Arabesque

1966 "Ultra Mod. Ultra Mad. Ultra Mystery."
6.4| 1h45m| en
Details

When a plot against a prominent Middle Eastern politician is uncovered, David Pollock, a professor of ancient hieroglyphics at Oxford University, is recruited to help expose the scheme. Pollock must find information believed to be in hieroglyphic code and must also contend with a mysterious man called Beshraavi. Meanwhile, Beshraavi's lover, Yasmin Azir, seems willing to aid Pollock -- but is she really on his side?

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Reviews

Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Fairaher The film makes a home in your brain and the only cure is to see it again.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Charles Herold (cherold) Arabesque is a very '60s movie that tries to be both a suspense film and a spy spoof, but doesn't entirely succeed at either.Director Stanley Donen knew Arabesque's story didn't make a lick of sense (seriously, this is not so much a story full of holes as it is a hole with some story sprinkled in it), so he went for razzle dazzle. The memorable opening scene is heavily influenced by German Expressionism, the scene in the zoo has a Wellesian quality, and the influence of Hitchcock pops up periodically.In the beginning this works pretty well. But all the most notable scenes, like zoo chase or the silly shower sequence, happen in the first half. After that, the movie is a series of unlikely plot twists, general confusion, and Sophia Loren wardrobe changes. And at the end, any attempt to make sense of the story will only cause you to realize it makes even less sense than you thought.Even at it's best, this is a pretty cheesy movie. But if it had managed to stay at that cheesy best all the way through, it would have been a far more enjoyable one.
wmacl Definitely not Peck's best effort. A potentially interesting idea that is let down by some poor acting, inane dialogue and some ham-fisted editing, most noticeable in action sequences i.e. when someone is struck, etc. Loren is quite beautiful but appears to be running on autopilot. Compared to To Kill a Mockingbird, Peck's acting doesn't find its feet and he appears unsure of whether to be serious or play it for laughs; all in all an uncomfortable performance. Both principals have done better. Some minor characters are quite annoying though probably because of the inanities of the script. Easily eclipsed by some telemovies of the period. Camera work is typical of the era but nowhere near as arty as The Thomas Crown Affair. Forget it. It comes across like one of those eastern European flicks where they blew the budget (such as it was) on the principal actors and had nothing left over to refine the script or hire better supporters. Watch Charade instead.
misteroregon I've read quite a few reviews for this spy romp/romantic comedy/action adventure combination, and I feel like some people went in with the wrong expectations.First and foremost this is actually a comedy. It's James Bond with Herbie the Love Bug sensibilities. Gregory Peck spends his entire allotment of scripted words trying to elevate the proceedings while Sophia Loren simply elevates everything she comes into contact with.The rest of it, from plot to pacing, is pretty silly. It's a generic mcguffin chase followed by a generic spy switcheroo foil-the-bad-guys romp around various filming locations scattered across England.Believe me when I tell you that Condorman had more tension, and slightly less campy delivery. It's actually quite endearing on the whole, and I have enjoyed it each time I've watched it.If you go in prepared for silly and campy with Gregory Peck over-blowing lines while Sophia Loren drips off of his arm...well, then you'll be well served.James Bond this ain't. Hell, this isn't even Dan Brown. Bit it's a bit more fun that both combined.
Armand is it good ? is it bad ? really, I do not know. the presence of Sophia Loren and Gregory Peck, precise pieces from Hitchcock style, the romance crumbs and the ball of adventures does a not boring result. sure, it can be version for Charade or soft Bond slice but, in fact, it remains itself. charming, not always credible, a little crazy, with few nice exotic drops, chain of masks and noble feelings, smart and ironic, pink and serious, authentic show from good times. it is a kind of meeting with an old friend. a delight and entertainment like cherry jam from a lost age. so, final verdict - it is really inspired story. is it enough ?