Bedtime Story

1941 "MEN...I'LL BET YOU TELL THIS ONE TO ALL THE GIRLS!"
6.7| 1h25m| NR| en
Details

A Braodway playwright wants to keep on writing plays for his wife to star in, but all she wants is to retire to Connecticut and, following a few 'worlds-apart" discussion of the issue, they get a divorce. The actress marries a banker in a fit of pique only to quickly discover the divorce was not valid. She communicates this information to her not-yet ex-husband and he, to prevent consummation of the invalid marriage rescues her by sending plumbers, waiters, porters, chambermaids, bellhops, desk clerks, exterminators and, finally, a crowd of roistering conventioneers to the suite to ensure no bedtime story would take place there

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Reviews

SnoReptilePlenty Memorable, crazy movie
Onlinewsma Absolutely Brilliant!
BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
blanche-2 "Bedtime Story" is a quasi-screwball comedy from 1941 that stars Frederic March, Loretta Young, Robert Benchley, Alan Josslyn, and Eve Arden. It's a little miscast but manages to be entertaining.March and Young play theatrical couple Luke and Jane Drake. He's a playwright and she's a great actress. Jane is planning to retire to a farm she and Luke have bought, and the two plan to spend time doing something besides work. Well, that's what Jane is planning. When she finds out Luke has written another play, she goes ballistic and leaves him. The separation doesn't last long.Jane comes back, but she discovers that Luke has sold the farm and is putting the money into a new play. She leaves again. For the rest of the film, Luke attempts to win her back by any means necessary. He hires a comedienne (Eve Arden) to pretend to be doing the lead in the play and then in front of Jane, she quits, and Luke "cancels" the show. Things like that. Meanwhile, Jane's engagement to a banker (Josslyn) has been announced.Cute comedy that becomes a complete free-for-all at the end and is slightly miscast. I say slightly because these two stars are just fine. Young is impossibly beautiful, with gorgeous clothes, and she acquits herself well, as does March as her manipulative playwright husband. With Powell and Loy, however, this could have been fabulous. Cary Grant and Rosalind Russell, Joel McCrea and Jean Arthur. Light comedy was not March's forte, and although Young did light comedy, she wasn't as sharp at it as the other actresses mentioned.This is interesting casting, a little against type, which I'm all for, but it doesn't really come off. Excellent work by Helen Westley as a tell it like it is actress and Eve Arden.
sddavis63 For the most part, "Bedtime Story" is a piece of light-hearted fluff, pleasant enough, often amusing and sometimes downright funny. The last 15 minutes or so, in fact, are downright hilarious. It features a couple of very good leads in Fredric March and Loretta Young, and a good supporting cast alongside them. It's an enjoyable watch, with only one exception that hung over me all the way through and prevents me from saying that I found this to be a truly good movie: for a light-hearted comedy, March's character of Paul Drake came across as too manipulative and self-serving most of the way through to be really likable, and somewhere along the way - especially in a comedy - you have to be able to develop some warmth for the main characters; some sense that you like them and care about them. Young's Jane Drake you feel that for, because of course she's the one who has to put up with Paul's manipulative, self-serving ways, but Paul never came across to me as sympathetic.The Drake's are a theatre couple - Paul a playwright and Jane his leading actress. They've been very successful, but as the movie opens we discover in a closing curtain call speech from Jane that they've decided to retire and leave the theatre behind while they're still young enough to enjoy life. They've bought a farm in Connecticut and the show is over. But Paul has had second thoughts, and the rest of the movie basically details the various ways in which Paul tries to manipulate Jane into changing her mind. Some of the story is funny, yes, but I just did not find Paul likable. A good performance from March (and from Young) but I had no sense of connectedness with the character. Mind you, the last 15 minutes of this are truly quite hilarious. Jane has remarried, and Paul has come up with all sorts of ways to disrupt their wedding night in the forlorn hope that he'll be able to win Jane back. It's a good culmination to the movie, and in the end Paul doesn't get what he wants, although he does get good news - which is perhaps the best ending possible for the character. This is enjoyable enough. Not great, but worth watching. (6/10)
eebyo All the previous commenters are right: you'll find some things to like here. Exactly which things they are will depend on what you're hoping for. I think Fredric March is terrific as Luke, for the same reason other folks didn't enjoy him so much -- he's not what you're expecting, perhaps because his buttoned-down good looks make a great foil for his deviousness. Here, in mid-career, March's role is the kind Harrison Ford occasionally takes to lighten up. Benchley's Benchley (that's a plus) and Eve Arden has a great turn as an actress who must absorb withering directorial scorn for no good reason. Loretta Young is where this potentially fizzy movie goes flat in spots. She's ladylike to a fault. After I saw this movie on TCM I decided it must've been written as a Powell-Loy vehicle -- theirs is the kind of chemistry that would've put more zip in this script. But March's performance is a treat.
boblipton Some wonderful actors are a lot of fun in a curiously unengaging screwball comedy. The cast is a great one: Fredric March and Loretta Young in the leads, with Robert Benchley, Eve Arden, the unfortunately forgotten Allyn Joslyn and Joyce Compton as a blonde bimbo. It has some wonderful comedic moments -- the one where Young orders Westley to sit down and play the piano is priceless. However, the whole thing never quite gels.Perhaps it is because of the theatrical background of the story: March gives one of his few miscalculated performances. It is impossible to tell when his character is being sincere and when his character is trying to manipulate the other characters. When he is in full blown theatrical mode, as in THE ROYAL FAMILY OF Broadway, he is hilarious. When he he plays a small-time chiseler, as in NOTHING SACRED, he is hilarious. Perhaps it is because there seems to be no chemistry between him and Young. It is appropriate to their characters' relationship in the movie, but it is not, very interesting. And that pretty well describes this movie. Watch it for the moments, but not for the movie.