Bad to the Bone

1997 "She had good looks. A great body. And a killer instinct."
5.2| 1h40m| en
Details

A murderous sociopath (and former battered child) uses her naive younger brother in a scheme to do away with her inconvenient lover.

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CommentsXp Best movie ever!
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
marcusman48 At first, I thought BAD TO THE BONE was an awful title for this made-for-TV movie. It's raunchy, tawdry, sleazy, tacky, and all the other adjectives you'd associate with a Times Square peep show. But then I actually watched the film (fascinating how often people don't do that, isn't it?), and now I can say without a doubt that the title is the perfect analogue for our villain protagonist here, Francesca "Frankie" Wells (Kristy Swanson) - not just because Frankie is, well, exactly what the title says, but also because, like her, the title is two-faced. (Speaking of which, I am reminded here of Marilyn Monroe's observation of "If you're gonna be two-faced, at least make one of them pretty." Both of Frankie Wells's faces are pretty.) You immediately see the title and you assume you're about to watch some tasteless B-movie: a Quentin Tarantino sort of potboiler, perhaps spiced with John Waters's grotesque brand of humor. That's certainly what I assumed. And I was dead wrong.From the very first shot, where the hard iron door of a prison cell is opened onto the title credits and a nervous young man in a blue jumpsuit (Jeremy London) is ushered out, it becomes clear that BAD TO THE BONE is not going to be light entertainment, or even black comedy. Genre-wise, it's pretty much film noir: a remake of sorts of Billy Wilder's DOUBLE INDEMNITY (1944) with teenagers instead of adults. But it's also a Shakespearean tragedy without the Bard's poetic language. And, for once, George Thoroughgood is nowhere to be seen (or, rather, heard).The nervous lad in the opening scene is Danny Wells, and he is Frankie's brother. The two siblings had entered into a pact to murder Frankie's boyfriend (David Chokachi) in order to take control of his luxurious apartment and nightclub - and also to cover up the boyfriend's role in another murder plotted by Frankie, wherein the Wells siblings' mother was killed so that Frankie and Danny could cash in on her life insurance. Yes, it definitely rings of DOUBLE INDEMNITY, with Frankie as Phyllis Dietrichson and Danny as Walter Neff. But it also reminded me of some of Shakespeare's plays, especially his most ominous: MACBETH.Frankie Wells is a late-20th-century Lady MacBeth, no joke. She wants it all, but is more than willing to have some you-know-what-whipped male fetch it all for her at tremendous personal cost to himself. He (Danny/MacBeth) is a cringing tool afraid of his own shadow, while she is smug and calculating - until her world really begins to come apart. And that brings up this film's most transparent allusion (as transparent as anything this exploitative in content can get, that is): Frankie swimming in the ocean during the movie's final half-hour, wondering if being immersed in seawater can wash all her sins away. (One wonders if immediately after that scene she went inside to drench herself in "all the perfumes of Arabia.")Perhaps the most Shakespearean aspect of Frankie Wells, however, is the utter despicability that resides beneath her glamorous and (perversely) appealing exterior - in her bones, so to speak. She is certainly winning as a gorgeous and naughty blonde, but that's about it for her in the plus column. Her intelligence is barely above average at best (and moronic at worst); and in terms of morality she's an unrepentant cobra with nihilism in her eyes and a stubborn pride at having already outlived her conscience by her late teens. Her depravity almost literally knows no bounds. But the cobra soon becomes defanged, if not devenomed. Frankie is at her core a pathetic being who is too weak to commit her own crimes; even Phyllis Dietrichson knew how to fire a gun, which Frankie Wells, with her freshly painted fingernails and color-coordinated outfits, would find repellent. Her lone asset is summed up early in the picture, and it's something that can barely be depicted on network television: "There's only one thing I know how to do, and they don't teach it in school." Frankie knows full well she's damned, but lacks even the guts to admit that until the very end.But film noir is this drama's true pedigree, and as the story winds up it heaps on the genre's time-honored voyeurism, as we get to watch this grotesque amalgamation of Ted Bundy and Kelly Bundy run in a blind panic all throughout America, wriggling like a drowning fish as the FBI's net tightens. It's all the shameful fun of watching a smarmy bad girl's misdeeds finally catch up with her and bite her in the