheap apartment. Every cop film has this scene. Of course the Sgt in charge of them keeps telling them both he's heard complaints about them and you have to have at least one car chase. There is one impressive scene and its where they chase three bad guys out of a building and into a supermarket. Its done in one continuous shot and its accompanied by an effective piece of music. Its a very well done scene and very well choreographed. The same music is heard during the ambulance chase scene. Football player Carl Eller has a scene where he beats up Gould and how about Blake calling Garfield "Spanky"! Hyams would later direct better films than this and while this film does have some decent moments (Like Gould on the stand!) its still not up to par with a lot of the cop films of the seventies.
barahona I saw this on the bottom half of a double feature and it quickly became one of my all time favorite obscure movies. The basic plot is nothing special(two vice cops , tired of busting hookers and gay bars, decide on their own to take on the city's vice/drug kingpin) but it is exciting and well made. A couple of action scenes stand out: one involves a chase of drug dealers through a supermarket all done in one long take (like the opening scene in "Touch of Evil") and the second is the final chase between two ambulances(!) that in my opinion is as good as those in Bullit and the French Connection. This is also features Elliot Gould's best performance. One scene in which he is forced to recant his testimony against a prostitute he arrested(because she had 'friends' in the department) and the resulting humiliation and frustration he expresses while being cross examined was very vivid. I don't think this is on video and it rarely plays on tv but it is a well made film that should satisfy action fans and make them think a little too.