Exoticalot People are voting emotionally.

Console best movie i've ever seen.

Comwayon A Disappointing Continuation

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

trancejeremy This is pretty much a B-horror movie, but a good effort, I thought, comparable to a good solid outing from Hammer in their heyday. You won't be scared, but you'll be entertained. Somewhat unbelievable plot (in this case, revolving around Druids), very attractive though untalented actresses (who in this case, sadly don't show anything), even more untalented actors.It's somewhat unusually structured. It starts off revolving around a bartender studying to be an archaeologist. Coyote Ugly meets Indiana Jones, I thought at first, but it quickly drops that angle to focus on the plot, how people on campus are mysteriously being killed or disappearing. The mystery of what is going on is revealed about halfway into the movie, then the later half revolves with the protagonists (now expanding to two, or three) dealing with the culprits behind the mystery.I was impressed by that aspect of the plot, there are a fair amount of fight scenes, not the helpless trying to get away sort you see from heroines in horror movies, but direct confrontation.I wouldn't say the acting is good, and it's hard to judge the dialog from the subtitles, but it's not horrible, either.

capcanuk Yes, absolutely dreadful, And this coming from someone who loves bad movies - but there's a limit. I enjoy all sorts of horror/suspense films, and have seen some wonderful work from European film makers. Broceliande is sadly not among those those wonderful pieces of film-making. The camera work is worse than amateurish. Not the fashionable, shaky MTV "cameraman needs Ritalin" type of camera work so many film-makers use to camouflage their lack of talent. This is simply bad frame composition and terrible image composition. The acting is farcical when it is not entirely two-dimensional. The dialogues are stilted and unnatural - even more so than your usual run-of-the-mill horror/suspense film delving into pseudo-mysticism. I think that what put me off the most was the horribly choreographed fight scenes at the end of the film. These were bad to the point of being ludicrous. I've seen what a small budget can do, and it can do wonders. This was just bad film-making. Very, very sad.

Alexander Ruspandy I am gonna be generous for this one because this movie, no matter how bad other viewers say, was able to keep my attention from beginning until the end.Sure. the plot and twists are very typical. There are times where you wonder, "Where have I seen this before?" or something like that. However, it's impossible for people to watch this sort of movie and expect a Lord of the Rings-style storyline. It only aims to provide light entertainment for us to enjoy without stretching our heads.Besides, the actors played their part okay and the leading lady Elsa Kikoïne was extremely beautiful. I really want to see more of her in the future.The movie overall has a good pacing, never drags itself in one place for too long, and enjoyable to watch all over again. A good rental.

Phroggy After a few misfires, we are still waiting for THE French horror movie that the critics will certainly vilify, but will launch a new trend. Not this time. Doug Headline can't be accused of not being knowledgable in the genre (He is editor of a high-class fantasy imprint, has worked for legendary magazine Starfix.), but why a scenario that uses EVERY cliché in the book (except maybe the Odious Comic relief) ? Why make it so predictable ? Even the nods towards Argento fails flat. It's not even an euro-teen movie like the German "Anatomy", much better, just a compilation of scenes that barely seems to have any relation one with the other and features LOTS of plot holes. The whole "Celtic" aspect is barely touched. And, after a "revenation" painfully predictable, the screenplay offers us a boring, endless chase in a subterranean necropole which seems bigger than Parisian catacombs. I really wanted to love this film. Really. But even a mother would not. Oh, and writer Valerio Evangelisti was supposed to have a cameo, but I vainly looked for him.