ass, coupled with the equally shameful hope that she manages to keep her buttocks clear of the fangs just a little while longer so that the thrilling chase can continue as long as possible. It's not the healthiest kick - but hey, if the Romans could have lions... As she is finally nabbed by the police and hauled off to a fate she unquestionably deserves for being so "incredibly guilty" (as Mel Brooks might put it), Frankie pretends to be mad. She does so perhaps to purposely get herself committed to an asylum, perhaps to slither her way out of a trip to prison where she'd almost certainly be beaten - or worse - by hardened female convicts appalled by her spoiled suburban arrogance. (The wormy Danny could probably expect equivalent treatment in the men's prison.) But then again, perhaps Frankie really is insane. Perhaps evil itself is insane - a ghastly abomination that most of us reflexively shun out of our inherent goodness. At least, I can only hope.
ShaKaarii Melendez i have it on now we were all heading out tonight since we are due to the weather i am watching it with mi papi. so crazy she was lmfao funny she was able to hustle get paid from all the men who had no real clue about her using them lmfao dummies i love her as a actress tall pretty woman and she gain weight now but still beautiful to me looking like Anna Nicole a lot in the face love this movie just was sad when she got her own mother killed that was NUTS and her cute bro had no clue until the end after all the money was gone and his so called"LOVING sister" i love the mother who play in other things Patti d'arbanville,good acting all around from all characters.great movie.and they film it quite well since i love most of all TRUE stories.sad but good. i will rate it ten definitely. adiós!BMW300ZXREDHEAD@aol.com
hilljayne This is a very good film. Kristy Swanson is great as a seductress man eating money loving party girl. The reviewer on the first page of these reviews is totally wrong about Ms. Kristy Swanson. She is a much better seductress than say Sarah Michelle Gellar ala Cruel Intentions. Though not quite as spectacular as Nicole Kidman in To Die For. I would give her acting a 9/10. In the makeup department I would give her fake hairpiece she wears in scenes where she is a teenager a 0. It is so obviously fake it almost takes you away from her acting. Jeremy London is good as her loose cannon brother. Best scene: When a motel clerk tells Swanson WE DON'T GET A LOT OF WHORES HERE her reply? WELL YOU GOT YOURSELF ONE NOW.
Pretty Face Spoilers Kristy Swanson acted in this Movie called `Bad to the Bone' and the taglines for the movie were `She had good looks. A great body. And killer instinct.' Guess what this movie was all about.Kristy Swanson acted as Francesca Wells, a drop dead gorgeous lady with great body and attractive attitude. Kristy stayed with her parents and a 17 year old younger brother (Jeremy London) who loves her. Kristy hates her parents.Kristy's brother just love Kristy. His existence in life is just to protect Kristy. When Kristy helps him cut his hair, his heart melted. He will just do anything that Kristy tell him to do. Kristy get fed up with her parents and killed them and inherited millions. She then go out with a guy who owns a club. Eventually Kristy gets tired of this guy. Kristy never satisfy with anything.Kristy plans to kill this guy, of course not risking herself. Kristy tells her brother how much she suffered being with this guy. Her brother get angry and suggest to kill him. Kristy was very smart, she did not mention anything, but to make it so attractive for his brother to initiate the killing. The guy went to kill him, while Kristy was having dinner with a guy to protect herself as possible witness. When the job was done, she went back to the house and the cops were there. She was shocked to find his brother came back to the house later and look for her because he missed her. Kristy was very angry, cause his appearance may may make her suspicious.The cops get both of them for separate questioning. This woman cop asked Kristy, is it possible that his brother get jealous of her boy friend. She said admitted that. Wow, what a confidence lady. Anyway, Kristy was bailed out because a lawyer offer to pay for her freedom. Her brother will stay in jail. Kristy visited her brother in jail and use her sweet seductive skills to make sure that she will be 100% okay.She flew away, have fun, and go out with many rich people. One day, she bought a newspaper and was shocked to find her face appeared as a wanted person. Her brother betrayed her. She tried to run away. Many people notice her when she was moving from town to town but no one wants to report her. Then she made a call to the prison in a phone booth and the police track her down.

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