Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Onlinewsma Absolutely Brilliant!

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Lebowskidoo Right from the get-go, this thing is off the chain! Paul Sorvino and Tony Lo Bianco play two "bruddas from Noo Yawk" who work in construction and are getting drunk. Richard Gere, who actually seems like a real person and not a caricature of a New York Italian, gives the best performance.So much swearing for a movie that I taped off of Turner Classic Movies in the wee hours of the morning! Nothing against swearing but I can't believe I taped it off of Turner Classic Movies! There's a hilariously over the top scene with Tony Lo Bianco's wife and their younger son...I just sat there with my mouth open. My hat's off to the actors but maybe the director should have reigned them all in a little, it comes off a little too hysterical...or maybe that's just how it is in Italian households? That's just my opinion but check it out for yourself. If nothing else, you'll laugh inappropriately like I did.I was entertained throughout though, every scene is special in that it could be it's own short film. I felt like they were adapting the book chapter by chapter. If you like this time period and the movies from then, you will want to see it.

bkoganbing Apparently there are those who feel that the changes made to the novel on which Bloodbrothers is based render the film version less than a classic. Ironic since the Academy bestowed a nomination on the film for Best Adapted Screenplay. But I think this film is still very worthwhile to view.Tony LoBianco and Paul Sorvino play a pair of middle aged 40 something brothers who cut loose and act like juveniles on the weekend. Especially at Kenneth McMillan's bar where all kinds of bragging about all kinds of things about length and volume take place. Sorvino is a laid back soul and unlikely to grow up since he's not married and has no reason to grow up. But LoBianco rules a tyrannical household where his wife Leila Goldini is continually afraid and his younger son Michael Hershawe is anorexic from not eating. His oldest son Richard Gere is not sure that he wants to become an electrician like his father and uncle and the grandfather before them.Two things are impressive about the brothers. Both believe in the value of the dollar and being good providers. Both also are true to their trade and take pride in their work. That's a thing rarer and rarer these days. LoBianco's lecture to Gere is one of the best scenes in the film I felt.Sad to say there are some less desirable qualities in them, especially LoBianco. The fact that he is the family breadwinner makes him feel he's king of the castle with the rights of royalty to maybe even get a bit of something on the side. When Goldini finds proof of that it sets in motion a train of events that brings down the DeCoco family.He's got the showiest role and the most to work with in developing a character, but Tony LoBianco really steals this one. Big surprise to me that he was not put into Oscar contention. LoBianco goes through quite a range of emotions with his DeCoco brother. And it's all a mystery to him that he's got the problems he has in his household because his father sure didn't.By the way note that Richard Gere seems to have the same kind of issues with his family in the Bronx that John Travolta has with his Brooklyn based family. Of course Travolta's Tony Manero comes a lot less dysfunctional group, but the Maneros and DeCocos have a lot of similarities.It might not be the book that others have read and cite. But Bloodbrothers is fine drama if disconcerting.

Hans C. Frederick This adaptation of Price's novel takes such liberties as to make this an almost totally different story.Where do we begin? 1.)The DeCocos,in the story,are a much more grotesque and brutal outfit.Sorvino is much too attractive to play Chubby-it should have been Victor Buono.LoBianco is much too short,and nowhere near ominous enough to do Tommy-it should have been Richard Kiel.And Goldoni is a 100 pounds too light to be playing Marie. 2.)Gere is much too young to be doing Stony.The boy is only 17 years old,and just graduated from high school 2 weeks before the story opens. 3.)The whole business about Sooky involves Chubby-showing that he,in particular,is very unhappy with his marriage. 4.)While Marie is the one who seduces Jack Cutler(as in the book),it is Chubby who,by accident,receives the call from Mrs. Cutler,and,enraged, mistakenly assaults assaults HIS wife.This shows us that even the jovial, genial,good-natured Chubby,who loves his family,has his dark and brutal impulses lying close to the surface. 5.)In the book,after Phyllis is hospitalized,Tommy gives Stony permission,NOT to become an electrician,and Stony CHOOSES NOT to leave his family,staying in the pathological but familiar system to which he is accustomed.In the film,Tommy orders Stony to enter the construction trades,and Stony flees,taking Albert with him.A happy ending,of sorts,which is totally out of synch with the novel. So,it seems that the screenwriters decided to homogenize,clarify,and tack a happy ending onto a novel which was intended to demonstrate a bleak and tragic slice of American life.Perhaps it wouldn't have arrived in screen,otherwise.

Boyo-2 Richard Gere had a great year in 1978. He was getting alot of attention from "Looking for Mr. Goodbar", "Days of Heaven" and this movie. I enjoyed this movie very much and that was in large part to the performance of Gere. He plays a nice kid who only wants to work with children and be nice to his little brother, but his Dad (Tony LoBiano) is a macho construction worker who wants his son to be a bad-ass like him. His uncle (Paul Sorvino) is not much more understanding, but he is a little more human than the father. Gere's mother is also very frustrated by the father's inhumanity. There is a subplot involving a bartender (the late Kenneth McMillan) who cannot reach out to his gay son. The theme of the movie is understanding, compassion and love and Richard Gere as 'Stony' personifies these qualities perfectly. I have not read the novel by Richard Price, and I probably should since he is one of my favorite authors.