LouHomey From my favorite movies..

Spidersecu Don't Believe the Hype

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

calvinnme ... for example it would be a bummer if "Star Wars" (SPOILER WARNING FOR ANYBODY LIVING ON A DESERT ISLAND THE LAST FORTY YEARS) had been named "My Trouble with Dad who Dresses in Black and uses Black Magic a Tad". Yet there is some mystery until about 2/3 of the way into the film, and at that point it is just very good acting that carries the day.Wealthy Henry Maurier (Charles Boyer) has an invalid wife, Emily (Rachel Kempson). And Emily whines about her condition, whines about her husband wishing she were dead, and apparently, from what Henry says, was not great companionship when she was well. Emily perhaps is picking up on the fact that Henry has an 18 year old mistress, Doris (Ann Blythe), who is getting impatient being just the mistress and being hidden away. The Mauriers also have a family friend, Janet Spence (Jessica Tandy), who is 35 and has remained unmarried all of these years taking care of her invalid dad, although she never sounds as though she thinks he is a burden. Henry finds great intellectual companionship with Janet as they talk over art, music, and literature. Henry has a problem relative in Emily's brother, who is constantly sponging off of Emily, or at least trying to. Henry intercepts him at every opportunity and tears up any checks Emily writes him.One night Henry breaks his own rule and takes Doris out in public, only for Emily's brother to see them together. He blackmails Henry for 500 dollars which he says he will collect the next morning or he will tell Emily all about it. But that is one check he will never collect, because when Henry returns home that night he learns that his wife died of a heart attack earlier in the evening. The maid is blamed for serving Emily red currants rather than the bland diet the doctor prescribed, thus upsetting her delicate system and bringing on the fatal attack.Henry's wealth must be inherited, because he has no patience or prudence. He marries Doris before Emily is cold and takes to redecorating the house to his new wife's liking. The maid, brilliantly played by Mildred Natwick, begins to suspect that maybe Emily was murdered rather than just dying of some random heart attack. Plus she is resenting being blamed for Emily's death. An autopsy is performed and arsenic is found in her system. So, who did it? Everyone thinks Henry did, and the new hot young wife, a mistress while his wife was still living, does not help any. But from the title we know a woman did it. But which one? The maid for being promised things by Emily she knew she would never receive? The new wife for getting tired of waiting for Henry to marry her? Janet for perhaps thinking that Henry cared for her only to be supplanted by someone half her age? Or maybe Emily herself, who may have known more than she was telling and wanted to end her own suffering and point the finger of guilt at Henry at the same time? Well, watch and find out, as Sir Cedric Hardwicke as the doctor cleverly unravels the whole thing like some sexagenarian protagonist from an 80s TV mystery show. This is one of Boyer's most likable roles, even if he is a two faced adulterer here. That says something for his acting (and his roles).

vallerose WOMAN'S VENGEANCE, A ('47 UNIV) Dir: Zoltan Korda Critique: Jessica Tandy, fresh from her Broadway role as the original Blanche du Bois in "A Streetcar Named Desire" in the same year gives the greatest performance of her film career, and one of the greatest, measured by any standard in film history, in Aldous Huxley's brilliant, exceptionally intelligent and literate screenplay from his own "The Giaconda Smile." Tandy, who was unfortunately relegated to secondary roles for the rest of her career until she won an academy award near the end of her life for "Driving Miss Daisy" ('89) is a 35 year-old spinster (!) whose love is spurned by charming but callous philanderer, Charles Boyer, brilliant in his role as the object of Tandy's vengeance. The two stars are backed up by an outstanding cast, especially the cerebral Cedric Hardwicke as the kindly, understanding and extremely perceptive doctor who, in a scene of mesmerizing brilliance, ultimately draws out of Tandy the grim truth about the guilt or innocence of Boyer, who is condemned to death for the murder of his wife. Zoltan Korda, of the illustrious film family, directed this (his) masterpiece, with beautiful chiaroscuro photography by Russell Metty and a fine, understated score by Miklos Rozsa.Marc Feldman 2-4-05

absolutemax A wonderful film with a marvelous cast and brilliantly written screenplay. This film superbly captures the anguish of unrequited love and how it transforms its victims into wrong-doers.

Michael-110 Henry Maurier (Boyer) is an arrogant wealthy Englishman married to Emily who is both sickly and shrewish. Doris (Blyth) is his much younger mistress. The Maurier's also have a woman friend named Janet Spence (Tandy) who has always loved Maurier. When Emily is poisoned, suspicion falls on Henry and there is a great deal of circumstantial evidence against him. The script, by Aldous Huxley, is extremely literate and the movie is a pleasure to watch. Courtroom fans will also enjoy the capably executed inquest and trial scenes.