An Inspector Calls

2015
7.6| 1h28m| en
Details

Northern England, 1912. The dinner of a wealthy family is interrupted by Inspector Goole, who only announces that a young woman has committed suicide. Then, he simply asks everyone present, one by one, if they knew her.

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Reviews

CheerupSilver Very Cool!!!
GamerTab That was an excellent one.
Cortechba Overrated
Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
secondtake An Inspector Calls (2015) This BBC production is a clever, subtle, well acted movie that is very much in the form of the play it is based on by J.B. Priestly. Some will find it too controlled and knowing, frankly-it suffers from that gift playwrights have of outsmarting a viewer while captive, but not sustaining that smartness once you head home. Another movie of this kind is "Sleuth" which is even more clever and twisty. There is a murder of sorts at hand, but not quite. There is certainly a victim, or so we think. And the perpetrators seem guilty of nothing but being self-absorbed and rich, which of course means they are guilty of all kinds of sins, directly and indirectly. Here, the effects of callousness or selfishness are front and center. Expect to be spellbound once you give it your time. Written in 1945 but set just before World War I, there are lots of embedded points about war and class difference. Priestly was a leftist, and the substance of the play is utlimately about responsibility and the idea that we are all part of a family-a global one, you might say, but certainly a national one, with rich Brits looking out for their less fortunate compatriots. Not at all pro-business, of course. Eventually you realize you are being taken for an interesting ride, and you are in the hands of the mysterious title character (named Goole). This man leads us through the discoveries that he has already made, and we are almost as astonished as the members of this unprepared family. Then there is a playwright's twist-saying there is a twist is almost unfair, because you might well cruise through most of it thinking it was about the interrogation itself. But more comes along. Fun, almost funny, and tragic as well. I thought it was great entertainment. With little plugs for human decency burrowed in.
samuel-lewis12 This adaptation is very good and was very helpful for my GCSE's. Quotes were very accurate and story line clear. Amazing acting and very good well delivered message. Some of the quotes were not accurate but main ones were.
Reno Rangan Just a month ago I saw 'Maigret Sets a Trap', and this is another terrific BBC film. Based on the JB Priestley's play of the same name made for television. I never saw other versions nor I knew the story, so that's the reason I loved it. I don't know the difference, the changes between this and the original material, but I think a screenplay like this should have been a big screen product. Surely one of the best films of the year with a great suspense and twists.I expected a crime solving drama, like a detective use his brainpower to nab a suspect in a style, but this was complete an unexpected narration with various angles of briefing involving a family and their individual link to a woman. This is a story about the chain of events that could happen for us in real life. But what this film's specialty is that makes realise for its characters that how their part influenced a woman's life.It's the year 1912, during a wealthy Birling family celebrating their daughter's engagement, a mysterious inspector interrupts them to question on a woman who committed suicide on that evening. In the hours long interview, some unexpected truth comes out and corners the family from their celebration. With the outcome of a surprise encounter with the inspector, how the family outcome from it is what the rest of the film was focused on."We don't live alone upon this earth. We are responsible for each other."I don't know the most of the actors, but their performances were simply outstanding. Not just leaned on one or two, but everyone had their turn fairly equal. The character played by David Thewlis as Goole was effortless, but very important among others in the film, so it is impossible moving away without praising his contribution. Among all, the young woman role as well very impressive. Alongside JB Priestley, this screenwriter, as well as the director must be appreciated for their incredible job.The film was a one night based narration, but due to the quick flashbacks, the layers formed, hence creates a lot of curiosity for the viewers. Being a detective film, it had those special moments, but with its own style. It reminds me a couple of films, but I can't name them, because of the spoiler alert. Even though this is a very unique from its similar films.Obviously it leaves many questions regarding the last 10-15 minutes of the film. But the reasons are very clear, and you might get it in the second viewing, or maybe from the discussion boards on the online platforms. I strongly suggest that you to learn more about it on its hidden stuffs rather simply finished watching it and forgetting it forever. Like always, the BBC did not disappoint me or maybe I always chose the better ones. Either way I benefited and I recommend this for those who are interested in murder mysteries, though it is not a homicide theme. I hope you will love it as I did.8.5/10
lpuchadesgimeno As an English student who recently read thoroughly the play this movie is based of, my main thoughts about this film is that it's a perfectly crafted piece that follows the plot of the play quite accurately, but I also consider myself quite "unexperienced" in the matter because I have only seen this adaptation and not the rest- so maybe by watching the rest of the movies my opinion on the quality of this movie may differ, but I hope that not drastically. To be honest, right at the beginning when the characters were presenting themselves at the dinner table I found most of their portrayals quite bland and out of character in a sense- especially Eric and Sheila. I found them lacking that strength and uniqueness that had made me strive for them while reading the play, but then again it's true that at the beginning their personalities were much more superficial and that were mostly developed as the play progressed- something which was shown naturally in the film. Nevertheless, as soon as the plot starting moving the skepticism faded away and I was left awestruck by the actors' outstanding performances; Mr and Mrs Birling were just how I pictured them throughout the story; Gerald was given much more emotional depth than what I had imagined and Eric even though it wasn't how I initially thought of him made me comprehend a completely different interpretation of his character. I am not quite sure of Sheila yet, but I do have to admit that Chloe Pirrie reflected her major character development, but I imagined Sheila as a more immature and naive girl in the beginning. Let's not forget about Sophie Rundell's breathtaking job as Eva: taking only brief descriptions from a dead girl and turning that into a round character with a profound, political and representative meaning behind it. Even if the characters' portrayals is essential to the film, what really sticks to the audience are the audiovisuals, and I can assure you this film excelled in that job. The shots were beautiful and gave the story a deeper meaning for me as a viewer and indeed hinted many subtle messages that otherwise wouldn't have made much sense. Above all, what most impressed me was the score; from the beginning until the very end the score was used skilfully to match the characters' emotions in certain scenes, but the feeling of strings and a piano matched the main themes of the play, and probably may be the main reason for my passionate liking of this film.