Solemplex To me, this movie is perfection.

Vashirdfel Simply A Masterpiece

Limerculer A waste of 90 minutes of my life

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

tj0331 I was excited to see this film after discovering the director in a group interview he did with other filmmakers. I think reading his interviews before seeing the film helped set the tone for me as well. Overall I think it is a brilliant movie. It screamed Kubrick tones to me throughout, which I enjoyed. It was not overbearing in that aspect, just tasteful shots that were long and clever that hearken all my favorite Kubrick moments. Now for the story, I think once you see the end it feels like a great story. I felt on edge wondering if the main character was developing how I thought he was. Little aspects slip here and there that made me think there would be no pay off, but it felt solid all together. I think this filmmaker should have an interesting career ahead of him. I am excited to see his next feature after reading the premise.

brownjackie As noted by many, Afterschool is one in a bunch of teen death films, but that doesn't necessarily make it unoriginal or plot less. Afterschool does have a developing plot, but its visual side IS unoriginal. Many mention Van Sant's Elephant (2003), - personally I thought of Michael Haneke many times, especially his Benny's Video (1992), which is thematically similar and also must have been a visual inspiration for Afterschool. I do think that director Campos has succeeded in getting formidable performances out of his actors, especially Ezra Miller, who portrays adolescent depression and bewilderment forcefully, and Michael Stuhlbarg as the principal. With Afterschool, he has made one of the most depressing films American cinema has ever produced (that I've seen). EVERYTHING is wrong in the world portrayed in this film, and especially adults are univocally idiotic and destructive, they are hypocrites, mean, egotistic, inhumane, and/or stupid. It's almost as frustrating to watch as The Death of Mr. Lazarescu (2005), (grueling death realism for 150 minutes in Romania), but not as brilliant. I generously give 7 stars to Afterschool, because I am a huge Ezra Miller-fan, but be advised:This movie is very nearly impossible to love.

teg5037 Critics who have been comparing Campos to Kubrick and Van Sant must owe him a favor.This film was not the worst movie I have ever seen,it just could of been so much better. I did not mind the slow pace. I did not mind any of the acting,it just didn't deliver with the story. I thought this movie was building up to some climax that I wouldn't see coming: *SPOILER* it doesn't. *SPOILER* Sure, it showed him possibly choking out one of the twins, but I had more expectations that. *SPOILER* Why didn't he rat out his douche bag roommate for possibly supplying the drugs, or why didn't he rat out the school after the counselor told him that the school knew the twins were drug fiends and had problems. Also, *SPOILER* the memorial video he made was stupid. It really was. I thought it would of been better if he exposed the twins as druggies and somehow managed to pile in information to show that the school knew and didn't do anything about it. Instead, it was a horrible clip of people staring, almost like he was stalking them . Like I said before, I didn't mind the slow pace, but Jesus, it's gotta build to something. Some positives about this film were how they showed the curiosity of teenagers and sex, how Campos took a modern direction with twisted teens in today's society and technology, and how awkward it can be to live with a roommate you hate.Ill finish off with saying this: If you find yourself halfway through this movie and you are not enjoying it, do yourself a favor and turn it off...you won't miss anything.

Hail-the-Eraser Though it undoubtedly bears promise, this is a film which will test your patience like few others. The film is slow-paced, which one could argue is a way for Campos to build further isolation from the main character, yet fails to depict anything interesting in its entire running time.The characters are all cardboard-thin, save for the protagonist whose loneliness and eccentricity is apparent yet inaccessible. Believe me, I tried to feel some sort of emotional connection with him, but never achieved much except a strong yearning to fast forward the film through conversations that initially felt pointless and ultimately proved to be so. If Campos can take his skills of plot-structuring and possibly add more dialog to further reveal other aspects of his characters, then I strongly believe he has the potential to make an excellent film, but I just found this one to be an inaccessible drag.